If Stealing Beauty is shot with a painterliness by Darius Khondji and possessed
of scattered nuggets
of actual wisdom, not just the kind you get from leaning on coming -
of - age clichés (I'm especially fond
of dying
writer Jeremy Irons's frantic search for what he considers one
of his finest
pieces of work («I would think that since I can't find it,» he qualifies)-RRB-, it's also rife with shallow performances (Tyler's is particularly impenetrable, pardon the pun — the camera loves her, but she doesn't love it back), perfunctory soundtrack cues (the use
of Nina Simone is as uninspired here as the use
of Edith Piaf is at the end
of The Dreamers), and fizzling payoffs.
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