Sentences with phrase «additional artists with»

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Creating a handmade item resonates with me already, so adding the additional element of collaborating with an artist to imbue these added layers and special design elements to our handcrafted slings, studio space, and events is incredibly special.

King will be joined by Gotham recurring guest star J.W. Cortes (a 13 - year Marine combat veteran and a police officer with New York Metropolitan Transportation Authority), additional comic book writer / artists and thought leaders for a candid conversation about the lasting effects of battlefield trauma.

They include an alternate opening of Carol doing an voice exercise with an annoyingly - voiced woman interviewing her in a bookstore, more of and on Dani and Moe's rocky marriage, a scene featuring an accomplished female voiceover artist (played by Melissa Disney), and a number of additional clips from the convincing fake reality dating TV show woven throughout the film,

Additional background on the production can be found in the sole supplement on disc one, «Inside Walt's Story Meetings,» in which transcripts from his concept meetings with artists and animators are acted out in overwrought radio show fashion by voice actors; I would rather there have also been an option to forego the theatrics and simply read the text.

NEW Sounds from the Cold — interviews with supervising sound editor David Lewis Yewdall and special sound effects designer Alan Howarth NEW Between the Lines — an interview with novelization author Alan Dean Foster Audio Commentary by director John Carpenter and actor Kurt Russell John Carpenter's The Thing: Terror Takes Shape — a documentary on the making of THE THING featuring interviews with John Carpenter, Kurt Russell, special effects make - up designer Rob Bottin, legendary matte artist Albert Whitlock plus members of the cast and crew (80 minutes — SD) Outtakes (5 minutes — SD) Vintage featurettes from the electronic press kit featuring interviews with John Carpenter, Kurt Russell and Rob Bottin (12 minutes — SD) Vintage featurettes — The Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby cards)

The event reunited the film's cast and crew — including stars Kathy Najimy, Thora Birch, Vinessa Shaw, Omri Katz, and Doug Jones, producer David Kirschner, composer John Debney, designer William Sandell, effects / makeup designer Tony Gardner, and additional effects artist and crew, for a special reception, prop display, two sold - out screenings, and two intimate panels with the cast and crew!

But given the preoccupations of this great American artist, unsung in her own time but almost universally beloved today, the moment shudders with an additional significance.

These 12 or so days are often scheduled consecutively with the artist, but sometimes we've spread them over a few months so that additional work takes place with the art teacher or in the classrooms without the artist - in - residence.

For our school, that works out to be 12 contact days with the artist and an additional day for a culmination.

Sometimes it's helpful to schedule an additional after - school workshop with the artist, just for the teachers to better understand a specific aspect of the process or an additional technique that they could incorporate into their teaching.

And a purer, crisper radio sound is now available thanks to the introduction of an optional HD Radio in the U.S. Along with the fine listening experience, come additional features such as song title and artist information.

Just to let you know where we are in this case, which is proceeding with the deliberate pace of US litigation: In late 2014, Ellora's Cave sued Dear Author and Jane, its proprietor, claiming that Dear Author defamed EC by publishing a blog post stating that EC was not paying a set of its authors, editors, and cover artists in a timely fashion, and that there were additional indicia of financial difficulties, as evidenced by tax liens.

Alex Abad - Santos presents a primer on how to read a comic, with a glossary of basic terms and an explanation of how a comic page is structured, with Ody - C artist Christian Ward providing additional commentary.

WEB OTAKU provides in - depth coverage by expanding on stories in the magazine, along with daily updates of what's hot in Japanese pop culture, additional manga chapters, game coverage, interviews with artists and writers too extensive to fit in print pages, writing contests, drawing contests, web - only reviews and tips, reader forums and an online community program, bringing an immediacy to the market that has never before been seen.

The merchandising rights remain with the artist, but they have the option to sell the merchandising rights as an additional extra to allow the author (and especially publishers) to sell products like printed posters, post cards, t - shirts and whatever they can think of.

