Kramer fought against leftwing political bias in art criticism, and what he perceived as
the aesthetic nihilism characteristic of many 20th century working artists and art critics.
I vividly remember that on one occasion in the late 1970s when I was walking with Malcolm in the East Sussex countryside, he started talking about the emergence of
aesthetic nihilism in modern life and literature, a phenomenon that he identified with the Bloomsbury writers, whom (except for Leonard Woolf) he particularly loathed.