Sentences with phrase «added layers of paint»

He added layers of paint until sometimes the original painting has been covered over many times.

Grosse uses boat building techniques to create monumental abstract sculptures for display at Brooklyn's Metrotech Plaza, while at the Nasher Sculpture Center in Dallas, she adds layers of paint to a room filled with soil as a painted sculpture pierces through the building's architecture.

Once the paint had dried on all the shims, which was very quickly, I decided to add another layer of paint.

Not exact matches

Once I've printed the fabric, I embellish the prints further by using a mix of techniques, such as hand or machine stitching, adding touches of colour by hand painting small areas here and there, all of which add an extra layer of interest to the prints.»

Instead of creating a seamless line with the built - in shelves the same white, we decided to add contrast and an additional layer of depth by painting them Benjamin Moore Black Satin.

Once you have painted the box, filling it with a layer of faux eucalyptus and adding the white pumpkins takes a few minutes at most.

I want to try this method, I've been making my own chalk paint, and painted my china cabinet, and used the Minwax dark wax to antique it, it's not for everyone, but the look is just what I want, old world look, not even put it has character, I am doing my coffee table as well, I find very ornate pieces cheap and paint a base cream chalk paint and then go over it with the Minwax dark, let it sit for 15 min and buff, then add another layer of wax, its so much fun, but the problem I'm having is I'm ADD and I have 5 projects going at onadd another layer of wax, its so much fun, but the problem I'm having is I'm ADD and I have 5 projects going at onADD and I have 5 projects going at once!

I felt when they weren't spray painted over they gave an added iridescent look on top of the layer that was spray painted white.

So, without wanting to layer on more paint, I decided to add a heavy coat of dark wax thinking it would tone down the green a bit...

Another option would have been to paint a base coat of acrylic or chalk paint over the entire piece and then add a layer of milk paint without bonding agent.

Approaches to oil painting techniques include indirect painting, whereby successive layers of paint are added to build up a painting's surface, as well as «wet into wet,» which involves blending wet paint directly on the canvas and is closely associated with alla prima painting.

Approaches to oil painting techniques include indirect painting, whereby successive layers of paint are added to build up a painting's surface, as well as «wet into wet,» which involves blending wet paint directly on the canvas and is closely associated with alla prima painting.

The interiors of Villa Oceania use stone walls, wood floors and paneling and wicker furniture for warm natural texture, while white and cream paint and upholstery add a layer of modern freshness.

Approaches to oil painting techniques include indirect painting, whereby successive layers of paint are added to build up a painting's surface, as well as «wet into wet,» which involves blending wet paint directly on the canvas and is closely associated with alla prima painting.

Now if they wish to, they can simply cookie cutter a bunch of crap around and add a new layer of paint and a couple of new meager features, and voila!

Lewis suggests premium ship nameplates will allow players an extra layer of customisation in - line with the paint jobs and add - ons already present in the game's store.

Lipke's mother brought the handmade loom from England to Brooklyn, and Lipke has used its warp and weft to add lines and layers of color to her paintings.

The texture of the heavy - weight watercolor paper needed for this process adds a layer of abstraction more akin to the language of drawing and painting than photography.

Paintings also have possibilities as odd, hybrid «image - objects» that add a layer of resonance in contradistinction to the variety of images rooted in an interface (from screens to pages to billboards); interfaces that we as viewers are invited to ignore, and from which media images seem to float.

Many of the featured artworks are from the1950's and 60's including an important densely layered collage from1955 by Lee Krasner which redeployed sections of discarded paintings and drawings by her husband Jackson Pollock in tandem with new design elements she added to her own studio scraps.

This selection of tough and tender, large - scale works of oil on canvas are so much about painting that we could call Eisler a painter's painter, and yet they use painting as an added layer of mediation.

With each layer I add I always become attached to brush marks or different sections so end up leaving parts of the under painting showing through.

Fox's process, continually adding and removing layers of paint, echoes the way that geology forms slowly over time by evolution and erosion.

These paintings are the product of a labor - intensive process known as frottage, in which paint is first applied to the canvas before the artist methodically alternates between scraping off existing layers and adding fresh coats.

Applied directly to the canvas, the tape acts as a powerful formal device; more importantly, though, because of its original function as a storage device, it adds layers of hidden meaning to the paintings.

