Sentences with phrase «aesthetic strategies of»

Deeply invested in the human subject and its status in today's world, the themes and aesthetic strategies of these videos are directly tied to violent political histories that challenge belief in an enlightened and emancipated humanity.

Not least of all his work is also connected however with the aesthetic strategies of the counterculture in California.

Yet his art is also associated with the aesthetic strategies of California counterculture.

Despite its focus on vintage fashion, Rumley avoids the obvious aesthetic strategy of clichéd Instagram filter - like retro - ism, and while the clothes may come from a bygone era, Fashionista is very much a product of the contemporary moment.

In addition, the course offers a unique occasion to examine the cultural and aesthetic strategy of the biennale, working closely with the biennale director, curators and participating artists.

In addition, the course offers a unique occasion to examine the cultural and aesthetic strategy of the biennale, working closely with the biennale directors and participating artists

Not exact matches

Commissioner for Tourism, Arts and Culture, Mr. Steve Ayorinde in a statement, said the remodelling of the magnificent Gani Fawehinmi statue was part of the State's strategy to enhance the aesthetic beauty of open public spaces and parks across the state and to celebrate and immortalise worthy icons that contributed immensely to the development of Lagos State.

The family friendly visuals and aesthetic feel of Chocobo's Dungeon successfully manage to mask what is otherwise an in - depth accomplished RPG that requires strategy, tactics and persistence.

Cameron knows the viewer will recognize Avatar's story from elsewhere, whether as the love affair between John Smith and Pocahontas or almost all of Ferngully: The Last Rainforest (don't judge me) and so tries to dazzle the viewer with «shock and awe,» as one scientist - cum - soldier puts it, laying bare both the film's political context and aesthetic strategy.

Less a straightforward horror film than a heartbreaking psycho - thriller, Rumley has frequently cited the films of Nicolas Roeg as an inspiration and that influence is felt both in its shrewdly executed aesthetic strategies and the near stifling intensity of its central, unfolding drama.

At SodaPup, we've developed a similar «special make - up» strategy that allows us to slightly modify some of our most important products so that retailers with 20 stores or more can have a unique aesthetic and unique SKUs — not available anywhere else — not even on Amazon.

To discuss the work, aesthetic preferences, and strategies of production of a man who could be addressed as one of the «father figures» of game design is the right decision.

Armello takes the strategy and concept of a board game and combines them with the presentation of a videogame to produce a deep and satisfying game of tactics and adventuring with a splendid aesthetic... [Read More]

Why To Get It: Addicting strategy gameplay on higher difficulties; six playable characters with different abilities; killer music reminiscent of the original Star Fox; retro aesthetic.

It doesn't matter if she hews to a feminist reading of history, self - consciously apes historical modes of abstraction, or engages in Warholian strategies, the «post -» artist will happily jettison aesthetic engagement for the opportunity to pontificate in the service of self.

Finally, due to both the rational structure of her media - spanning, multi-layered works and her diverse spectrum of subject - related references to music, literature, and European cultural history, Hanne Darboven prefigures strategies and discourses of aesthetic knowledge production and mediation in current art.

This brief essay from Phaidon's Art in Time shows us some of the key artists of this significant movement, whose conceptual as well as aesthetic strategies remain important to this day.

Together, the works in the exhibition employ a heterogeneous range of aesthetic strategies, often emphatically representing the city's inhabitants through forms of bold figuration, and foregrounding New York itself as a location of conflict and possibility.

Drawing on the spectacular resources of the Norton Simon collections, the exhibition explores the wealth of aesthetic and conceptual artistic strategies that challenge the shortsighted view of still life as simply an art of imitation.

The discovery led Jackson to use the properties of color perception as an aesthetic strategy for investigating the history of American school desegregation and the contemporary resegregation of public space.

The juxtaposition of their works brings out both the similarities and the contrasts between their aesthetic strategies.

By making use of strategies such as exaggeration, abstraction, abject form, and humor, these works subvert ideals of strength and aesthetic purity, thereby illustrating their permeability.

The radical shift in art making is that for years, the conceptual strategy was to fancy - up ideas with tools from the aesthetic toolbox, but Riedel's system takes tools from the conceptual toolbox as strategies to create an aesthetic body of work.

