In
addition to painted collages, Blake made imitation bulletin boards with reclaimed printed matter and dioramas, entranced by the emblems and iconography of the 1960s.
Not exact matches
In
addition to her oil
paintings, [13] Kirsch works with photography and photo -
collage.
A prolific artist, Kelly worked in a range of media — including sculpture, printmaking, drawing, and
collage in
addition to painting — and his work has been shown in retrospectives and exhibitions in major museums and galleries around the world.
Throughout his career, Rosenquist has worked in a range of diverse mediums, and has produced a broad array of drawings and
collages in
addition to his
painted works and prints.
The three vertical panels, in
addition to referencing the traditional triptych format, appear
to be horizontally subdivided into three regions: a relatively quiet area along the top, bordered by a long squeeze of red
paint that crosses the surface from left
to right; a densely layered strip across the center, where the majority of the
collaged elements are concentrated; and a band of brightly colored stripes that fills the bottom.
Collection, as Walter Hopps observed, is probably the first of Rauschenberg's works
to evince all the characteristics of a Combine, that hybrid of
painting and sculpture that the artist developed in the 1950s.1 Yet, despite the challenge
to conventional categories posed by its
collage and the
addition of objects that transgress the limits of frame and picture plane, Collection stands primarily as a reflection on the contemporary status of
painting.
In
addition to enormous
paintings, Rosenquist created drawings, prints and
collages.
In
addition to her work on Rauschenberg, Davidson is senior curator for collections and exhibitions at the Solomon R. Guggenheim Museum, where her most recent exhibitions and catalogues include Robert Motherwell: Early
Collages (2013); John Chamberlain: Choices (2012); Art in America: 300 Years of Innovation (2007); No Limits, Just Edges: Jackson Pollock's
Paintings on Paper (2005); Peggy and Kiesler: The Collector and the Visionary (2004); and American Pop Icons (2003).
In
addition to her time at the drafting table, she has been
painting steadily and for more than 35 years has studied under the master of
collage at the Art Students League, Bruce Dorfman.
In
addition to his newly commissioned Bob Rauschenberg puppet / installation and related opening night performance, the exhibition will also include a selection of the artist's now iconic and humorous «Word»
paintings, as well as a series of recent watercolor drawings and
collages produced during Wayne White's month - long Robert Rauschenberg Foundation Residency on Captiva Island in 2013.
In
addition to sculpture and installation art, her prodigious oeuvre includes
paintings,
collages, drawings, films, and photographs, and frequently incorporates seemingly disparate materials and imagery
to create characteristically complex, enigmatic works.
In
addition to canvas
collages, Loving also began piecing together torn strips of paper and cardboard into massive compositions that he would
paint in a variety of colors and mount
to metal supports so that they jut out from the wall, causing shadows that in effect became part of the overall composition.
In
addition to his most important bodies of work, the exhibition will feature aspects of Conner's oeuvre that have rarely been seen before, including
paintings from the 1950s, his photographs of punk bands from the 1970s, video work of the 2000s, and a large number of drawings, prints, and
collages and media works that he made in the last decade of his life.
In
addition to thinking about the production of sound as a key inspiration Kirsch later brings up an interesting point about Picasso's «use of
paint as if it were an element of
collage.»
The exhibition brings together around 170 pieces, including watercolours, gouaches, luminous reliefs,
collages,
paintings, mobiles, sculptures and interdisciplinary projects, in
addition to a documentary section on the period stretching from 1949
to the early 1980s.
Organized by Curator - at - Large Katy Siegel and Curatorial Assistant Caitlin Julia Rubin at Brandeis University's Rose Art Museum, the exhibition showcases Drexler's better - known
paintings in context with her
collages, drawings, and sculpture, in
addition to her scripts, screenplays, novels, and photographic ephemera.
Also, in
addition to the photographic works of Dibbets and Gilbert & George, there are photographs by William Wegman (who is also the subject of a recent exhibition of
collage -
paintings on the fourth floor of the gallery), Bruce Nauman, and Douglas Huebler, the latter being one of the most intense, ironic, yet obliquely masterful artists associated with the origins of Conceptualism.
In
addition to an installation of clown sculptures and
collages, the exhibition will feature two significant large - scale sculptures: a marble ghost clown and a
painted wood circus bear.
Of particular note are the ongoing updates
to the existing catalogue raisonné of Robert Motherwell's
Paintings and
Collages, and the
additions to the catalogue raisonné of his prints and editioned works.
In
addition to the notebook pages, the exhibition includes a selection of Basquiat's
paintings with
collaged elements.
In
addition, several of the photographers are also painters and their work in the exhibition employs processes akin
to photography such as scanning, the much older process of hand - made
collage, and in one case,
painting abstractly over old family snapshots.
For the rest of his career, Motherwell
painted in both expressive and austere modes, in
addition to creating
collages and collaborating with printmakers
to make limited edition prints.
In
addition to painting, Rosenquist has produced the occasional sculpture, such as Capillary Action II (1963, National Gallery, Ottawa), a huge range of prints (using lithography and etching as well as silkscreen methods), as well as drawings and
collage art.
Traveling from the Santa Monica Museum of Art, Thomas's first solo museum exhibition in the United States highlights her work from recent years, featuring her signature embellished
paintings in
addition to collage, photography, and installation.
The collection also contains masterpieces of drawing by John Singleton Copley, Mary Cassatt, Grant Wood, and Alfred Leslie, in
addition to over two dozen
painting studies by Arthur Dove,
collages by Robert Motherwell, and an exceptional collection of light - sensitive miniatures.
In
addition to spray
paint, Latham tore, sawed, chewed and burnt books
to create
collage material for his work, [1] such as Film Star (1960).