In his recent exhibition, Standard Deviation, at the Green on Red Gallery (May 30 — July 6, 2013), the aluminum sheets that make up the surfaces of his paintings are covered with thin layers of translucent colors; puddles, slashes and spills; scraped, sanded and scarred areas; built up grooves and ellipses, none of which add up to an overall image or dissipate into randomness and chaos.

This allows for greater variety and originality in the paintings and an added layer of content that is more specific and somewhat representational.

Subsequently Montgomery chooses either to keep this «pigment transfer» as is or add various other layers of paint, pastel or found materials.

He starts each painting with a layer of abstract sharpie drawings, then paints white shapes over the whole thing, and then adds in a full background of cities and scenes.

At a deeper level, FLOW and EBB is a metaphor for the fluctuating art - making process - the act of mark - making, adding and removing paint and other media over many layers, echoing the way the landscape has developed over time... a building up and a breaking down.

The pigment is not painted within the outlines of the shape; instead it is layered thickly on to the paper, mixing in small amounts of turpentine, and then adding varnish little by little in a laborious process which lends physicality and depth to the two - dimensional works.

The thick and fluid layers of paint often obscure the face of the figure, adding a sense of mystery to the work.

Inspired by the hard - edged abstraction of Frank Stella and the shaped supports of Ellsworth Kelly, Parazette builds his paintings meticulously by adding layer upon layer of acrylic until each plane of color is flawless, its edges accentuated with precise pin stripes.

Braque also calls attention to the canvas by adding sand to the ground layers to form a stucco - like surface and combing through wet paint in areas of the table to replicate a wood grain effect.

The compositions in her current paintings continue to reference the layering and puzzling together of shapes that defined her collage practice, adding a new attention to materiality.

There is also a performative quality in his works, which becomes clear not only when Linnenbrink pours the resin with its added pigments onto the image carrier, or drills holes in the hardened paint layers of some paintings.

Some of the works, featuring masks and clowns, add another layer of disguise to unravel; in others, a candle and a skull pay homage to the Dutch tradition of still life and vanitas painting — a surprise note of gravitas.

Relying on the thinner quality of acrylic paint compared to oil, Nara creates each painting by adding and removing pigment until he reaches his desired effect: a canvas made up of suspended hues that allows the figure to emerge through layers of color, inviting the viewer to stand still and enter a moment of contemplation.

Using a restricted palette of ultramarine and umber, Yun created his distinctive compositions by adding layer upon layer of paint onto raw canvas or linen, often applying the next coat before the last one had dried.

De Crignis would begin with a smooth white gesso ground, then over weeks add as many as forty layers of semitransparent paint in glazes.

Painting does not qualify as an additive technique because that which is covered up is no longer accessible as part of the visual experience and because painting remains 2 - D in spite of adding paint layers so that painting is not a qualified documentation of scientific rePainting does not qualify as an additive technique because that which is covered up is no longer accessible as part of the visual experience and because painting remains 2 - D in spite of adding paint layers so that painting is not a qualified documentation of scientific repainting remains 2 - D in spite of adding paint layers so that painting is not a qualified documentation of scientific repainting is not a qualified documentation of scientific realities.

Starting in early July, she was painting on - site, and it adds another layer of concrete personal history.

Whether working with photography, painting, sculpture, moving image for installation, Khan employs a continual process of creation and erasure, adding layers upon layers, concealing and revealing to explore ideas around time, memory, creativity and spirituality.

Detailed gouaches and large billboard paintings add another layer of discussion surrounding our relationship to abstract painting versus conceptual object.

The concentric framing devices are painted first, then covered up while Commito adds the planer, fractured, layers that eventually form the «body» of the painting.

The subtle layering of brushwork in the underpainting adds a textural dimension to these paintings.

Born from the Fugian tradition of elders» preparing their coffins with a coat of lacquer for each year until their impending death, Wang adds paint to his canvas twice daily, with each layer farther removed from the painting's edge.

As much a commentary on art as culture, Hirsig layers meaning and materials into the paint by adding collaged images and fabrics: fractal - like detailing gives way to soft brushstrokes interrupted by heavy spills of paint out of which an explosion of color and texture emerges.

The transparency of the medium adds an element of poetry hidden between the layers of paint.

The resulting combinations of their concentrated techniques add yet another layer to the already complex levels of association to be found in these paintings which reference among other things the colorful clothing and bangles of Indian women, devotional garlands, and the cosmic diagrams of Tantric art.