Sentences with phrase «actual space works»

Not exact matches

In addition to providing the actual spaces in which to work, businesses are responsible for providing their employees with other essentials: furniture, high - speed internet, office supplies, phones and printers, to name a few.
To understand these transubstantiations we must go back to the working, actual body — not the body as a chunk of space or a bundle of functions but that body which is an intertwining of vision and movement.
The long - time rule of thumb for political communicators, at least, has been to fish for new supporters in social spaces but move them onto an email list as soon as possible, at least if you want to get actual work or real donations out of them.
It takes students behind the scenes of actual space missions and introduces them to engineers and scientists working on some of NASA's most exciting projects.
I mentioned to Julian how much I would love to have our kitchen look like this, roomier, more work space, and an actual tile floor!
This may work in the spaces of Anderson's meticulously crafted universe of films like «Rushmore» and «The Royal Tenenbaums,» but «Isle of Dogs» is set in an actual foreign country whose culture and traditions Anderson unwisely commandeers.
HL: The four key projects were, we decided to work within umbrellas of existing spaces [at the school] that had so much untapped potential, but the actual design of the products within those projects were the kids» initiative.
Still don't believe they have a real ESports title in the works that would actually work in a scene (setting up splatoon and pokken would be a nightmare when it comes to space and actual platforms, and Switch don't have any wired controllers yet).
Games like Galaxy on Fire 2 and Air Wings Intergalactic work better in the sense that they accept the D - pad's analog inputs, so you don't need to press it so hard; but they'd still work better an actual analog stick, since using even a D - pad to control a ship moving in 3D space is awkward, even if it's an analog D - pad.
Limitations in some templates; too much wasted white space (would love my work to be displayed much larger); integration of pages to sell prints and / or products with my work on it in pages with the original artwork (lower priced or alternative options for folks who aren't yet ready to invest in fine art); room setting view where customers can see the size / shape of a painting / print in an actual room like over a couch or bed, in a kitchen, etc; greater options in template layout (social buttons and email NL signup at top of page, etc).
[I had an interest] in all the concepts regarding practice, materials, conceptual engagements and all the issues that relate to the actual work itself and then the issues related to how works create a contextual environment for the viewer when they're installed in an exhibition space.
Contemporary sculptors interested in working with physical materials, as Maychack is, often take as their source material the recesses and underpinnings of architectural space, whether it is the moldings of a room (see Francis Cape), the sprayed girders of an underpass (Karlis Rekevics), or the negative spaces in and about actual objects (Rachel Whiteread).
To jury an exhibition from the actual works inside the gallery space is, in my opinion, a gift to the exhibition.
Steinkamp's works interact between the actual space and illusionistic space resulting in environments where the lines between viewer and object blur.
This exhibition features the work of artists who generate meaning via cracks in mimesis, delving into the intermediary spaces where the illusory meets the actual in order to examine the understood but oft - unacknowledged gulf between the real and the reproduced, as well as the knowable functional reality of the artifice's construction, the evidence of tremor in the Trompe - lœil painter's hand.
Later Charlotte Perriand works with Le Corbusier on student bedrooms at the Maison du Brésil in Paris, and Florence Knoll devises the display space with Herbert Matter for an actual New York showroom.
His works are often examinations of phenomenological processes, where a hollow or empty space turns out to be the actual center of the work.
Her works riff on past styles; the tensions between pictorial and actual space; the eternal conflict of abstraction and image; the act of looking, including peripheral vision.
HUB M: Outpost Artists Resources @ 1685 Norman St, ground flr Outpost Artists Resources, one of our favorite innovative and experimental art space presents, Actual «Wood: a survey of work created by artists both emerging and renowned who have found their way to Ridgewood, Queens.
«This exhibition examines Tõnis Vint's art practices as a unique total work of art, which offers a model for ordering both the space inside the picture and the actual environment,» said the exhibition curator Elnara Taidre.
«This is true especially since I started working in a gallery context — which is fairly new to me — not someone's house or a project space, but in an actual gallery.
By asking the spaces that write our history to include narratives that have traditionally been left out of actual and historical records, namely the voices and works of female artists and artists who are unseen or under - represented because of race and class; these pioneering activists in guerrilla suits may have been practicing an early form of atemporality.
Her digitally animated works make use of the interplay between actual space and illusionistic space, creating environments in which the roles of the viewer and the object become blurred.
Above all, he needs the prices of his work to remain high in order to keep on working, and that's very different from Jasper Johns or Brice Marden, who might make paintings that sell for millions of dollars but whose actual costs in terms of materials and studio space are relatively low.
This principle is an idea that is expressed and amplified in the complex and colossal works of Yvette Gellis — indeed she has moved from the canvas and into actual space.
He begins lying down amid his work, eventually moving about the space, while an actual talk is done via a voice - over with Miles Davis» In A Silent Way playing under his voice.
He's also a collector of vintage postcards, and while working on a book project he decided to use actual postcards within his paintings as a way of meshing real and imaginary space, photography and painterly effects.
The works in the exhibition incorporate solutions that are abstracted, actual, invented and psychological, demonstrating the myriad ways that artists make space and the diversity ultimately produced by them.
