Sentences with phrase «aesthetic point of»

As much as I love your round window from an aesthetic point of view, I would have to have one that is operable.

While Samsung's decision to go with more premium materials this time around may turn some fans away because of the associated compromises, at least from an aesthetic point of view, the changes are certainly great.

While the speakers may have performed well, they weren't exactly striking from an aesthetic point of view.

From an aesthetic point of view, the Classic Gear S2 comes with ridges on this rotating bezel that add to its more stylish look and makes it easier to turn as well, but the smooth bezel in this edition doesn't prove difficult to rotate either.

The main thing you'll notice about the iPhone 8 Plus from an aesthetic point of view is the outer coloring.

Motorola has been pretty consistent with its design language since the original Moto Z and Z Force, and while that may make things a bit boring from an aesthetic point of view, it does bring some nice cohesion to Motorola's ever - growing product offerings.

I liked the Chris Ofili but I think it was more from an aesthetic point of view than an intellectual one.

Saskatchewan, from an aesthetic point of view, has a more difficult beauty; most people just see it as boring and flat, but it is remarkably full, if you give it time.

I shoot from a very personal, aesthetic point of view.

Cool art pervades these spaces and this exclusive aesthetic point of view, happens to be the same point of view seen in the Salon of the galleries and museums.

The many countries bordering the Mediterranean Sea boast some fantastic un-touched beaches, but what these beaches lack from a purely aesthetic point of view to a snob such as myself — more often than not — is natural beauty.

The good news, from a purely aesthetic point of view, is that it looks very sharp, very sleek and every bit a «luxury» model.

From a strictly aesthetic point of view it is a attractive looking device.

From an aesthetic point of view, the Dynamic trim distinguishes itself with a thinner and higher - set front splitter, and gets attractive red accent line under the front and rear bumpers.

The tiny pipe in the middle makes even less sense from an aesthetic point of view, but in reality, it's specifically engineered to create a unique sound experience.

From an aesthetic point of view, good proportions are the jumping off point for everything else, and the rear quarter restyling for the Mercedes - Maybach S - Class derivative adds an even more regal aura to the most modern and dynamic looking luxury saloon in its class.

In fact, from an aesthetic point of view, the 2014 Land Cruiser has various attributes worth noting, including the large metallic front grille, the fog lamps, the running boards, and three different grade - dependant finishes.

From an aesthetic point of view, the grille is a masterpiece.

From an aesthetic point of view, the film is fantastic.

Obviously our brand has an aesthetic point of view, which is very important.

AERIN Beauty is a luxury fragrance brand inspired by the signature effortless style, aesthetic point of view, and heritage of its founder, Aerin Lauder.

From an aesthetic point of view, no physique is complete without a set of strong muscular forearms.

From an aesthetic point of view, there is little point smashing out the crunches if your obliques are hidden by layers of fat.

This epoch was very beautiful from the aesthetic point of view: it was almost maximally symmetric with respect to properties of both space - time and quantum fields in it, up to its metastability and unavoidable quantum fluctuations due to the Heisenberg uncertainty principle.

Few new universities can boast campuses that merit a visit from an aesthetic point of view.

From an aesthetic point of view, the cross is not itself a beautiful thing, but it is the symbol of a beautiful act, that of the self - giving of the Son of God incarnate out of love for the Father and for fallen creation, in order to restore the beauty of what He had made but sin had marred.

Artists such as Clare E. Rojas, Chris Johanson, Shara Hughes, and David X. Levine — a self - taught artist whose colored pencil on paper works are among the most hard - won objects that I have ever come across - all have very different aesthetic points of view, but all construct images that draw energy from the space in between knowing and naivete.

Not exact matches

Sara and I pointed out that the models in the campaign, each of whom was supposed to represent a different magazine's aesthetic, were almost all Caucasian (with the exception of one Asian woman, I believe.)

