Sentences with phrase «aesthetic practices in»

Not exact matches

To make these practices communicative in and through specific cultural contexts, those of us who teach ministers to become «servants of the Word» have encouraged them to become aware of aesthetic conventions and put them into practice in public communication.

In this light, it is not the case that we would abandon a moral, religious, aesthetic or political life for a life of doing logic, but rather, we would not leave the moral life to the ethicists, the religious life to the theologians and customary religious practices, and the political life to the politicians and political scientists, just as we surely would not leave propositions in the hands of the logiciansIn this light, it is not the case that we would abandon a moral, religious, aesthetic or political life for a life of doing logic, but rather, we would not leave the moral life to the ethicists, the religious life to the theologians and customary religious practices, and the political life to the politicians and political scientists, just as we surely would not leave propositions in the hands of the logiciansin the hands of the logicians.4

We have also spoken of the power of religious naturalism, especially drawing upon Bernard Meland, to develop the theory and practice of a sensitive discernment, the key component in a land, water, and sky aesthetic.

Oneida County's housing stock is among the oldest in New York State, and while sturdy and architecturally aesthetic, is covered with lead - based paints requiring specialized knowledge of lead - safe work practices compliant with the Environmental Protection Agency (EPA) regulations that went into effect in 2010.

This practice is usually provided by beauty and aesthetic clinics, and in some cases non-medical practitioners administer the treatment.

As a full - service dental practice dedicated to health - centered, cosmetic and aesthetic restorative dentistry, our patients are partners in their wellness and we do everything in our power to help them maintain their oral health and improve their smile.

Campbell, CA About Blog Founded in 2017 by Dr. Kamakshi Zeidler and Dr. R. Laurence Berkowitz, Aesthetx is a high - end plastic and aesthetic surgery practice in the Bay Area.

It's a shame that Infamy devolves into such juvenile practices as there are some nice flourishes on display — for instance, the hand - drawn aesthetic lends a quaint, homely feel to adventuring that feels refreshing in light of the grandeur that western RPGs typically strive for — yet it's impossible to root for a game that makes such a critical misstep.

The aesthetic atmosphere of her practicing Eight Diagram palm in the drifting snow was also a bright spot in the film.

In The Big Short, writer / director Adam McKay creates a deliberately dizzying visual aesthetic to imitate the rhetoric involved in many of the banks» business practiceIn The Big Short, writer / director Adam McKay creates a deliberately dizzying visual aesthetic to imitate the rhetoric involved in many of the banks» business practicein many of the banks» business practices.

It's worth remembering that the aesthetic tendencies of somebody like Lynch, however striking or fascinating they are in practice, aren't in and of themselves sources of depth or substance; his style is a consequence of the emotional logic of his films, not the other way around, which is to say that his idiosyncrasies of form are warranted by the material.

Her background includes: BA: fine art painting (1995), teacher: secondary (1997 — 1999) MA in ceramics (2000) practice - led PhD examining phenomenology as a mode of aesthetic analysis (2004).

For comprehension instruction, eight different instructional practices were observed and coded: doing a picture walk; asking for a prediction; asking a text - based question; asking a higher level, aesthetic response question; asking children to write in response to reading (including writing answers to questions about what they had read); doing a story map; asking children to retell a story; and working on a comprehension skill or strategy.

Even though many of the practices of the most accomplished teachers in this study, such as coaching in word recognition during actual reading and asking higher level, aesthetic response questions, were mirrored in our analyses of teachers in the most effective schools, this does not mean that all of the most accomplished teachers worked in the most effective schools.

This can be a common games platform (even in the 80's, games magazines succeeded primarily by being about one kind of microcomputer), or shared aesthetic values for play, or just shared values for talking about the practices of play.

In this shift social communication becomes aesthetic practice.»

The artist's conceptual, aesthetic, and structural investigations of performance through immobility in her practice inverts the notion of the artist as the predominant actor.

MH: I think my interest in political art is related to the question of whether a mere aesthetic awareness can be political, or if we must envision an artistic practice oriented around action to produce truly political art.

The exhibition makes the most of Tate St Ives» expansive new display areas to show a number of Heron's large - scale paintings, and marks the evolution in his visual language, aesthetic sensibility and practice.

Robert Stern, the renowned architect and Dean of the Yale School of Architecture, acquired the present work in 1968 and has long admired it, not only for its formal and aesthetic qualities but also for the revolutionary nature of Judd's practice, «From the minute I saw the work, I knew of its importance.

Josephine Meckseper (b. 1964) has developed a practice which melds the aesthetic language of modernism with a profound critique of consumerism In her shop windows, vitrines, installations, photographs, films and magazine projects she draws a direct correlation to the way consumer culture defines and circumvents subjectivity and sublimates the key instruments of individual political agency.

Concurrently, 6 Artists / 6 Projects (February 10 — August 29, 2015) presents new works by some of today's leading contemporary artists in Israel, whose practice resonates in counterpoint with the aesthetic traditions that accompanied the opening of the Museum 50 years earlier.

I approach these two exhibitions with the ironic realization that I was schooled in the same male universal aesthetic value system that Schapiro struggled with — both internally and due the external art world — as she sought a feminist practice; it is one of my critical considerations.

Until his untimely death in 2006 at age 41, he carried out a continuous assault on aesthetic conventions and the rules governing the art world, wryly subverting those conditions by integrating them within his practice.

