Sentences with phrase «address racial violence»

opens in theaters August 11, perfectly timed with Kathryn Bigelow's film Detroit as the two films address racial violence and police brutality.

Not exact matches

Howard Beach triggered a string of other racially - charged attacks - Mario Cuomo established a task force on bias - related violence to suggest how New York could deter racial violence while addressing its causes and effects.

His work often incorporates found objects, and has frequently addressed social issues and racial violence.

Alongside this work, he also addresses racial questions, exploring concepts of blackness and whiteness and presenting the prejudices and violence that emerge from a culture of racism.

Talking to Action addresses critical issues such as migration and memory, spatial mapping, environmental issues, gender rights and legislation, indigenous knowledge, and racial violence in work created by contemporary social practice artists and collectives from Argentina, Brazil, Chile, Colombia, Ecuador, Mexico, and the United States.

Mounted in the U.S. during a flurry of highly visible racial tension and the #BlackLivesMatter campaign, the photographs and statistics addressing the brutal «corrective» rapes or murders of LGBTI individuals in South Africa only increase our awareness of the enduring violence against the black body.

But more than just dinner talk, these conversations have addressed topics such as police violence, the 2016 Pulse nightclub shootings in Orlando and the need for sanctuary spaces; black female and male subjectivity; and racial subjugation in Latin American history.

Featuring: Amna Asghar, Dana Davenport, Umber Majeed, Tammy Nguyen, Ke Peng, Sahana Ramakrishnan, Sheida Soleimani Amna Asghar speaks on the construction and translation of disparate references, cultures, geographies, and generations from Pakistan and America; Dana Davenport addresses the complexity of interminority racism within her own community and institutions from her experiences as a Black Korean American; Umber Majeed's practice attempts to unpack the temporalities within South Asia as site, familial archival material, popular culture, and modern national state narratives; Tammy Nguyen interrogates natural sciences and non-human forms to explore racial intimacies and US military involvement in the Pacific Rim; Ke Peng documents the feeling of alienation and disorientation from urbanization and immigration by taking a journey into an imagined childhood in China, Hunan, where she was born and Shenzhen, a modern city where her family relocates to; Sahana Ramakrishan explores myths and religion from Buddhist and Hindu tales to speak upon the magic of childhood and the power dynamics of sexuality, race, and violence; Sheida Soleimani is an Iranian - American artist and a daughter of political refugees, making work to highlight her critical perspective on the historical and contemporary socio - political occurrences in Iran.

There are a few beautiful portraits that address the legacy of racial violence by Dawoud Bey (plus, speaking of tension, one of President Obama), two elegant works by the late, great Pictures Generation artist Sarah Charlesworth, a lone Gretchen Bender (lovingly remade by Phillip Vanderhyden).

The 20 - credit - hour training is web - based and addresses the following issues critical to adopting waiting children: grief and loss, effects and behaviors resulting from exposure to domestic violence, parenting abused and neglected children, parenting children across racial and cultural lines, and the sexual behaviors of traumatized children.