Sentences with phrase «advanced painting in the exhibition»

Not exact matches

He has been kind enough to share with Painters» Table his thoughts on painting and images of his work in advance of a retrospective exhibition, Celebrating Abstraction, which will be on view June 7 - 14, 2012 at the Appledore Festival.

Text 2018 Ted Stamm Woosters, essay by Alex Bacon, Lisson Gallery, ISBN 978 -0-947830-67-0 2018 From Stasis to Kinesis: The Woosters of Ted Stamm by Robert C. Morgan, Art Critical, April 2018 2018 New York: Ted Stamm at Lisson Gallery by E. Macdonald, Art Observer, April 2018 2017 Ted Stamm: DRM 1980, The Estate of Ted Stamm and Karma, New York, ISBN 978 -1-942607-66-3 2013 Ted Stamm: Marianne Boesky by Robert Pincus - Witten, Artforum, Summer 2013 2013 Ted Stamm: Paintings at Marianne Boesky by Will Heinrich, Observer Culture, April 2013 2013 Revisions: Another Alan Uglow and Ted Stamm's Minimalisms by Saul Ostrow, Art Experience: New York City, 2013 2012 Times Square Show Revisited by Robert Pincus - Witten, Artforum, December 2012, pp 274-275 1997 Painting Advance Stamm 1990 (1989) by Robert C. Morgan, Between Modernism and Conceptual Art, 1997 Published by McFarland & Company, Inc., 1997, ISBN 0 -7864-0332-2 1990 Painting Speed by Tiffany Bell, Art In America, November 1986, pp 140-143 1990 Reconstructivism: Neo Modern Abstraction in the US by Peter Frank, Artspace, March / April 1990 1990 Rekonstructivisims: Neo Moderne Abstraktion in der Vereinigen Staaten by Peter Frank, Kunstforum, January 1990 1986 Ted Stamm Painting Advance 1990, essay by Tiffany Bell, Hillwood Art Gallery, C.W. Post College, curated by Per Haubro Jensen 1985 Constructures: New Perimetries in Abstract Painting by Peter Frank, essay for exhibition Nohra Haime Gallery 1984 Can Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 - 1In America, November 1986, pp 140-143 1990 Reconstructivism: Neo Modern Abstraction in the US by Peter Frank, Artspace, March / April 1990 1990 Rekonstructivisims: Neo Moderne Abstraktion in der Vereinigen Staaten by Peter Frank, Kunstforum, January 1990 1986 Ted Stamm Painting Advance 1990, essay by Tiffany Bell, Hillwood Art Gallery, C.W. Post College, curated by Per Haubro Jensen 1985 Constructures: New Perimetries in Abstract Painting by Peter Frank, essay for exhibition Nohra Haime Gallery 1984 Can Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 - 1in the US by Peter Frank, Artspace, March / April 1990 1990 Rekonstructivisims: Neo Moderne Abstraktion in der Vereinigen Staaten by Peter Frank, Kunstforum, January 1990 1986 Ted Stamm Painting Advance 1990, essay by Tiffany Bell, Hillwood Art Gallery, C.W. Post College, curated by Per Haubro Jensen 1985 Constructures: New Perimetries in Abstract Painting by Peter Frank, essay for exhibition Nohra Haime Gallery 1984 Can Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 - 1in der Vereinigen Staaten by Peter Frank, Kunstforum, January 1990 1986 Ted Stamm Painting Advance 1990, essay by Tiffany Bell, Hillwood Art Gallery, C.W. Post College, curated by Per Haubro Jensen 1985 Constructures: New Perimetries in Abstract Painting by Peter Frank, essay for exhibition Nohra Haime Gallery 1984 Can Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 - 1in Abstract Painting by Peter Frank, essay for exhibition Nohra Haime Gallery 1984 Can Small Works Carry It Off by William Zimmer, essay for small works exhibit, Muhlenberg College, pp. 9 - 10.

For many artists in the exhibition, the radical language of modernist painting developed during the early twentieth century - of collapsing and expanding picture planes responding to the frenetic pace and fragmentary encounters of modern life - continues to evolve as distortions and mutations of the image take on new permutations with each technological advance.

Consisting of six contemporary painters and approximately thirty works, this exhibition explores the manner in which these women appropriate both the physical, dramatic processes and the expressive freedom of direct gesture at the core of action painting, redeploying the now - historic style to boldly advance the abstract painting of our time.

