Not exact matches
Despite Hall's appeal to the Whiteheadian separation of «practical» and «speculative» reason, 11 I think that on a more fundamental level Whitehead too regards knowing (or more broadly the relation of any
actual occasion to its «
environment») as an active process
in which the aim of the subject at its own attainment of value partially determines how it will respond to the
objects of which it is aware.
Steinkamp's works interact between the
actual space and illusionistic space resulting
in environments where the lines between viewer and
object blur.
Her digitally animated works make use of the interplay between
actual space and illusionistic space, creating
environments in which the roles of the viewer and the
object become blurred.
Her works interact between the
actual space and illusionistic space resulting
in environments where the lines between viewer and
object blur.
The conflation of these approaches takes place
in an exhibition
environment: one that includes photographic prints and readymade
objects taken from the
actual location of Amboy, a ghost town
in the Mojave desert that serves as the central location of the film.
Solar Access: This is the ratio of the
actual solar energy available — taking into account shading cast by
objects in the
environment — to the solar energy that would be available
in the absence of shading.