It was a lot of spraying of primer (that
I added paint thinner to in order to thin it down for the sprayer) and then a coat of white.
Not exact matches
What I usually do with large projects is
paint the first coat and then
add a little water to the
paint container to
thin it (just a bit, like maybe 1 - 2 Tablespoons).
A wonderful looking nail art design with
thin gold strips
painted on top plus clear beads to
add effect.
It will thicken slightly but with this
paint you can
add some water and stir to
thin again.
Mine was not
thin but you can
add a little more of the latex
paint to it until it is the consistency you like!
The texture is so much smoother than when using grout or plaster of paris and I don't need to
add water to
thin the latex
paint, either.
I had a dark grayish blue mirror and I used white latex plaster of Paris recipe and at first it was so thick so then I
added more water and then it got dinner but then you got chunkier so then I
added some fresh
paint some gray
paint to it and it came out to the
thin thinner consistency so I
painted it white and the gray over it it just doesn't look right what can I do
They are solid tempura
paint sticks that glide easily on paper and they've recently
added to their collection by making markers, and
Thin Stix!
Once the
paint is dry, I usually wait 24 hours, then I
add a very
thin coat of Fiddes and Sons or Johnsons Paste wax and buff it with an old t - shirt to bring up a shine.
By
adding some water - it allows the
paint to be a little
thinner and smoother and it will glide on easier and you will use less
paint.
For much of the game you'll run around quasi-familiar locations with a paintbrush that can shoot either
paint or
thinner, allowing you to alter the landscape by either
adding something that wasn't previously there or by removing something entirely.
I splashed
thinned paint to
add character around areas of detail.
Miró pioneered the technique of staining; creating blurry, multi-colored cloudy backgrounds in
thinned oil
paint throughout the 1920s and 1930s; on top of which he
added his calligraphy, characters and abundant lexicon of words, and imagery.
In his recent exhibition, Standard Deviation, at the Green on Red Gallery (May 30 — July 6, 2013), the aluminum sheets that make up the surfaces of his
paintings are covered with
thin layers of translucent colors; puddles, slashes and spills; scraped, sanded and scarred areas; built up grooves and ellipses, none of which
add up to an overall image or dissipate into randomness and chaos.
For the first step, Yuri Masnjy
painted a black abstract form that took up most of the white canvas; Joanne Greenbaum then
added multicolored pencil - drawn lines midway through the process; and Kate Shepherd
painted black details with a
thin paintbrush.
Relying on the
thinner quality of acrylic
paint compared to oil, Nara creates each
painting by
adding and removing pigment until he reaches his desired effect: a canvas made up of suspended hues that allows the figure to emerge through layers of color, inviting the viewer to stand still and enter a moment of contemplation.
Bruce Helander (The Art Economist) writes, «Jill Krutick's gentle and gracious works
add enchanting, soulful excitement every day for life... Krutick's unique formula that she follows in her distinctive
paintings is to experiment with a variety of gestural brushstrokes, which seem to be in perfect harmony, like a complicated orchestra where a variety of musical components emit a certain collective sound, or in the case of Krutick, create a uniquely complicated gathering of disparate forms with a subliminal ambulatory feeling that makes them seem to skip off the canvas and into
thin air.»
Unlike the surfaces of earlier
paintings, in which
thin layers of rolled acrylic
paint constituted the backgrounds onto which black pixelated images were silkscreened, the backgrounds of the Shadows canvases were
painted with a sponge mop, whose streaks and trails
add «gesture» to the picture plane.
All
added up to her eccentrically shaped
paintings: wafer -
thin enamel - on - aluminum compositions of shifting color planes within extruding and sloping architectures that she mounted as closely as possible to the space's walls.
You can work with thick
paint, wait a couple of days for that
paint to dry then
add thin glazes to create luminosity in your work.
Using gouache or other
thin paints, he will then
add a few shaky geometric designs or stray gestures to his damaged fabrics.
Once the
paint is dry, I usually wait 24 hours, then I
add a very
thin coat of Fiddes and Sons or Johnsons Paste wax and buff it with an old t - shirt to bring up a shine.
To keep her DIY project within budget, she
thinned her
paint with water and
added a splash of something special — she
added our Classic Damask Stencil pattern to the sides of the dresser.
How to use it: Ceramic is not porous at all, so sand the surface with 120 - to 150 - grit paper and clean before applying primer, then
add two
thin coats of
paint.
I had a dark grayish blue mirror and I used white latex plaster of Paris recipe and at first it was so thick so then I
added more water and then it got dinner but then you got chunkier so then I
added some fresh
paint some gray
paint to it and it came out to the
thin thinner consistency so I
painted it white and the gray over it it just doesn't look right what can I do
Mine was not
thin but you can
add a little more of the latex
paint to it until it is the consistency you like!
It will thicken slightly but with this
paint you can
add some water and stir to
thin again.
When you used the
paint sprayer did you
add water or anything to «
thin» the
paint?
If it's too
thin add paint.
A hand -
painted silk mural or wallpaper will
add to the softer look, but if wall space is at a premium, an alternative way to incorporate it is by inserting a
thin, framed section into cupboard doors.
By
adding some water - it allows the
paint to be a little
thinner and smoother and it will glide on easier and you will use less
paint.
I would then
add 1/2 teaspoon of water to the Chalk
Paint ® and mix it in to
thin the
paint.
Remember — you can always
add more water - BUT don't waste your
paint by
adding too much and making it too
thin!
They are solid tempura
paint sticks that glide easily on paper and they've recently
added to their collection by making markers, and
Thin Stix!
But, instead of
adding entire white panels, we just used slim pieces of very
thin wood from Lowe's and
painted them white.
If making your own chalk
paint,
add more water / CCP to the
paint to
thin it out a bit.
Add more
paint to your mixture and apply a very
thin coat over the piece.
A quick going over and then apply the
paint, let dry, then
add another coat until you get the coverage you want, then apply the wax in
thin layers, buffing after each layer.
For both coats use a very
thin layer of
paint and
add more to cover as each layer dries.
After I had sanded it I
added a VERY
thin layer of wet wash, meaning my brush was pretty wet when I dipped it into the white
paint I was using.