Thrillbent's first regular feature will be a new, free weekly series produced by Waid and artist Peter Krause, the team behind the Eisner - and Harvey Award - nominated IRREDEEMABLE, with additional weekly series by Waid, Rogers and others soon to follow.

I provided my own cover page, since my daughter is an artist with the tools to do it, but for an additional fee, comparable in price to other such sites, you can get a professionally designed cover ($ 149 for a basic cover; $ 279 for a deluxe).

Last year an additional bond was formed with Galerie Perrotin and Art Saint Barth who exhibited the celebrated Brooklyn - based artist KAWS, as well as Daniel Arsham and so much more...

An additional programmer and artist will be added 6 months into production, along with a part - time musician.

However, he explains that the management team did not see any incentive to polish the in - game animations with the in - house team, with one artist who «actively went out of their way to offer their services to additional work on the human character assets and were turned away.»

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

We have a lot of experience but we're still too small of a team to finish this ambitious game with all of the great features we'd like to add and need an additional $ 200,000 to hire the extra, artists, animators and programmers to do it right.

Other artists set to join Rock Band in September are listed below, with specific tracks and additional artists to be announced and made available throughout the month: read more

Additional highlights include Helen Frankenthaler's Belfry and February Turn (both 1979), which mimic the look and feel of Abstract Expressionism yet in truth represent a rupture with that tradition through the use of a staining technique that seemingly minimizes the artist's role in the process; Frank Stella's Double Scramble (1978), whose nested squares, color contrasts, and pulsing optical effects bridge the artist's early minimalism and later illusionism; and Robert Rauschenberg's Golden Chalice (1989) which, insofar as it marries abstraction and representation and juxtaposes gestural brushwork and photographic media, affords a crucial link to late 20th - century abstraction.

Having posed for some 10 paintings by Alex Katz, Mie Iwatsuki — a Japanese model and independent curator based in New York — collaborated with dealer Nick Lawrence to solicit portraits of her by an additional 34 artists, ranging from Robert Frank to DJ Spooky, from New York's David Humphrey to China's Lin Yilin and Korea's Min Hyung (who, in one of the show's most imaginative leaps, depicts Itwatsuki as a male Maasai warrior in Kenya).

In the mean time, we're trying really hard to connect with Joe Ficalora for additional details and line up of artists and performers.

If the artist is organizing their history for a retrospective or large scale exhibition, publication, or documentary film, CALL Services will seek to work with the museum, arts organization, publisher, dealer or collector, to raise additional funds in support of this work.

