In
addition, and unlike much English - language
film scholarship even today (and certainly television studies), the book is far from Anglophone - or even Francophone - centric in its account of both cinema and
criticism / theory's history, being at pains
to emphasise the reality of new - century scholarly discourse as truly global in scope.
Kenji Fujishima contributes
film criticism to Slant Magazine, Brooklyn Magazine, The Playlist, and Village Voice in
addition to Paste.