Shadowplay diverges from traditional shadow puppetry in that the silhouetted characters are
actually real actors.
Not exact matches
So far we've talked about tax bills, tears, rows in lifts, and whether or not
real Londoners were
actually actors in our election broadcast.
I may be partial too because I
actually had a class with Rachel Brosnahan when I was training as an
actor, but she is the
real deal!
It's
actually rather funny how some of the animate characters look like exaggerated cartoon versions of the
real - life
actors.
From the shoddy editing to the campy screen writing (if it wasn't completely improvised, hard to tell when no
real actors were
actually hired), Dead man's shoes never aspires to be much more than a
From the shoddy editing to the campy screen writing (if it wasn't completely improvised, hard to tell when no
real actors were
actually hired), Dead man's shoes never aspires to be much more than a low budget B - movie at best.
I really really dislike the main character like he's
actually in
real life gonna get the girl of his dream, are you serious??? He has a crooked smile, wears pajamas all day outside of his house and talk's like a gay poet, I just think he sucks as an
actor, uggh I don't know why I dislike him so much after this movie.On the other hand Rachel Bilson is very cute and not as bad of an
actor This movie solely focuses on telling the story and making us like the characters for themselves.
But so apt is it (everything he touches inevitably seems to turn to crud — which
actually makes the
actor's name fairly appropriate as well, come to think of it), that telling us his
real name is never deemed important.
And it has to be said that the child
actors playing the kids, Megan (Scarlett Estevez) and Dylan (Owen Vaccaro)
actually give
real comic performances.
He
actually held what he calls «Inside the
Actor's Studio - like sessions» with the talent and have his animation team come and observe them perform or just ask questions to get a real feel for how the actor reacted during some scenes or mot
Actor's Studio - like sessions» with the talent and have his animation team come and observe them perform or just ask questions to get a
real feel for how the
actor reacted during some scenes or mot
actor reacted during some scenes or motions.
The 15:17 to Paris
actually stars the three
real men playing themselves: Anthony Sadler, Alek Skarlatos, and Spencer Stone, along with a cast of
actors including Jenna Fischer, Judy Greer, Ray Corasani, PJ Byrne, Tony Hale, and Thomas Lennon.
I'm not a fan of connecting the dots between
actors»
real lives and their movie lives, but the fact that Krasinksi and Blunt are married, with two children, or that Simmonds, who also appeared in «Wonderstruck,» is
actually deaf, gives the film a verity it might not normally possess.
That fact was
actually intended by Jackson, who hoped the young
actors would grow
real bonds after spending so much time together.
If you're at all interested in the film, be warned that the «documentary» gives away every major plot twist (admittedly, they're not that difficult to figure out in the first place) while providing no insight into the film nor the
actors (save for the disheartening shock that Cook, Phillippe, and Forlani are
actually more insipid in
real life).
In fact, you can see this on video as well, only much better, in the Danny De Vito directed, The War of the Roses, which features
actors with
real talent and a screenplay that
actually took chances.
Jordan is a strong enough
actor to
actually make aspects of this work a little bit, giving us an Oscar Grant who feels like a
real person even as he moves through manufactured omen after manufactured omen.
If I am not mistaken, Carrell
actually allowed Apatow to film him have a
real chest wax and everything that happens in that scene are Carrell, as well as the other
actors standing and watching, creating the jokes with whatever feels natural.
It's refreshing to see someone who is patently not conventionally handsome play the lead in a teen movie, as Teller's facial scars (
real - life scars from the
actor's brush with death in a car accident a year or two ago)
actually contribute to Sutter's self - destructive nature.
But it's not as gross as watching
actors as talented as these try to make something out of a script that contrives human interaction in such a way that Love
Actually becomes quasi-fantastical in its attempts to sell the events as something born out of love — you know, the kind of stuff that gets people by in the
real world, not the sweet syrupy stuff in movies.
You don't see that every day when an
actor actually apologizes for being in crap plus he's a
real energetic, funny, and nice guy.
Who cares if the second - unit footage of
real European and Japanese racetracks doesn't match up with the ones where the
actors are
actually driving?