Sentences with phrase «aesthetic sense from»

Not exact matches

Mitt might appear to us as the rare rich guy who might — out of mega-frugality and Mormon lack of aesthetic sense (from which Huntsman pretentiously exempts himself)-- occasionally eat at Denny's.

It is just this empirical sense of the aesthetic which William Carlos Williams had, particularly in his most conscious moments of rebellion from the cognitive and academic orientation of art.

May I emphasize the fact that the elements and functions coming from the superconscious, such as aesthetic, ethical, religious experiences, intuition, inspiration, states of mystical conscious - ness, are factual, are real in the pragmatic sense... producing changes both in the inner and the outer world.

Yet if we are to judge purely on the basis of immediate aesthetic quality, of «intensity» in a Whiteheadian sense, on what grounds are we to prefer the experience of «passive» contemplation to that which comes from the active exercise of instrumental reason?

Given his panpsychism or «psychicalism,» Hartshorne holds that the ultimate units of reality are, in the broadest sense, feelings, or that feeling is a «cosmic variable» which can range from the most primitive, unconscious aesthetic reactions of subatomic particles to their environment to the most elaborate conscious experiences of God's.

And nobody knows how exactly he'll look both from a physical and aesthetic sense.

Volume XV, Number 2 The Inner Life and Work of the Teacher — Margaret Duberley The Human Body as a Resonance Organ: A Sketch of an Anthropology of the Senses — Christian Rittelmeyer Aesthetic Knowledge as a Source for the Main Lesson — Peter Guttenhöfer Knitting It All Together — Fonda Black The Work of Emmi Pikler — Susan Weber Seven Myths of Social Participation of Waldorf Graduates — Wanda Ribeiro and Juan Pablo de Jesus Pereira Volunteerism, Communication, Social Interaction: A Survey of Waldorf School Parents — Martin Novom A Timeline for the Association of Waldorf Schools of North America — David S. Mitchell Reports from the Research Fellows More Online!

The viewer relies uponthe aesthetic resonance of the paintings to make sense of them, and as a way of building up a snapshot of news from the year covered.

Heightened by striking performances from the mostly inexperienced cast, and an impressive sense of aesthetic from Tsangari that warrants comparison to the works of Sofia Coppola, the contemplative and quietly compelling film mirrors the protagonists path from the curious to the creative.

This came from the feeling that African directors lacked an instinctive sense of the Hollywood aesthetic, which meant that they were on the back foot when it came to international distribution.

Logan's director, James Mangold, does the same with clips from the western Shane (1953), hijacking George Stevens's powerful scenes of cruel violence but imparting no sense of the aesthetic daring and moral revulsion that made that film a moral and artistic landmark.

Unquestionably, Raimi does have a visionary sense of aesthetic that is marvelous to behold from a spectator standpoint, though the visuals often force the story to take a back seat for extended durations.

«Object in the sense that, when viewed from different angles, in varying moods, it reveals more and more of itself, other emotions and, for a film overrun with aesthetic objects, deepened ideas.»

The tiny pipe in the middle makes even less sense from an aesthetic point of view, but in reality, it's specifically engineered to create a unique sound experience.

It suffered a bit from «hold right to win» syndrome, focusing far more on speed than the clever level design of the past, but it had a lot of things that drew me in: a slick aesthetic, wacky music, very functional controls and, well, a great sense of crazy speed.

He has established his idiosyncratic world where an aesthetic sense of West and East overlaps through the influences from European textiles, Fauvism's freewheeling line which is exemplified by Henri Matisse, as well as Rinpa's decorativeness.

Alloway traces their embrace of this aesthetic concept to the 18th century Romantic reprise of the Sublime's «momentous and powerful» qualities, in which the pleasure from nature's beauty is accompanied by a sense of awe, fear or dread, «solitude, silence, and infinity.»

While earning his BFA from the Universidad de Guanajuato and his MFA in Arts and Technology from The University of Texas Dallas, Nieto was exposed to the masters of Modern art who have shaped both his aesthetic and process such as Jackson Pollock's controlled drip technique, Robert Motherwell's graphic cubist collage, and Willem de Kooning's bold sense of color, among others.

The resulting volume (to be released in fall 2017) offers a resource for students, scholars, or any engaged reader, to consider dominant threads in aesthetic theory along side related works of art, including selections from structuralist and post-structuralist explorations of representation, to German media theory, the study of cultural techniques, and the still - burgeoning realm of new media theory, together offering a wide array of theoretical and methodological approaches to the world of images, and a sense of how those approaches have evolved over time.

Trying to will the orchestration of the image has more to do with the mind and a certain aesthetic sense that is built from temperament and experience.

