Sentences with phrase «aesthetic possibilities of»

The various artworks aim to expand upon the aesthetic possibilities of structures and how these are a way of examining the world as a series of abstract compositions and constructions.

Leslie Hewitt's artwork has remained admirably consistent since she began exhibiting around a decade ago, still strongly exuding intelligence and revealing the artist's knack for mining the aesthetic possibilities of a given image.

«A gallery called «Figuring Black Power» delved more deeply into artists» varied strategies for activating the political and aesthetic possibilities of representation,» she writes.

He creates objects and environments that comment on the aesthetic possibilities of industrially produced materials and the nature of urban architecture.

The ingxube series exemplifies Lou's sustained interest in pushing the structural and aesthetic possibilities of her material while extending the creative conversation with her South African studio community.

Certainly the MoMA exhibition resonated deeply on a cultural level, as it had with his compatriots Romare Bearden, Charles Alston, and Gwendoline and Jacob Lawrence, but most clearly for Lewis, African art opened a path to the aesthetic possibilities of abstracted «plastic effects.»

The artwork was originally conceived in 2006 as the next evolutionary stage in Eno's fascination with the aesthetic possibilities of «generative» -LSB-...]

But the exhibition also demonstrates how art has drawn inspiration from the materials and aesthetic possibilities of industrialization, which have continuously pushed the limits for what has been considered art.

Kyle Jenkins is an Australian artist who uses paintings, collages, photographs, objects, Marquette's, books, films, wall paintings and works on paper as a way of expanding upon the aesthetic possibilities of structures and how these are a way of examining the world as a series of abstract representations, compositions and constructions.

She often explores the aesthetic possibilities of unusual surfaces, painting on Astroturf, sandpaper, vinyl, and carpet.

Integral to defining the aesthetic possibilities of video, one of Bill Viola's (b. 1951) rarer sound works, Presence (1995), offers a sensitive interpretation of human existence.

Donald Judd and Jorge Pardo's works adapt languages and (production) methodologies derived from architecture and design to create essentially «hybrid» objects, which, like those of Palermo, seek to conflate, and possibly confuse, the social and aesthetic possibilities of art.

For the Underground may be increasingly aware of the technical and aesthetic possibilities of the disc, of videotape, of the electronic camera, and so on, and is systematically exploring the terrain, but it has no political viewpoint of its own and therefore mostly falls a helpless victim to commercialism.

We also discussed adolescent rebellion, the mechanics of writing, and what most directors really think about writers, the aesthetic possibility of post-it notes, and why the question is more important than the answer.

«Somewhere in these oppositions lies the aesthetic possibility of slipping on a banana peel» — Friedrich Kunath

Not exact matches

Given the distinctiveness of human existence and the aesthetic character of reality, it follows that greater beauty is served insofar as subhuman existence is so ordered as to maximize the possibilities of happiness.

Such a miracle would involve the suspension of the laws of nature at the level of primitive actual occasions, but if we accept the principle that God «speaks» to a given actual occasion in its own «language,» and if the «language» of primitive actual occasions in nature is such that the character of the data available for aesthetic synthesis in the concrescence of such occasions admits only of absolutely miniscule contrasts with the givenness of the character of the past, then God has no leverage via subjective aims to introduce shifts in the social structures conditioning the possibilities available for aesthetic synthesis in the concrescences of such primitive actual occasions.

For those who inhabit the aesthetic sphere of existence, such as the Nazis, the creating Word of God continually brings the possibility of redemption and new life.

But God, as the source of the initial aim of each entity, provides the best aim possible for an aesthetic synthesis of its past and its present possibilities.

The panexperientialist version of physicalism does justice to this fact by portraying the mind in each moment (that is, each dominant occasion of experience) as having both a physical pole, which is constituted by the causal influences from the physical environment, and a mental pole, which entertains ideal possibilities, including logical, ethical, and aesthetic norms.

Hope can be based upon components of process itself: (1) the generally available vision of God; (2) the openness of the future; (3) the everlastingness of the past in the memory of God; (4) freedom to create novel experience at all levels of the cosmic process; (5) aesthetic enjoyment of existence, and (6) the possibility of a better society through intelligent use of the first five elements.

On the methodological possibilities in «reader response,» see Wolfgang Iser, The Act of Reading: A Theory of Aesthetic Response (Baltimore: Johns Hopkins University Press, 1978), and the collection of essays, Susan R. Sulieman and Inge Crosman, eds., The Reader in the Text (Princeton, N.J.: Princeton University Press, 1980).

In each moment's aesthetic «enjoyment» and «remembering» of the past it is also shaped by an influx of novelty from the transcending field of possibilities.

The latter become part of the literature of science both by modeling the possibility of a thoroughly satisfactory aesthetic unity and by inciting the anxiety of influence that will later be a factor when Dante's and Milton's omniscient and omnipotent Creator is transmuted into Laplace's formulas of probability.

In this sense the world is not only felt by God's aesthetic care; it also feels God as the source of new possibilities.

