Sentences with phrase «aesthetic decisions artists»

Each post will look at how money and income streams influence the type of work and aesthetic decisions artists (as well as curators) make inside and outside the studio.

Not exact matches

In Phantasmagoria, the two artists develop this accidental aesthetic of the night club photography, replacing it with conscious decision - making and the stylistic precision identifiable in high - concept fashion editorial.

As significant as process is in both of their works, there is a potential assumption that the artists were dictated by the process, but what also ties these artists together is their sophistication; to be able to simultaneously make physical process decisions and make very specific aesthetic decisions.

My work is heavily influenced by the aesthetic histories of many different tribes and specific artists, how that work has been collected and exhibited, and many of my material and format decisions are drawn directly from these histories.»

Among the works in the exhibition are 25 photographs by Los Angeles artist Judy Fiskin from her series Some Aesthetic Decisions, 1990, that aestheticize objects, architecture and interiors that do not conform to conventions of elevated taste.

His decision to embrace sobriety, as well as the decision to be very particular about what influences his practice, gives his latest work new direction detaching it from the brand or aesthetic he has built up through skateboarding, and giving it a maturity that might not be expected from an artist so young.

In his work he investigates how algorithms can analyse digital archives and guide the artist in aesthetic decision taking, leading to a symbiosis of man - machine art creation.

Rather than offering didactic explanations for each aesthetic decision, artists may rediscover the value in enigmatic, emotionally - rooted work whose meaning is intuitively derived and not so easily explained.

Was there a cartoon from your childhood or a specific artist that became the platform for these aesthetic decisions?

Yet as LeWitt moved from making systemic objects to wall drawings and eventually what can only be called murals, his use of plans, diagrams, and instructions emphasized the ideas that circumscribed his work and the nature of those decisions that constitute an artist's taste and aesthetic vision — or in LeWitt's case, those of the people hired to execute his work.

Discussing his work with artist Sam Durant at the Hammer earlier this month, Gaines explained that his practice is a struggle against «art as a subjective practice,» and that he seeks to avoid aesthetic decision - making because it privileges «the idea of beauty or pleasure as emerging from the site of the self or the ego.»

In the other cut - canvas work ufo2, 2006, a previously exhibited piece which was returned to the studio to remain unopened until the artists decision to include it in the exhibition, the artist once again demonstrates his connection to aesthetic continuums.