Strategies of Non-Intention: John Cage & artists he collected / Gering / 14 E 63 (new location) / thru 8/31 Lyonel Feininger / Moeller / 35 E 64 / thru 6/27 (extended) Billy Al Bengston / Franklin Parrasch / 53 E 64 (new location) / thru 6/28 Mark Grotjahn / Blum & Poe / 19 E 66 (new in NYC) / thru 6/21 Lynda Barry / Baumgold / 60 E 66 / thru 7/11 Kan Yasuda / Eykyn - Maclean / 23 E 67 / thru 6/27 Horacio Zabala; Eduardo Kac / Faria / 35 E 67 / thru 6/21 Anna Maria Maiolino / Hauser & Wirth / 32 E 69 / thru 6/21 Copied / Roth / 160A E 70 / thru 6/20 Nalini Malani / Asia Society / 725 Park @ 70 / thru 8/3 Distilled: The Small Painting Show / Jacobson / 17 E 71 / thru 7/31 Pierre Soulages / Levy / 909 Madison @ 73 / thru 6/27 Pierre Soulages / Perrotin / 909 Madison @ 73 / thru 6/27 Helen Frankenthaler and David Smith / Starr / 5 E 73 / thru 8/8 Frank Stella / Van Doren Waxter / 23 E 73 / thru 6/27 Carved, Cast, Chrushed, Constructed / Freedman / 25 E 73 / thru 8/22 (extended) Peter Sis curated by Charlotta Kotik / Czech Center / 321 E 73 / thru 9/1 Harmony Korine / Gagosian / 821 Park @ 75 (new, additional location) / thru 7/11 (extended) Jeff Koons / Whitney Museum / Madison @ 75 / thru 10/19 Opening 6/27 Kathleen Kucka / Geranmayeh / 956 Madision @ 76 — floor 3 / thru 6/28 Jasper Johns; Roy Lichtenstein / Castellli / 18 E 77 / thru 6/27 The Shaped Canvas, Revisited / Luxembourg & Dayan / 64 E 77 / thru 7/3 Ed Rusha thru 7/11; Marcel Duchamp thru 8/8 Opening 6/26 / Gagosian / 980 Madison @ 77th Barbara Crane / Higher Pictures / 980 Madison @ 77 / thru 6/21 Journal / Venus Over Manhattan / 980 Madison @ 77 / thru 7/26 Lynn Chadwick / Blain - DiDonna / 981 Madison @ 77 / thru 7/25 James Lee Byars / Werner / 4 E 77 / thru 8/30 Peter Davies / Roitfeld / 5a E 78 / thru 8/10 Eddie Martinez / Half / 43 East 78 / thru 7/15 Nancy Graves / Mitchell - Innes & Nash / 1018 Madison @ 78 / thru 6/27 Jean Dubuffet; Miquel Barcelo / Acquavella / 18 E 79 / thru 9/19 Opening 6/30 Lucien Smith / Skarstedt / 20 E 79 / thru 6/27 Luke Diiorio / Blumenthal / 1045 Madison @ 80 / thru 7/2 Lucas Samaras thru 9/1; Dan Graham with Gunther Vogt thru 11/2; Goya thru 8/3; Etc. / Met Museum / 5th Avenue @ 82nd Italian Futurism thru 9/1, Etc. / Guggenheim / 1071 Fifth Avenue @ 89 The Annual: Redifining Tradition / National Academy / 1083 Fifth Avenue @ 89 / thru 9/14 Sophie Calle / Cooper + Perrotin @ The Episcopal Church of the Heavenly Rest / 2 E 90 / thru 6/25 Mel Bochner thru 9/21; Other Primary Structures thru 8/3; Etc. / Jewish Museum / 1109 5th Avenue @ 92 Museum Starter Kit: Open with Care, Etc. / El Museo del Barrio / 1230 Fifth @ 104 / thru 9/6 Glenn Kaino; When the Stars Begin to Fall; Carrie Mae Weems; Etc. / Studio Museum / 144 W 125 / thru 6/29 If You Build It / No Longer Empty / 115 & St. Nicholas Ave. / thru 8/10 Opening 6/25 (7 - 9 PM) BROOKLYN Parallel Shift / NARS Foundation / 201 46th Street — floor 4, Sunset Park / thru 6/20 Itness: MaDora Frey; Nicola Ginzel; Heide Hatry; Fawn Krieger; Seren Morey / Trestle / 168 7th, Gowanus / thru 7/2 Myles Bennett, Jay Gaskill, Cat Glennon, Enrico Gomez, Eliot Markell, Esther Ruiz and Jeanne Tremel / Ground Floor / 343 5th / thru 6 /?

Nine artists are on the gallery roster with an additional four represented by their first inclusion in a US gallery.

X functions as an additional public access point to Pelican Bomb's extensive work with artists, writers, curators, and thinkers in and outside of New Orleans.

Name, address and contact details of painter - Where you heard about Beep2016 (name of magazine, website, etc.)- A submission of up to TWO paintings (high quality JPEGS) with title / s, dimensions in cm, medium, year - 250 words maximum statement (Word document or in an email) on the submitted paintings relating to the theme and a brief artist biography (this will be used for the online catalogue)- link / s to website or recent works (this will only be used by exhibition judges if needing additional information picking a winner)

Workshop artist - facilitators include: multidisciplinary artist / educator / arts organizer / curator Sara Black, new media artist / educator / organizer Nick Briz, artist and curriculum specialist Rachel Harper, along with additional presenters that will be announced shortly.