The works create luminous visual fields that are difficult to take in all at once and that seem to shimmer, blink, and glow in an indeterminate space between the viewer and the actual surface of the painting.
His 1964 essay «Specific Objects» is considered a manifesto for Minimalist sculpture, advocating artists whose works inhabited the actual space of the viewer rather than the illusionistic space of traditional painting and sculpture.
Her work often experiments with the ubiquitous desktop computer, as a site of intimate virtual or digital experiences - teasing out resonant connections between machines and bodies and between digital and actual spaces.
Shafran's work books are the quotidian working «space» in which he develops his ideas, but they also contain imagery and ephemera - such as car road tax discs, newspaper clippings, actual cut grass or his son's first tooth - that are not geared towards a final photograph.
Of key importance for all of his exhibitions is the actual staging of the experience — ranging from the design of the space and installation, the conceptualization of the catalogue and related programming, to the attention paid to the performance of the work itself.
Boys» Quarters Project Space is made up of two small gallery spaces, a reading room and Ken Saro - Wiwa's actual office which is now a miniature museum site hosting projected photographic and video installation works relating to Ken's personal life and international legacy.
9 SIMON DENNY (NEW ZEALAND PAVILION, 56TH VENICE BIENNALE; CURATED BY ROBERT LEONARD) Consisting of high - tech vitrines in the spectacular spaces of the Biblioteca Nazionale Marciana and actual - size reproductions of that library's Renaissance ceilings transposed to Venice's Marco Polo Airport, Denny's ambitious two - venue work juxtaposed ancient maps and globes with objects and PowerPoint imagery from a former NSA graphic designer, whose identity was revealed in the wake of the Edward Snowden leaks.
Her works interact between the actual space and illusionistic space resulting in environments where the lines between viewer and object blur.
Gabo's works for niches developed from his early interest in sculptures that extended across the actual space of a room, which he shared with such Russian artists as Vladimir Tatlin.
The subjective exploration of imagined space inspired by the experience of a literal one has been a continued interest in Zahaykevich's work; the physical understanding of her sculpture has a deceptive relationship to it's actual size.
In this work, which is wall mounted like an gargantuan floral wreath, tiny little objects such as angel figurines and silk flowers are camouflaged and completely overpowered by molten matter made up of large masses of foam and glass paint with beads, while actual bubbles are emitted into the viewer's space with the assistance of an aerator.
Philippe Parreno (born 1964) is interested more in the dynamics of how a work of art is shown to the public than in its actual production, and in his films, installations, performances and texts, he subverts the codes normally applied to exhibition spaces.
Ai Weiwei has said the following about this project: «The collaboration with Vito Acconci at Parasite Art Space is an effort in figuring out ways to collaborate, ways (of) defining the actual process of working together.
The two works» fluid repurposing of space reveals how, largely due to the explosion of digital technology, society's relationship to space has shifted from privileging the actual to glorifying the virtual.
As Frank Stella wrote in his book Working Space, there is no substitute for looking at the actual works, you have to be able to go up to the surface and see how the artist put the paint on.
The small - size works painted on cigar - box lids and offered as gifts to friends echo the monumental paintings but bear them into a realm of affection and intimacy; they are nevertheless authoritative enough, as exhibition curator Sarah C. Bancroft observes in her fine catalogue essay, to «capture one's attention from across the room and command an expanse of wall space disproportionate to their actual size.»
In order to fulfil this aim, he set aside the convention of representing light, temperature or space in a sculpture or image, and instead used these phenomena as the actual raw material or media of his work.
The work is an estimate of the global average based on a single - column, time - average model of the atmosphere and surface (with some approximations — e.g. the surface is not truly a perfect blackbody in the LW (long - wave) portion of the spectrum (the wavelengths dominated by terrestrial / atmospheric emission, as opposed to SW radiation, dominated by solar radiation), but it can give you a pretty good idea of things (fig 1 shows a spectrum of radiation to space); there is also some comparison to actual measurements.
I navigate these various decisions and guidelines by working in collaboration with my clients as to various ways to claim their respective inventions (e.g., claiming non-natural claim elements where needed to illustrate patentably eligible subject matter, or alternatively looking for appropriate arguments that meet the USPTO's guidelines), proper development of a patent specification that can be used for prosecution and litigation purposes (e.g., good actual, prophetic and comparative examples to illustrate the novelty and nonobviousness of the invention while still maintaining a broad claim scope of protection for future enforcement), and continual review of the client's patent landscape (via competitive and white space analyses and updates) to look for additional IP opportunities.
They will also require that you put in actual working hours because real companies require real employees, even if they are working in a virtual space.
You don't want to spend bullet points and space describing those jobs, but just showing you have actually worked before is good if you don't have any actual nursing experience on your resume.
These 10 recent films, released between 2006 and 2013, capture office buildings and their inhabitants as we transition from soldiering on alone in our cubicles to working on teams in open spaces, pods and even far away from actual office buildings — and see our lives change in the process.
a b c d e f g h i j k l m n o p q r s t u v w x y z