Cinematographer Christopher Doyle, following in Renck's serious - as - cancer lead, keeps things dour with a bug - zapper
aesthetic of massively over-lit whites and swampy blue - greens, the former being aggressively employed in the home Nancy shares with suburban zombie husband Albert (Rufus Sewell), who conspicuously chugs diet Pepsi and tends to the minutia of his epitome - of -
blandness airport - hotel miniature golf business, while remaining oblivious to his wife's furious masturbating to her own imagined demise in the computer room.