Definitely not a retrospective, this show unveils the latest stage in Shapiro's aesthetic practice that spans five decades by exhibiting the commissioned installation along with five of permanent collection pieces and one borrowed from the collection of Nancy Nasher and David Haemisegger, the amazing 20 Elements, 2004 - 2005.

On view through December 23, Nathalie Du Pasquier: BIG OBJECTS NOT ALWAYS SILENT will provide an all - encompassing experience of Du Pasquier's aesthetic, organized in close coordination with the artist to demonstrate the seamless boundaries between functional and decorative objects in Du Pasquier's practice.

The exhibition takes its inspiration in part from the 1985 New Zealand post-apocalyptic film of the same name, and serves as an abstract documentation of the ways that humans have responded to the ecological crises of climate change with scientifically informed aesthetic practices.

In a groundbreaking career surpassing 50 years of practice and encompassing many significant visual and cultural movements including Conceptual Art, Post-Modernism, and Feminism, Nancy Spero made the female experience central to her art and challenged aesthetic and political conventions.

Fig's artistic vision is characterized by a conceptual and aesthetic interest in the day - to - day creative practices of fellow artists.

She uses her youth to her advantage, likening Frank Stella's work from the 1970s to the «Photoshop aesthetic» in contemporary practices — a connection older critics may not make.

Many of the participants in Lives were younger conceptual artists engaged in the openly aesthetic practice of vernacular sociology, behavioral psychology, and local ethnography.

His work can be seen in the files of Museo del Barrio, N.Y.; Drawing Center, N.Y.; the flat files at Pierogi 2000, Brooklyn N.Y.; and Heskin Contemporary, N.Y. Currently he co-manages «Rumpelstiltskin,» an exhibition art space for aesthetic research in south west Guadalajara, Mexico, where he has curated Paranormal Bureu, a multimedia show with three artists from Brooklyn N.Y. My unorthodox practice links me to a generation of artists with a very wide range of approaches to art, that question the interest of the establishment particularly in museums and commercial venues.

Through clever manipulations of cropping, ordering, and pagination, Printed in Germany offers readers an original aesthetic experience and comprehensive insight into the practice of one of today's most thought - provoking artists, while — through pure visual splendor — pushing the boundaries of the artist's book into new realms.

The Michael Kohn Gallery is pleased to present a group exhibition focused on the aesthetic contemplation of mysticism in both contemporary art practice and contemporary practices of looking at art.

His critical interests concern the intersection of processes, motivations, and outcomes in music, art and design; art as a social practice; and generally, the nature of cognition and aesthetic experience.

Together, we will refine your aesthetic vision and offer critical engagement and feedback for each student's artistic practice, in an environment of supportive peer artists.

EXILE presents artists of different generations, often setting these in dialogue with each other and understands art as a collaborative, inter-generational and overarching discourse embedded in a complex web of socio - political, gender and personal histories as much as in aesthetic theory and conceptual practice.

Building on each artist's ongoing practice and presenting exhibitions in a new and different environment, fig - futures aims to reach out to new audiences, and capture the aesthetic and critical currency of today.

Thus, in addition to highlighting the spiritual themes that run through Ossorio's entire body of work, «congregation» also reveals something about his aesthetic practice — how he conceives of artistic form and how he goes about putting a work of art together.

Organized in a collaborative effort between curator Julie Fishkin, and artist Saya Woolfalk, the fifteen artists in the exhibition engage the dichotomy between communal pasts and the individual experience, intertwining them visually through the manipulation of common materials and reexamination of time - honored aesthetic practices.

HeK shows contemporary art that explores and configures new technologies; it promotes an aesthetic practice that uses information technology as a medium, makes it vividly accessible and actively intervenes in its processes.

Through impromptu artworks, lectures, readings, discussions, screenings, performances, and explorations of the assembly (of being together) as an art form, it opens up a space for politico - aesthetic experiments practicing art as imagination, thought, and action intervening in the contemporary.

They've exhibited widely, in both national and international contexts, and have a range of aesthetic interests that include: practices of accumulation, manifestations of power, human discourses around the transcendent and the material relationship between self and world.

In order to reconsider these power relationships, what alternatives and constructive frameworks can be offered by contemporary aesthetic and artistic practices?

The exhibition entitled «Bad Faith» offers «examples of how modes of protest can be located in aesthetic and materialist practice» during a moment of political and social instability.

Do aesthetic and artistic practices have to refute political engagement, and can they exist without being rooted in social life?

His distinctive aesthetic touch, his fearlessness, and freedom of his motley gestures, the demand of the physicality of his surfaces and the unapologetic emotional emphasis in all of his works connect his practice into a distinctive whole, instantly recognizable as Julian Schnabel's artistry.

And while these artists» practices are formally linked by their «challeng [ing] the notion of the canvas as a flat surface,» the exhibition's strongest assertion is that there is no singular Puerto Rican aesthetic — a still important point of resistance within a long lineage of Eurocentric museums» limiting our collective understanding of «non-Western art» by naming it as something distinct («primitive,» «craft,» «artifact») from the trajectory of art history otherwise taught in schools.

Discourses of national identity, human rights, and the administration of justice are recurrent themes in his art, and the techniques of his audio - aesthetic practice have become the basis through which he has become known as a «private ear,» conducting forensic audio analysis for several legal investigations.

Several artists in the exhibition reject traditional categories of painting and sculpture to explore new modes of art making which result in a plethora of unprecedented aesthetic and critical practices, ranging from industrially produced geometric abstractions, negating the hand of the artist, to text - based investigations.