Sentences with phrase «aesthetic concerns in»

Not exact matches

In addition to running a website and app, Frank + Oak operates 16 bricks - and - mortar stores with in - store barbershops and cafés — brand outposts less concerned with sales per square foot than hosting whisky tastings and promoting the Frank + Oak aesthetiIn addition to running a website and app, Frank + Oak operates 16 bricks - and - mortar stores with in - store barbershops and cafés — brand outposts less concerned with sales per square foot than hosting whisky tastings and promoting the Frank + Oak aesthetiin - store barbershops and cafés — brand outposts less concerned with sales per square foot than hosting whisky tastings and promoting the Frank + Oak aesthetic.

Herein resides the dipolar difference between (1) aesthetic judgments which are concerned with both (a) contingent relationships of patterned qualities and (b) necessary relationships (both those conditionally necessary, found in the given patterns, and those metaphysically necessary, found in all possible givens) and (2) logical judgments which are only concerned with the necessary aspects of relatedness.

«Suspension of disbelief or willing suspension of disbelief is a term coined in 1817 by the poet and aesthetic philosopher Samuel Taylor Coleridge, who suggested that if a writer could infuse a «human interest and a semblance of truth» into a fantastic tale, the reader would suspend judgment concerning the implausibility of the narrative.»

The claim of Dewey and others that all knowing involves aesthetic valuation is intimately associated with the idea that knowing is purposive, that it is guided and given form by some end in view, some active concern of the knower.

In examining the Bisbee deportation of 1917 — a shameful chapter in America's labor history, when 1,300 striking miners were forced out of the town under threat of violence — he's found a subject that perfect matches his larger philosophical concerns and aesthetic tendencieIn examining the Bisbee deportation of 1917 — a shameful chapter in America's labor history, when 1,300 striking miners were forced out of the town under threat of violence — he's found a subject that perfect matches his larger philosophical concerns and aesthetic tendenciein America's labor history, when 1,300 striking miners were forced out of the town under threat of violence — he's found a subject that perfect matches his larger philosophical concerns and aesthetic tendencies.

The low overall incidence of teachers in the entire sample asking higher level questions should concern us: Differences among schools notwithstanding, only 16 % of the teachers in grades 1 - 3 in this study were frequently observed asking higher level, aesthetic response questions.

McLaren also gave some consideration to aesthetic concerns, and will fit those winters on forged alloy wheels that include tire pressure monitoring sensors and are coated in a «stealth» finish to protect them from road salt and other winter driving vagaries without compromising their looks.

From the first spy shots floating around the Web, the Panamera has come in for negative aesthetic criticism, but get behind the wheel and all thoughts concerning the car's pudgy rear end begin to seem superfluous.

The power of photography — and its centrality in present aesthetic concerns — is that it confirms both ideas of art.

While we're on the topic of cosmetic appeal, the design of the station fits seamlessly with the PS4's minimalist aesthetic, all sharp angles, clean lines, and — in case you're concerned about how it changes the overall form factor — slim design that will help you save space.

Back in September of 2013, Hideo Kojima — creator of the wildly successful Metal Gear Solid series — discussed some concerns that people had regarding a new character's aesthetic, Qu...

This symposium will address these themes and concerns in Golub's art and seek to raise questions about the role and effectivity of the contemporary visual arts in investigating and reflecting upon the intersections of the aesthetic and the political.

Whether in the realm of social justice, community building, spirituality or environmental concerns, the claim of art as a pure domain of disinterested aesthetic contemplation has been relentlessly challenged for over two centuries.

Throughout the following decades, after relocating to Los Angeles in 1963, Hockney allowed his naturalistic style to outweigh his early concern with cultivating a modernist aesthetic.

It can be difficult to negotiate a single artist's oeuvre if that artist does not remain consistent in their aesthetic, contextual and methodological concerns.

The Empirical Eye Much conceptual photography of the 1970s emulated the dispassionate appearance of documentary photography in an effort to shift the focus from aesthetic concerns to the objectifying nature of information systems.

