Sentences with phrase «aesthetic objects»

The artist hopes to collect and share images taken by viewers to consider the circulation and recycling of public information and how it affects the production of aesthetic objects.

In this one example, an artist is reflecting upon the current state of their culture, creating aesthetic objects, and keeping them affordable for their audience.

They were simply aesthetic objects, demanding to be considered according to their own formal, objective qualities.

Therefore, it's unlikely that you'll also have room for strictly aesthetic objects such as artwork.

Beautiful aesthetic objects in their own right, these magnificent polychromatic sculptures reflect upon the mining and use of raw materials and the future of our civilization's artificial by - products.

This exhibition, originally organized by the Studio Museum in Harlem but presented... read more... «Jacob Lawrence: Painting as aesthetic object or historic narrative?»

More recently Rountree has followed this theme through installations of books in which he has folded the pages, robbing the volumes of their intended function and turning them into aesthetic objects.

«Object in the sense that, when viewed from different angles, in varying moods, it reveals more and more of itself, other emotions and, for a film overrun with aesthetic objects, deepened ideas.»

An example of a purely aesthetic object is a decorative object, for decoration's primary function is «to add something to, so as to make more attractive; adorn; ornament,» 10 and this relates directly to taste.

In these, often one - on - one, meetings aesthetic objects become the impetus and markers for social moments or inversely, the social interactions generate new materials.

In these, often one - on - one, meetings aesthetic objects become the impetus and markers for social -LSB-...]

Impassioned by artists of the past ranging from Zurbarán to Velázquez, Matisse to Lichtenstein, Valdés finds more than just inspiration in their paintings; he uses their work «as a pretext» (como pretexto) to create an entirely new aesthetic object — a painting or sculpture that while clearly sourced from a known composition is a uniquely brilliant wk of art in itself.

An empirical aesthetic, when confronted with a rationalistic aesthetic, would claim that there are aesthetic objects other than propositions, for simply «the sense of being one actuality in a world of actualities» is an experience of something nonpropositional but aesthetic.

in the absence of restraints On his choice of aesthetic problems and of his methods of solving them, but even more in his power of constructing aesthetic objects that add to the values of life.

Occasionally, you come across a documentary that's conceived as a rarefied aesthetic object.

Thus transformed into powerful aesthetic objects, these junkyard relics yet retain some of their original, non-abstract identity.

And while it has been popular of late to display actual handmade African - American quilts, such as the ones exhibited in upscale New York galleries, Huckaby's act of repainting quilts disarms them as fetishized aesthetic objects while folding their weighted cultural meaning into the history of painting.

Emerging in late - 1960s Los Angeles, Ruppersberg was among that city's first generation of conceptual artists to espouse a working method that privileges ideas and process over conventional aesthetic objects.

Many of his works — made of such materials as timbers, linear beams, granite curbstones, and steel planes — rest directly on the ground and function less as formal aesthetic objects, and more as spatial markers.

In 1977, his deceptively simple act of re-photographing advertising images from The New York Times Magazine and presenting them as his own ushered in an entirely new, critical approach to making art — one that questioned notions of originality and the privileged status of the unique aesthetic object.

«Although paintings can be quite valuable, their status as primarily aesthetic objects means people often consider conservation as something of a luxury — a luxury on top of a luxury, if you like.»

Quaytman has also displayed her paintings on storage racks placed within the exhibition space, pointing to the eventual passage into obscurity of most aesthetic objects as they make space for others.

These artworks take on a triple meaning: as historic artifacts, as oblique critiques of the present, and as stand - alone aesthetic objects.

As in his overall body of work, Wheeler's encasements challenge the idea of the work of art as a tangible aesthetic object by providing the viewer with a total sensorial experience.

This effort was later expanded to include abandoned houses nearby, which the artist and a team of local laborers also renovated, reinventing them as alternative cultural spaces while also repurposing their materials to make both functional and purely aesthetic objects.

However, he finds more than just inspiration in the works of these artists; he does not simply copy the work of his artistic forebears but uses their work «as a pretext» («como pretexto») to create an entirely new aesthetic object.

Tilman creates a range of aesthetic objects, including paintings, drawings, prints, three - dimensional wall hangings, floor objects, floor - wall objects, and built environments.

Displayed as aesthetic objects, they highlight the commercial underpinnings of the contemporary art world, but also theoretically allow a collector who purchases one as an artwork to transform it back into a financial instrument by depositing it into his or her own bank account.

There is a strong reaction at present against this understanding of the parables on the ground that as «aesthetic objects» they are self - sufficient.

The sense of beauty is a positive response growing out of a relationship of the person to the aesthetic object.

Beauty is felt when there is some congruence between the aesthetic object and the observer's pattern of sense perception and related responses.

This is primarily because it has proven to be a powerful aid in the effort to avoid dealing with works of art or literature as products of the human spirit: aesthetic objects that move us with their intricately wrought beauty, humor, and insight.

And thanks to the method of correlation, the practice of religion and art was never limited to aesthetic objects with explicit religious content, since even the most dark and despairing texts could be read as expressions of ultimate meaning.

When I gaze at an aesthetic object for one minute, I might well describe this as a single act.

Above all, aesthetic value implies the transformation of contradictions into contrasts that arouse a fullness and intensity of feeling, a sense of beauty, in those who experience the aesthetic object.

It's tremendously insightful work from a director who has long appreciated actors» bodies as more than aesthetic objects.

We began by imagining how to represent complex social learning data in a coherent, aesthetic object that captured the dynamic and layered nature of social interactions online.

As an aesthetic object, though, it simply can't measure up to what Battista «Pinin» Farina did at the peak of his powers sixty years ago.

This book investigates the nature of aesthetic experience and aesthetic objects.

Adel Abdessemed: The Pulitzer Prize - winning icon of Vietnam War atrocity — one of photojournalism's decisive moments, a snapped shot seen around the world — now an aesthetic object in prehistoric dentine.

Bartley used their chance settling and a full frame close - up to present these books in a new way, approaching them as aesthetic objects that oscillate between abstraction and figuration.

Gonzales - Torres» works exist as fleeting interactions between the work and the viewer, and are an extension of the aesthetic of the 1960s, when happenings and conceptual art favoured the artistic idea rather than the aesthetic object.

The quintessential element within these works is the point at which a functional item is transformed into an aesthetic object or narrative microcosm.