We support 13 artists» studios and a gallery space at 16 College Street, Swansea, 13 studios at 2 Mansel Street, Swansea and 37 studios with additional project and resource spaces on the top floor of 27 - 29 High Street, Swansea.

An Artist Talk in conjunction with an exhibition is considered additional content and must be compensated separately.

Happily for visitors to the Morgan, the Ingres exhibition runs concurrently with David, Delacroix, and Revolutionary France: Drawings from the Louvre, which features an additional ten sheets by the artist among the more than seventy drawings from the Louvre that are on display.

The new building, designed by Adjaye Associates, with Cooper Robertson as executive architects and program planning consultants, will enable the Studio Museum to better serve its growing and diverse audiences, provide additional educational opportunities to museumgoers from toddlers to seniors, expand its world - renowned exhibitions of art by artists of African descent and influenced and inspired by black culture, and effectively display its singular collection of artwork from the nineteenth century to the present day.

The exhibition will include hundreds of photographic works, along with additional materials including books, ephemera and objects - created by the artist in many formats and mediums of photography, allowing the viewers for a fuller understanding of the diversity of his output.

Sponsorship This exhibition is supported by a grant from the Artist's Resource Trust with additional funding provided by the Horace W. Goldsmith Foundation and the Massachusetts Cultural Council.

Several of the works will be rotated, providing chances to catch some face time with additional artists.

Additional first - time exhibitors at Art Basel in Miami Beach who will feature artists from Latin America in Survey include Galeria Jaqueline Martins, with an exhibition devoted to Letícia Parente (b. 1930, d. 1991), a pioneer of Brazilian video art, and Ricardo Camargo Galeria, who will transform its booth into the studio of Brazilian painter Wesley Duke Lee (b. 1931, d. 2010), encompassing paintings, collages and a sculpture created out of assembled objects.

The Nina Stewart Artist Residency with the South London Gallery and SPACE is funded by The Nina and Roger Stewart Charitable Trust, with additional support from Bloomberg.

• Personalized membership card (s) • Unlimited free admission for one year • Free access to Cinema Orange film series, artist talks, and workshops • Engage with artists & curators at members» opening receptions and previews • 10 % discount on museum merchandise • Invitation to members» opening reception • Opportunity to join the museum's volunteer support groups • Additional benefits as listed below.

LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists

«The Exhibition Machine, (A History of Exhibitions by Artists)» was curated by Florence Ostende, a curator, writer and art historian in collaboration with additional curators.

Additional programming tied to the exhibition includes a conversation with Victor Ekpuk on September 17, in which the artist and Art History Professor Lisa Aronson will discuss the source of inspiration for Ekpuk's wall drawings — the secret indigenous Nigerian script known nsibidi.

Gift of the artist and Victoria Miro with the support of Channel 4 Television, the Art Fund and Sfumato Foundation with additional support from Alix Partners.

View from Inside, the biennial's principal exhibition, features 48 contemporary Arab artists from 13 countries, as well as numerous additional artists and scholars who are involved with exhibitions, workshops, and other related events at participating venues throughout Houston.

The publication is a production of Blaffer Art Museum, S.M.A.K. (Museum of Contemporary Art Ghent), and The Fruitmarket Gallery, Edinburgh, with additional support from ARTIST ROOMS, Tate, National Galleries of Scotland, Beeldende Kunst Strombeek / Mechelen, Faculty of Fine Arts, University College of Ghent, kamel mennour Gallery, and Sean Kelly Gallery.

Just as technology has given artists additional outlets for making and sharing work, it has provided writers with access to artists and artworks across the globe and expanded the dialogue.