Sentences with phrase «adjacent wall of the gallery»

On an adjacent wall of the gallery, five sculptures from Leigh's series Anatomy of Architecture (2016) passively adorn the exhibition space, bearing silent witness.

Not exact matches

Located in the heart of the Coney Island Amusement District, Coney Art Walls is adjacent to the original Nathan's hot dog restaurant and within walking distance of Deno's Wonder Wheel Amusement Park and Luna Park home of the iconic Cyclone roller coaster, etc. (see photo gallery)
When the BMA opens at 11 a.m., four volunteers will begin spitting colored food dye onto three walls of a gallery adjacent to the BMA's East Lobby, creating a vibrant backdrop for a new installation of Herring's work that will be on view beginning Saturday, October 22.
The Statue's torch is provocatively thrust into the gallery wall, slowly drilling through into the adjacent room over the course of the show.
In the first room of Marian Goodman's new gallery, adjacent pairs of vast grey painted - glass panels are retwinned on opposite walls, so that the space contracts a little around a huge central sculpture, 7 Panes of Glass (House of Cards)(2013), that drolly invokes both Richard Serra's cliffs of leaning steel and Caspar David Friedrich's The Sea of Ice (1824).
AT THE THRESHOLD of this exhibition is Glenn Ligon's Give Us a Poem, 2007, positioned immediately adjacent to the show title that spans the entirety of the gallery's outer wall.
Setting the tone for severity, the artist commandeered the Brutalist ambience of the gray, cinderblock - enclosed courtyard adjacent to the gallery entrance with a prominently placed, bodily scaled, faux - concrete - and - asphalt work from 1994, Cell with Conduit, thrust several inches out from the wall by a hefty steel armature.
Leigh Ledare 00 PH, best known for his own disturbing photography, presents a new 16 mm film called Vokzal, shot in Moscow outside three adjacent train stations and presented in the galleries as three looped 16 mm projections replete with the cranking and buzzing of the anachronistic projectors used to screen the film on the walls.
This new score, to be performed with electronics and objects, takes particular consideration of the exhibition's porosity with the adjacent café and cityscape, made visible from a 16x9 window cut through one of the gallery walls.
Labor and color are also the focus of selections from two bodies of work, «Solid Grey» and «Color / White,» hung on the walls of the adjacent South Gallery.
In the adjacent gallery will be EDGE III (2012), a solid iron body that stands on the wall at the height of a bed.
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