Rauschenberg's White Paintings function much the same way.23 In 1965 the artist prepared written instructions for their execution in advance of an exhibition organized by Pontus Hultén for the Moderna Museet, Stockholm.24 The modular configurations of the panels in each painting are based on mathematical ratios: White Painting [three panel] measures 72 x 108 inches overall, with each unit being exactly half as wide as it is talIn 1965 the artist prepared written instructions for their execution in advance of an exhibition organized by Pontus Hultén for the Moderna Museet, Stockholm.24 The modular configurations of the panels in each painting are based on mathematical ratios: White Painting [three panel] measures 72 x 108 inches overall, with each unit being exactly half as wide as it is talin advance of an exhibition organized by Pontus Hultén for the Moderna Museet, Stockholm.24 The modular configurations of the panels in each painting are based on mathematical ratios: White Painting [three panel] measures 72 x 108 inches overall, with each unit being exactly half as wide as it is talin each painting are based on mathematical ratios: White Painting [three panel] measures 72 x 108 inches overall, with each unit being exactly half as wide as it painting are based on mathematical ratios: White Painting [three panel] measures 72 x 108 inches overall, with each unit being exactly half as wide as it Painting [three panel] measures 72 x 108 inches overall, with each unit being exactly half as wide as it is tall.

Through drawings and paintings of the figure, still lifes, and landscapes, the 20 artists in the exhibition draw inspiration from the art historical canon — Renaissance painting, the Hudson River School, American Modernism — and advance realism as a critical mode of painting in the 21st century.

This exhibition brings together over 150 works in different media, including painting, sculpture, photography and the applied arts, revealing the Pre-Raphaelites to be advanced in their approach to every genre.

For many artists in the exhibition, the radical language of modernist painting developed during the early twentieth century — of collapsing and expanding picture planes responding to the frenetic pace and fragmentary encounters of modern life — continues to evolve as distortions and mutations of the image take on new permutations with each technological advance.

Having just returned from abroad and immersed himself in the New York art scene, he found himself in a cauldron of ideas about action, process, concept, and nothingness, navigating an artistic landscape that was being redefined through influences such as Cage's intellectual Zen advances, Rosenberg's painting as an action, the Janis Gallery Dada show, and the Stable Gallery exhibition of his very own White Paintings.

In advance of her upcoming exhibition this summer at the ICA Boston, Keogh will discuss her sartorially seductive and sinister paintings at BU.

Tobey Fine Arts presents New Advances in Abstract Painting, an exhibition featuring the works of four contemporary painters, Richard Bell, Matthew Deleget, Joseph Haske and Lorraine Williams.

Richard Bell (left), Matthew Deleget (right) September 28 — October 27, 2007 Tobey Fine Arts presents New Advances in Abstract Painting, an exhibition featuring the works of four contemporary painters, Richard Bell, Matthew Deleget, Joseph Haske and Lorraine Williams.

In advance of the upcoming exhibition at The Barnes Foundation, Renoir: Father and Son / Painting and Cinema, May 6th through September 3rd, 2018, the Plastic Club presents the opportunity to learn about the Barnes - de Mazia Education program and the relevance of Renoir's artwork in the art collectioIn advance of the upcoming exhibition at The Barnes Foundation, Renoir: Father and Son / Painting and Cinema, May 6th through September 3rd, 2018, the Plastic Club presents the opportunity to learn about the Barnes - de Mazia Education program and the relevance of Renoir's artwork in the art collectioin the art collection.

In advance of the «Masters Of Wrong» exhibition, HERAKUT have painted a mural on the exterior wall of the gallery.

The exhibition features notable pieces from introductory to advanced courses in a range of disciplines including book arts, ceramics, sculpture, painting, drawing, and photography

With more than 45 paintings, drawings, and sculptures, the exhibition examines the ways in which Eastern traditions from Chinese and Japanese calligraphy to Zen Buddhism helped advance Abstract Expressionism's aesthetic agenda — its understated lyricism, its compositional balance, its subtle awareness of place — regardless of the artist.

Concurrent to the exhibition of Dickson's paintings in our main space, our Project Room we will feature a selection of paintings by Farrell Brickhouse in advance of his one - person exhibition at DAVID&SCHWEITZER Contemporary.

Bringing together a wide range of practitioners, stemming from different disciplines — from art, architecture, music to theatre — and working with different media — sculpture, painting, film, photography, performance as well as design — the exhibition aims to explore how the corner suggests itself as solution, station or metaphor in investigations that stem from different artistic premises, or advance different conceptual propositions.

Everything that had been amorphous, contingent on circumstance, and unstable in advanced painting first came into focus in his art with his first New York exhibition in 1943.

Directly following a series of solo exhibitions in Europe and barely in advance of his exhibitions at the Zitadelle in Berlin and the Baker Museum in Florida, Obscure Line Between Fact and Fiction not only indicts contemporary culture's media - driven simulacra, obscuring a perception of the real, but also and moreover, in painting, multi-media, and sculptural form, sounds a stirring battle cry against the miscarriages of justice of the early 21st century through an expressive and engaged aesthetic, arguably unseen in American art since Rauschenberg or Basquiat.