Comprising work in a broad range of media — including painting, sculpture, photography, film, video, and performance art — the exhibition is organized around themes based on media, geography, formal concerns, collective aesthetic, and political impulses.

These theories were illustrated in sketches — «structures drawings» — that Falkenstein used to define the underlying components of her work and her philosophical approach to science that was the basis of her aesthetic concerns.

Calling attention to a series of works that have not yet been fully appreciated for their true significance in the artist's development, «Philip Guston: Painter, 1957 — 1967» explores a decade in which Guston confronted aesthetic concerns of the New York School, questioning modes of image making and what it means to paint abstractly.

Conceptual art is art in which the concept (s) or idea (s) involved in the work take precedence over traditional aesthetic and material concerns.

While his work of the 1950s and 1960s shares the aesthetic and conceptual concerns of abstract expressionism, Bluhm had also begun to test the limits of this particular approach to painting, most notably in the «poem - paintings» he created in collaboration with Frank O'Hara.

In Jerry Saltz's recent New York Magazine piece, «Generation Blank,» he expresses some concern about young contemporary artists making «work stuck in a cul - de-sac of aesthetic regress, where everyone is deconstructing the same elements.&raquIn Jerry Saltz's recent New York Magazine piece, «Generation Blank,» he expresses some concern about young contemporary artists making «work stuck in a cul - de-sac of aesthetic regress, where everyone is deconstructing the same elements.&raquin a cul - de-sac of aesthetic regress, where everyone is deconstructing the same elements.»

Following the first publication, an exhibition catalogue that relied more heavily on text than image, Printed in Germany was conceived to exist as a stand - alone visual object and extend the artist's conceptual and aesthetic concerns into book form.

I've been working on a series of projects that concern an expanded field of choreography - choreography as organized movement in an aesthetic and political sense.

His critical interests concern the intersection of processes, motivations, and outcomes in music, art and design; art as a social practice; and generally, the nature of cognition and aesthetic experience.

In the fully illustrated exhibition catalogue, Joseph Jacobs writes «Stone's work absorbs, transforms, and reflects the social, historical, and aesthetic concerns of his period.

«While group exhibitions are typically built around a technique or aesthetic concerns, this show looks at models of engagement and cooperation between contemporary female artists, and the deeper kinds of networking and community building that happen today in the studios, galleries and across the digital realm.»

It avoids participating in what Duchamp called «retinal» culture — the development of a solely visual and stylistic aesthetic in favor of one that unites material, physical, and formal concerns with ideas, philosophies, concepts, and feelings.

It goes on to indicate a deviation from the aesthetic concerns of her contemporaries in India, with the exception of VS Gaitonde, another Indian abstractionist who like Mohamedi did not receive the recognition that his work was legitimately due while still living.

In this regard, they weave together multiple strands of art - historical lineage, ranging from Gerhard Richter's painterly abstractions, to Andy Warhol's aesthetic of reproduction, to the material concerns of artists such as Robert Rauschenberg.

Equally concerned with materials» tactile and subliminal cruxes, Perrone builds amorphous sculptures in glass as well as works on paper that recall his eerie and anatomical sculptural aesthetic.

Although Lewis joined the Artists Union and was an ardent political activist, he believed that in art, «political and social aspects should not be the primary concern; aesthetic ideas should have preference.»

And they had overlapping aesthetic concerns: Roth and Beuys both conducted alchemical experiments; Broodthaers and Hamilton engaged in curatorial projects; Hamilton and Beuys shared an admiration for James Joyce; Roth and Hamilton shared a flair for industrial design and bookmaking.

As an artist interested in mining the dense marks and language of the urban environment, married with a concern for contemporary abstract painting, the easiest thing in the world would be to embrace a provisional aesthetic of rough materials and utilitarian supports.

My current painting practice centres on the representation of objects and is inspired by the history of still life painting — in particular, 17th century Dutch vanitas paintings, a genre which employed objects as a kind of commentary on contemporary moral and social concerns, as well as exploiting their aesthetic potential.

