It's a relational melodrama, a
social allegory, an outsider text presented with seriousness and formalism that distinguishes itself with its energy and a willingness to
address taboo unadorned.
Eko Nugroho's multidisciplinary practice uses humor to
address social issues, including changes within the rapidly urbanizing society of his native Indonesia, the risk of religious fanaticism, and the breaking of traditional
taboos by the younger generation.