Sentences with phrase «actually talking about the film»

This week we return and break from our usual trend and actually talk about films that are in theatres (or at least in our neck of the woods), with the recent theatrical run of Skyfall and The Master finally being released in Jamaica my cohosts and I take the time to break it all down... Continue reading «TUMP [EP # 128 — SKYFALL & THE MASTER]»

This is an odd commentary as the brothers spend more time trying to make each other laugh than actually talking about the film or sharing any stories.

Not exact matches

So that's our interest and getting the communication that comes out of that, whether it's the book or the films hopefully it's coming out of a real thing that's actually being lived and not just talking about some stuff.»

Kate Winslet has made the shock confession that she never actually fancied her Titanic co-star Leonardo DiCaprio, as the film approaches its 20th anniversary Kate Winslet talks about relationship with Leonardo DiCaprio - and shares her views on working Hollywood mums

The film was once talked about as the beginning of a possible trilogy, and the finished product feels desperate to start a franchise instead of doing the thing that would actually make such a series compelling: telling an interesting story with skill.

2» pays homage to a variety of genres — spaghetti Western, film noir, blaxploitation (after all, this is Tarantino we're talking about), kung fu — while actually managing to hammer home a pretty solid, heartfelt story.

Dial M remains more of a filmed play than a motion picture, unfortunately revealed as a conversation piece about murder which talks up much more suspense than it actually delivers.

The more you think about the choices the filmmakers put into a movie and the more deeply you place the results (intended or otherwise) into context, the better you can talk about to a movie in terms of how it worked and the more you can actually write about a film while respecting the filmmaking process and the history of film.

And with all that talk about films that have been and films that will be, it's a bit too easy to lose track of the actual films that are actually sitting right there waiting to be watched.

«It wasn't until I saw Greta talk about the film and making it and putting it together, and how all of this came from her and she's done something brilliant that people truly love and it's a great piece of work that I thought, «Oh yeah, I do want to do this now and maybe I could actually do it,»» Ronan adds.

Perhaps all the happy talk around the movie's Oscar chances had little to do with the way the Academy actually thinks: The opportunity to salute Birdman, a film about a Hollywood actor's redemption, proved too tempting.

Besides that, it's actually a pretty sweet video of some of the cast talking about their memories of the original animated film as well as their impressions of the live - action version.

And any time spent thinking about how ridiculous what they're actually talking about is, is still more entertaining than some of the antics the supporting characters get up to, be it John Malkovich trying to kung fu a robot or a former Special Forces soldier complaining stress or all the running he was having to do, or dear God anything having to do with Sam's parents who offer nothing to the film but reminders why they shouldn't be in it.

That big moment charged the hype machine for the film in a way that major summer blockbusters aren't capable of achieving with an entire year of buildup and spoiler - filled trailers, making this film one of the most talked about projects in the past year simply due to the fact that no one knew what it actually was.

You see I want to talk about the film's structure, how its episodic and unfocused storyline actually points toward its origins as a manga, and how while having little in the way of actual plot the film uses metaphor and subplot as text rather than subtext.

Hollywood may be home to the film industry, but amid all the shop talk, it's tough to find anyone there who'll open up about how a movie actually made them feel.

He and I had talked about doing a film together maybe about three or for years prior to actually working on this one.

On the ongoing discussion of race: «I think [the film] has actually helped talking about it and so forth,» McQueen reflected.

A practical effect], or the fight sequences where we actually see Batman beat down hordes of the ungodly with surprising ease — and savagery; while we could talk about superb performances [Christian Bale, Aaron Eckhart, Gary Oldman and the rest cast are all in top form] or debate the questions raised by the film for hours, and / or the film's achievement purely on an entertainment level, what makes it a masterpiece is that it is all of these things and more.

It's actually surprising that more people aren't talking about Morgan — especially with Ridley Scott producing his son's debut film — because this one looks damn good and it's surrounded by some serious talent.

Seven directors gathered together for the Envelope Roundtable to talk about their work and found their wildly different films actually had a lot in common.

Perhaps with an eye on the Sundance brass ring, the film actively renounces its low - budget privilege to be either a serious meditation on the whole soliciting minors for sex over the Internet phenomenon or quasi-feminist grindhouse schlock; you can sense that it wants to be talked about more than it wants to actually say anything.

Of the many thrills that come from interviewing creative people — variously, unknown, ascendant and at the top of their game — there's also the under - discussed flipside: talking with, 1) vapid young «actors» (line - reciters is more like it) who have neither a sense of film history nor an appreciation for their occupational good fortune and, 2) perfectly genial writers and directors who are nonetheless so relentlessly on script — occasionally reciting entire career - checking passages verbatim from press notes no doubt spit - polished into significance by some friendly faction in the dark wings — that you realize they actually have less summary insight or thoughts about several months or years of their own work than you do after 90 to 120 minutes with it.

Discussions were going on in the line about the film actually being real, some even talking about how they heard the bodies of the three filmmakers were never found.

Also on Thursday, check out The Claim on IFC — I talk a lot about bad Milla Jovovich films (because I enjoy even the bad ones), but this one is actually good.

Throughout the promo rounds for «Drive,» Refn talked about how he rang up the French director to ask him for tips on how to shoot the head bashing elevator scene for the film: «I actually called up Gaspar Noé and asked him how he did the head smashing, because he's the king of head smashing.

I find myself every year in the peculiar position as a film academic spending all my time talking about and screening film, and then struggling to physically get to see stuff that's actually showing at cinemas and festivals.

I know this has been done in other films, and I remember Kubrick talking about wanting to show real sex between developed characters, but it still feels kind of impressive in this film, mostly because you actually care about the characters.

Even more effectively than in Frankenstein, Whale adapts the shadowy darkness of the silent German Expressionist classics to the early sound era, a time when most Hollywood directors had seemingly forgotten everything that had been learned about the creation of mood, atmosphere and meaning through image over the prior 20 years in the struggle to capture the novelty of actors actually talking (By 1932, this phase of film was thankfully on it's way out, thanks to Whale, Howard Hawks (Scarface) and Busby Berkeley).

Meanwhile, we recently learned that the zombie / Nazi / WWII film Overlord that we've been talking about is actually the 4th Cloverfield film, which we might have guessed if we'd paid attention to the creative team, which is the same on God Particle.

Publishing Art Ayris, CEO of the Christian publisher Kingstone Comics, talks about his latest project, a graphic novel adaptation of the post-Rapture film The Remaining, which will actually come out before the movie.

Make a joke about how Darth Vader breaths and they get it, but talk about anything more obscure within the films and they don't, revealing that they've never actually watched the trilogy.

ramon ray was everywhere, filming, interviewing and recording everything and then posted this great video, that actually contains me talking (rambling actually) about podcasting - plus many others;)