In a sense, Fowler is taking aesthetic cues from DIY and craft communities and inserting them into the world of streetwear, fostering intriguing cultural crossover possibilities in the process.

Loaded with a poignant sense of cultural history, Puryear's abstract sculptures have a unique aesthetic and are meticulously hand - made, most often from wood.

With William Okpo, the Okpo sisters illustrate the unique aesthetic that results from the juxtaposition of the immigrant's sense of style combined with American sensibilities.

Cannily incorporating a wide range of visual vocabularies drawn from the realms of cinema, advertising, communications, and the history of art alike, and strategically structuring both architectural environments and the editing of images and sounds in order to take in the viewer and overwhelm the senses, Aitken exposes audiences to ideas — and to each other, in communal spaces — by means of a nearly hypnotic aesthetic.

«My aesthetic sense was formed at a young age by what surrounded me: the narrow residential spaces of Japan and the mental escapes from those spaces that took the forms of manga and anime,» he reflected.

The common - sense consensus seems to be that aesthetic feeling is too complex to ever quantify, as it is generated by dozens of factors, from class upbringing and education, to social influences and pressures, to remembered and learned preferences.

While Herzog may appreciate the formal and aesthetic similarities of Segers's work with his own (in a sense claiming Segers as an art - historical precedent), Hearsay of the Soul refrains from suggesting a truly unique relationship between Herzog and Segers that no other depictions of pastoral landscape could accomplish.

From South Korea, Shin Meekyoung plays on traditions of forgery by precisely replicating rare vases from soap, whereas Hong Sung Chul aims to inspire the traditional Korean sense of community by bringing viewers together to physically interact with his works, both artists reflecting a typically Korean technically - based aesthetic approFrom South Korea, Shin Meekyoung plays on traditions of forgery by precisely replicating rare vases from soap, whereas Hong Sung Chul aims to inspire the traditional Korean sense of community by bringing viewers together to physically interact with his works, both artists reflecting a typically Korean technically - based aesthetic approfrom soap, whereas Hong Sung Chul aims to inspire the traditional Korean sense of community by bringing viewers together to physically interact with his works, both artists reflecting a typically Korean technically - based aesthetic approach.

In a discussion that looks at critical art practices from the late sixties and early seventies, Dyment situates the work of Woodeson, Haegele and Ashmore as a contemporary re-examination of issues and the aesthetic of early minimal and conceptual art practices, but one that is, instead, less confrontational and is imbued with a welcoming invitation and sense of play.

At the time, while I recognized in the installations in which Tonoshiki threw together and brought into dynamic coexistence waste lumber from demolished houses, driftage from the ocean, abandoned televisions and other domestic waste, and scrapped vehicles on the one hand and natural outdoor settings or orderly exhibition rooms in art museums on the other, a common spirit with the cyber-punk-like junk aesthetic that was then reaching its peak (see the work of Seiko Mikami, for example), the only thing I sensed Tonoshiki was stressing — particularly given that he had been influenced by the social sculpture of Joseph Beuys — was probably that the concept of «reversal» could be found in the act of almost violently recycling useless objects that had served their function and were merely waiting to be disposed.

In a broader sense, however, Post-Minimalism (like Post-Impressionism) encompasses a number of differing styles, as well as types of painting, sculpture and other contemporary artforms, which succeeded Minimalism in the late - 1960s and 1970s, and which use it as an aesthetic or conceptual reference point from which to develop.

But as Magazzino confirms, by its design aesthetic as much as by its inaugural show — it honors Margherita Stein, a patron of the movement — an irrepressible sense of good taste prevailed from the start.

However, gradually I came to realize that certain things are true: The development of one's aesthetic abilities suffers from such emphasis; the content of truly creative work must be inherently aesthetic or the work becomes merely another form of illustration; therefore, the goal of the artist must be aesthetic development, and in a universal sense, to make in his own way some contribution to culture.»

In the end we all have a sense of aesthetics and sometimes my aesthetic is so drastically different from another artist that I can't possibly identify or understand their sensibility.

Her early work, as well has her art now, powerfully combine high technical skill, a sense of the female position in Muslim Pakistan, and a slightly troubled, troubling feeling for herself as a painter who has moved from a highly hierarchical culture to America, where aesthetic pluralism can confuse a classically trained artist.

The right - handed G502 melds the ergonomic sense you'd expect from Logitech with the current aesthetic common to gaming mouse — angular, aggressive, weaponized.

While making the left ear cup the functional center of the whole device makes sense from a cost - saving perspective, it's rather crowded from design and aesthetic perspectives.

But the overall aesthetic doesn't stray too far from the original Pixel, which makes sense since it's Google doing the designing here.