We may grasp this aesthetic notion of value more firmly if we contrast it with the notion of evil, the contrary of value.10 Evil is a quality associated with trends, persons or phenomena that remain in or degenerate into chaos or triviality when the possibility of harmony and intensity is in fact open to them.

Whether you're watching Beck at a rural drive - in movie theater, backed up by 40 gospel singers, blowing into his rambler's harp, or the artist who dips marbles in ink and then sets them loose on a canvas, allowing the momentum of the train to dictate the drawing, every portion of Aitken's odyssey is a worthy addition to his collective ode to ideas and the endless possibilities of aesthetic communication.

Alongside its more disposable virtues, «Unsane» serves as an interesting case study for the ever - expanding possibilities of smartphones in cinema, not least because its grimy aesthetic and breath - on - your - face atmosphere couldn't be further removed from the iridescent visual poetry of Sean Baker's «Tangerine» — the first major title handed the «iPhone movie» label.

Unsane, says Guy Lodge, «serves as an interesting case study for the ever - expanding possibilities of smartphones in cinema, not least because its grimy aesthetic and breath - on - your - face atmosphere couldn't be further removed from the iridescent visual poetry of Sean Baker's Tangerine — the first major title handed the «iPhone movie» label.

This paradox would be in the relative excellence of a small screen aesthetic that failed to renew big screen possibilities, and thus led to the complete ascendancy by the former and to the demise of the latter.

But the bigger question surrounding this pick - up doesn't have anything to do with its aesthetic or performance specs, but rather on the possibility of the Colorado being sold in the US.

Her friend Vi advocates an aesthetic theory of storylessness, like Zen parables, in which «all structures must contain the possibility of their own non-existence — some zip that undoes them.»

It's this fusion of a retro - inspired aesthetic following suit with its inspiration, and the possibilities present with improved technology like painted backgrounds and detailed particle effects, all accompanied by a gentle and melodic soundtrack, that creates a captivating aesthetic suited to the narrative.

The result is a game that brings together a series of brilliantly designed levels that set the bar in terms of imaginative possibilities and tactile realizations, leaving it difficult to complain about the new aesthetic that simplifies the larger view by stitching it altogether with minimalist detail.

Camille Utterback, a pioneer in the field of digital and interactive art, whose work explores the aesthetic and experiential possibilities of linking computational systems to human movement and physicality in visually layered ways.

But this in effect ruled out the possibility of making paintings that were sublime, an aesthetic category to which Kant dedicated a fascinating and extended analysis.

His handling of form, color, and composition comprises a complex and experimental investigation of aesthetic concepts and of the semiotic possibilities of visual language.

Coen and Kahn's presence in Mexico is a reminder of the magnetism of the country for leftist artists in the 1930s, drawn into the orbit of the «Big Three» (Diego Rivera, David Alfaro Siqueiros and José Clemente Orozco) and excited by the aesthetic and political possibilities of mural painting and print media.

Her aesthetic vision signifies the importance, now more than ever, of the possibilities of paint and the place where duration, sustained contemplation, and perception itself, meld within the realm of art.

Together, the works in the exhibition employ a heterogeneous range of aesthetic strategies, often emphatically representing the city's inhabitants through forms of bold figuration, and foregrounding New York itself as a location of conflict and possibility.

A combination of drawing and construction, the Yaddo Drawings reveal the numerous possibilities of an aesthetic idea.

Collectively, the works resist the impulse to rush, survey and move on, suggesting instead the possibility of an aesthetic experience, which takes place in another temporal register.

An installation view of «Scaffolding,» a show about the material's aesthetic and functional possibilities, at the Center for Architecture.

Utilising drawing and craft with a strong formalist aesthetic sensibility, each work's attention to detail translates into a dense visually symbolic language that expresses the infinite possibilities of creation.

For this special presentation, Aitken and Vergne discuss Aitken's uniquely immersive aesthetic; the work's relationship to 20th - century avant - garde art, cinema, and experimental music; the nature of creativity in the 21st century; the possibilities for artmaking within our ever - mobile, ever - changing, image - based contemporary world; and other ideas central to the artist and the exhibition.

Bergman's ongoing dialogue with Duchamp resulted in a multivalent fruitfulness — work that is witty, visually arresting, and full of insights into the possibilities for aesthetic engagement.

As images blend into one another, and the aesthetic connection to colour allows intuition to take over, the work suggest the possibility that our emotions can resist the culture of publicity and reshape notions of progress.

Local and international artists Audrey Samson, Daniel Howe, Fannie Ng, Olia Lialina, Tonio Mundry, Winnie Soon and Helen Pritchard will exhibit work exploring «the playful, political, and aesthetic possibilities» of the internet - as - medium in itself.

Using her body to examine the role of female sensuality in connection to the possibilities of political and personal liberation from predominantly oppressive social and aesthetic conventions, Carolee Schneemann is regarded in art history as a pioneer of performance art.

This gestural aesthetic blurs the distinction between two - and three - dimensionality, opening up sculptural possibilities with the appearance of a void behind, giving the spectator a sense of «serenity in infinity».