«It was just a business model with your own point of sale with an expensive price and an environment and aesthetic that wasn't meeting all the landmarks of the usual perfume business model.

The greatness and inviolability of a subject have never yet exempted those who endeavor to find expression for it from the effort of giving their very best from the artistic point of view; and to fail to fulfill this demand when a religious subject of such a sublime nature as the story of Our Lord is involved, is not merely an aesthetic sin.

The obvious problem of dealing with such contrasts in the linear form of narrative can be alleviated by pointing out explicitly what sorts or contrasts are being integrated, so that even if readers lose sight of the particular information involved, they can still appreciate the aesthetic transformation of elements.

When that shift occurs, considerations of cause and effect get mixed up with considerations of noncausal, aesthetic contrast; the «external» and «internal» points of view confuse each other.

When constructing an aesthetic adapted to the changed situation, one must take as a starting point the work of the only Marxist theoretician who recognized the liberating potential of the new media.

From that vantage point it is apparent that a propositional and rational aesthetic, while certainly not guilty of an inversion of the evidence or of the fallacies of simple location and misplaced concreteness, rests on what is derivative and secondary.

Although White is absolutely right about the tendency of today's animated films (Tangled included) to pander to the most annoying and depressing aspects of popular culture even as they ignore or deny the richer, deeper culture from which most classic fairy tales emerged, the animated features that Disney brought to the screen when Uncle Walt himself still oversaw the studio made a point of drawing considerable aesthetic, emotional, and narrative power from specifically Christian aspects of the culture that, even today, America shares with Europe.

We can not deny that the endless repetitions and all the other artifices whose aesthetic significance we have already pointed out are wholly suited to arouse an impression of solemn sublimity and numinous presence.

We can see at this point the similarities between Plato's and Whitehead's definitions of «Being»: «the dynamis to render incommensurables commensurable» and «individual effectiveness in the aesthetic synthesis.»

The point of these corrections is neither liturgical prissiness nor aesthetic nostalgia; there is no «reform of the reform» to be found in lace surplices, narrow fiddleback chasubles, and massive candles.

This order in nature points to aesthetic order, and «the aesthetic order is derived from the immanence of God.»

It will be best to regard the whole matter from a purely aesthetical point of view, and with that intent to embark upon an aesthetic deliberation, to which I beg the reader to abandon himself completely for the moment, while I, to contribute my share, will modify my presentation in conformity with the subject.

Now this is not to be understood to mean that by the love of Agnes for him he might be saved from being henceforth a deceiver (this is the aesthetic way of performing a rescue, which always goes around the main point, which is the continuity of the merman's life); for so far as that goes he is already saved, he is saved inasmuch as he becomes revealed.

Moskop claims that there are five points of agreement between the two philosophers: both maintain that ethics is» (1) teleological, (2) having its telos in experience, (3) requiring qualitative distinctions among experiences, (4) based on an aesthetic criterion of good experience, and (5) altruistic» (MH 19).

Finite beauty powerfully points towards the infinite but unreachable beauty of God, arousing in us who experience it both joy in possession, and pain in the perceived absence, of the one to whom we may be drawn and directed by a particular aesthetic event.

Both make excellent points and rightly focus on the aesthetic tastefulness of gay rights language: love, tolerance, acceptance, inclusiveness, safety, etc..

As has been pointed out, he stresses the importance of the aesthetic element in all experience, thought, and action.

Now from the Whiteheadian point of view the cosmos is such an aesthetic reality.

In this broader perspective, therefore, what is disharmonious from a limited point of view actually contributes to the aesthetic enhancement of the whole.

The first point I will speak of is the part which the aesthetic life plays in determining one's choice of a religion.

I may be allowed, however, to put in a word at this point on the way in which their satisfaction of certain aesthetic needs contributes to their hold on human nature.

Asepto Spark enhances the aesthetic and functional elements of the aseptic carton packs giving them a distinct identity at the point - of - sale (POS).