In combining steadfast loyalty to observed reality with deft exploration of fundamental aesthetic concerns, Avery's was a unique and influential vision in twentieth century arIn combining steadfast loyalty to observed reality with deft exploration of fundamental aesthetic concerns, Avery's was a unique and influential vision in twentieth century arin twentieth century art.

The artists, all members of the American Artists» Congress, formed the Federation with a newfound commitment to aesthetic concerns as the Artists» Congress found itself embedded in political controversy.

Edouard Malingue Gallery was founded in Hong Kong in 2010 to build a critical dialogue between Asian and international contemporary artists, both emerging and established, who combine aesthetic concern with conceptual enquiry, and work across different disciplines from video and installation to painting and sound.

Studio Museum assistant curator Naima J. Keith and independent curator Zoe Whitley have collected over 60 works by 29 international artists around the concept of «Afrofuturism,» a term coined in 1994 by theorist Mark Dery to indicate an aesthetic mode that intermingles pan-African concerns with science fiction and fantasy imagery.

Inconsistencies were a major aesthetic concern of Andy Warhol, who extensively relied on printmaking and other mechanical processes in his work.

Invented in secret in the privacy of Oiticica's New York loft in the early 1970s, they were not shown as works of art until 1992, twelve years after Oiticica's death, when the first and third in the series — CC1 Trashiscapes and CC3 Maileryn — were exhibited as part of the first traveling retrospective of the artist's work.3 Prior to that exhibition, Oiticica's New York sojourn was little analyzed due to the perceived paucity of his artistic production between the years 1970 and 1978.4 The 1992 presentation of the Cosmococas was revelatory in this regard: not only did these quasi-cinemas demonstrate the continuity and conceptual elaboration of key aesthetic concerns within Oiticica's work (the vertiginous passage from painterly to narcotic «pigment» in service of the sensorial is surely the most striking of these animating threads), they indicated the artist's pointed engagement with the avant - garde artistic culture of New York.

Despite the diverse nature of the 20 artists» work, reflecting a great variety of concerns, ideas and media, they have in common an attempt to construct compelling aesthetic universes, to convey their own intensity of experience and perception of the world.

This idea swims against a tide that has been gathering strength since the post-war period, when artists began to work seriously at shrinking that separation between art (that is aesthetic intervention) and life (the everyday, social relations that describe what this exhibition regards as our supposed purgatory in contrast to a heaven of artistic concerns).

Each of these figures defined a distinctive visual language that combines formal concerns with a documentary aesthetic, and all of them participated in one of two landmark exhibitions: New Documents (1967) at the Museum of Modern Art, New York, or New Topographics (1975) at the International Museum of Photography, George Eastman House, Rochester.

Gaines's keynote concerned art as an aesthetic practice versus art as a cultural practice, and as he dug into the work of Adrian Piper and a group he termed «first - generation Conceptual artists,» he related the stakes of reading, teaching, and understanding artwork in the twenty - first century.

Nina Felshin, the show's curator, found that several of the artists from whom she offered to commission nuclear - related pieces had already done works they thought would be appropriate, and in her catalogue essay she contends that in all cases, «either directly or indirectly,» the nuclear issue is a part of «the ongoing aesthetic concerns of the artist.»

Monumental / Piccolini brings together works from different generations that participate in similar explorations of process, concept or aesthetic concerns.

Each artist's diverse sensibilities are reflected in titles naming their individual aesthetic concerns.

6 Still, in terms of documenting both the kinds of aesthetic investigations and types of formal and technical concerns current in contemporary American art, the selection is thoughtful, if not consistently inspired.

At the Hayward Gallery in 1989 was Ades's show (on which Brett was a key collaborator) Art in Latin America: The Modern Era, 1820 - 1980, while in 1990 Brett curated the smaller but also influential Transcontinental: Nine Latin American Artists at the Ikon Gallery in Birmingham, following it in 1999 with a solo exhibition of the work of Victor Grippo, also at the Ikon, and with Force Fields: Phases of the Kinetic in 2000 at the Hayward Gallery, London, the exhibition which most clearly continued the aesthetic concerns first raised through Signals.