However, there was one shortcoming: how do
I actually get the film made?
Not exact matches
It's the title, too, of a particularly cynical BoJack Horseman episode about mass shootings, in which beleaguered
film producers find themselves rolling their eyes while they trot out the phrase, again and again, in response to real events as they try to
get back to the «
actually pressing business of
making sure the movie
gets made.»
I
actually filmed that twice just to
make sure I
got a good angle haha And then I had two creme brûlées with one spoonful taken out of them to devour!
Kate Winslet has
made the shock confession that she never
actually fancied her Titanic co-star Leonardo DiCaprio, as the
film approaches its 20th anniversary
Get all your Kate Winslet news and gossip here!
To watch Downey
making the classic
films within the main
film you would
actually think Chaplin was still alive today starring in his own bio, amazing work to
get it right.
That
makes for engrossing and moving
film making and a movie that
actually got deeper under my skin than Spielberg's classic.
It is unfortunate that the
film's marketing budget and small distribution are its biggest flaws, because the
film will
make you laugh, cry, and smile more than most
films that
actually did
get nominated.
And, assuming the actor / producer
actually makes a deal himself, it would also mark Berg's third
film in a row with Mark Wahlberg, who has been trying to help
get the movie
made for a while, but might have to duck out of a lead role if scheduling becomes an issue.
For a
film about a woman who enjoys the the act of sex without
actually being able to achieve orgasm, it's fittingly ironic how The Oh in Ohio manages to
make us sense amusement without
actually getting us to laugh out loud.
Hill's Academy Award nominee status
makes for a few great gags, Rogen's lack of variety in
film roles is a punch - line and Robinson
gets confused between «acting» tough and
actually being strong.
At moments over the years, there were even hopes that the
film actually might
get made — at one point, Nicole Kidman was signed for the lead — but something always went wrong.
The spirit of a vicious child serial killer resurfaces in the nightmares of teens in modern - day and is responsible for their subsequent and shocking deaths in this tense, spooky thriller from who else, but Wes Craven (I'm
actually not that familiar at all with his style, but since this is a horror
film for the ages I figured I'd best
get ahead and jump on the bandwagon as quick as possible to
make up for lost time).
For his part, Martini is clearly trying to go for a stylized, hyper - real effect in which everything looks normal but is a bit off but his results are off in all the wrong ways — the
film feels as if it was
made by someone who has been charged with
making something in the tradition of «Blue Velvet» and «Donnie Darko» but who never
actually got around to seeing them and is basing his work on what he thinks was in them.
As I touched on earlier, I'm
actually glad that I didn't
get to many new movies this year, because I liked being able (forced) to focus on the cult
films that
make up the backbone of MRFH.
Fans of North by Northwest and Rear Window should seek this
film out as it's about as close to classic Hitch as you can
get without it
actually being
made by Alfred himself.
So given Schwentke's own busy schedule (he's also considering the Simon Kinberg - scripted
film of Robert Ludlum's The Osterman Weekend), we'd be silly to suggest that Divers will
actually get made this time.
Dickie
gets word that Rob Reiner is
making a new
film entitled «Mr. Blake's Backyard» and he is determined to
get the lead role and is
actually able to score a meeting with Reiner.
What I was
getting at is that you have inspired me to be a director, your
films are the reason I'm currently going to
film school and Shaun of the Dead was the first
film I saw to
actually make me pay attention to the camera work and the comedic timing.
But since Adam is
actually on the side of good, perhaps we will instead
get his evil counterpart, Magus, also
make his arrival in the third Guardians
film, seeking to destroy the galaxy.
If a
film about a fashion designer from two of contemporary cinema's most obsessively detail - oriented artists, for which one of said artists
actually learned to
make couture gowns, can't
get nominated for an award recognizing excellence in costuming, then what hope is there for the rest of us?
It's
actually a good sign for the direction of independent
films that a movie that was
made this way good
get the attention from such a huge distributor.
Ahead of the auction's catalog being
made public this coming Monday, we've
got our hands on several pieces of Kurtzman's creature concept art, some of it depicting blood - sucking creatures that never
actually ended up
making it into the
film — at least not as originally designed.
Guillermo Del Toro is known for packing his
films with striking, horrific imagery and for taking on projects that never
actually get made, but his new Netflix series doesn't seem to fit either of those.
There are jarring moments when a green screen is obviously used, but overall, the praise the
film gets for having
actually been
made, is more or less deserved.
There is currently a crowd funding campaign ongoing at Indiegogo to help raise the funds to
make the
film happen in exchange for some killer perks, including being featured in the
film itself,
getting a Michael Myers mask signed by Tony Moran, or a special $ 10 raffle - style perk in which a lucky contributor's name will be drawn at the end of the campaign and they will
actually be put in a scene playing a neighbor who
gets killed by Michael Myers.
Perhaps that's why Blumhouse's namesake producer has taken ownership of the
film on posters and in advertising, heralding the latest release from the person responsible for Happy Death Day and
Get Out, but the only favorable byproduct of conjuring this throughline in moviegoers» minds is
making the former qualitatively look like the latter in comparison to how awful Truth or Dare
actually is.
The
film's trailers
made it resemble Danny DeVito's The War of the Roses, where a couple wanted to kill one another, but with Mr. & Mrs. Smith we
get a couple who
actually CAN kill each other, and the tension is amazing.
That the
film actually got made so soon was impressive enough, but when «Rectify» star Adelaide Clemens, an Aussie actor who had appeared alongside Leonardo DeCaprio in The Great Gatsby, was secured for the main role, it seemed another good omen.
2:30 am (24th)-- Sundance — Army of Shadows This Melville
film about the French Resistance during WWII wasn't
actually released in the US until 2006 (it was
made in 1969), so
getting to see it at all is something of a treat.
And self publishers and Indie publishers in particular now have a lot more options available to them in terms of
actually pursuing their own projects, and
getting their own stuff
made and adapted from their original source material into web series, television projects, various different short
films, feature
films, things like that.
Ever wondered how an animated
film actually gets made?
Make a joke about how Darth Vader breaths and they
get it, but talk about anything more obscure within the
films and they don't, revealing that they've never
actually watched the trilogy.
For
film making there are all sorts of ways to
make something look like it's real without
actually having to do that thing, or they
get it done with well trained stunt people and a lot of controls.