She has participated in many international exhibitions including: The Arcades: Contemporary Art and Walter Benjamin at the Jewish Museum, New York (2017); Resistance Performed — Aesthetic Strategies under Repressive Regimes in Latin America, at the Migros Museum, Zurich, Switzerland (2016); La No - Historia, Biennial of Mercosul, Porto Alegre, Brazil (2011 — 2015), the 12th Istanbul Biennial, Turkey (2011); the 8th Mercosul Biennial in Porto Alegre, Brazil; the 31st Sao Paulo Biennial, Brazil (2014); The Artistic Experience of History, State University of Rio de Janeiro, Brazil (2013); and Dislocation at the Kunst Museum of Bern, Switzerland (2009), among others.

This common aesthetic tends to be highly narrative, and draws on postmodern devices such as the use of the readymade and strategies of appropriation.

The artist creates aesthetic mythologies, which adopt and play with themes and techniques used for the fabrication of realities in advertising strategies, political spin and entertainment, as well as in the economic and legal languages, and their social applications.

An example of contemporary video art - making that references traditional filmmaking strategies, Hironaka & Suib's time - consuming process reflects how the computer has become the aesthetic medium of the 21st Century.

Their work resulted in original and hybrid aesthetic strategies, responding to the industrial expansion that colored the social and economic conditions in South America following World War II and to the political transformations of the time.

Furthermore, this exhibition sheds light on the aesthetic universe of Carron, providing foundations for his visual and conceptual vocabulary and allowing insight into a practice that combines strategies of appropriation with sculptural bravado.

However her aesthetic strategy differs from her predecessor in its autobiographical dimension and focus on the issue of racial identity, while at the same time suggesting a more formal reading with respect to materials, processes, and altered states.

Whether or not the artistic intents, aesthetic strategies, and contexts of production are similar or in dialogue in any way is one of many questions this provocative exhibition raises yet leaves unanswered.

As with much of her work, Fishman uses the medium as an avenue for social critique, probing the pharmaceutical industry's aesthetic decisions and branding strategies.

The show explores how the department has honed its collecting strategy to amass masterworks of the highest aesthetic and technical quality, including iconic works by designers who have changed the course of fashion history and advanced fashion... Read More

In collaboration with artists, curators, scholars and viewers, we will draw on a range of experiences and approaches to develop new strategies for productive critical, social and aesthetic engagement.

Dr. M. T. Geoffrey Yeh Art Gallery / Sun Yat Sen Hall Through May 3 St. John's Univerity, Queens NY These artists» alternative perspectives address issues of innovation, displacement, and identity as tension and conflict, as well as the impact and challenges of mobility and migration on aesthetic experimentation and creative strategies.

There is not, of course, and there has never been, a single black experience, and this is exactly what the Tate's new exhibition, Soul of a Nation, tells us definitively: there are artists who have things to say about their position, but they aren't united by an aesthetic, strategy or political ideology.

Sterling Ruby (born 1972) is an American artist who works in a wide range of aesthetic and material strategies, from sculptures made of saturated, glossy, poured polyurethane, bronze and steel, to drawings, collages, richly glazed ceramics, spray - paint paintings, photography and video, as well as textile works that include quilts, tapestries, garments and soft sculptures.

Significantly, artists were addressing these issues by reworking and subverting a range of art - historical references and aesthetic strategies, from William Morris to Pop Art, documentary practices and the introduction of Third Cinema to the UK.

This has to do with a common aesthetic and artistic language, which tends to be highly narrative, and the postmodern use of the readymade and strategies of appropriation.

She is the founder of the Pocho Research Society (PRS)(2002), a project that explores the elasticity of the artifact and the mythmaking aspects of «History» through conceptual, performative, social, and aesthetic strategies that result in multi-media installations, video, photographic work, social engagement, publications, and public interventions.

It does so not necessarily in order to render it a-political, but so as to recuperate it as an aesthetic strategy, comprised of such Victorian features as the coded, ambiguous, artificial (as in artifice), and supposedly sublimated.

German artist Hans - Peter Feldmann collects in order to appropriate and challenge aesthetic sensibility, Richard Hamilton's use of pre-existing photographic imagery is linked with pop's consumerist strategies, and Dieter Roth, German - Swiss conceptual artist and long time collaborator with Hamilton, alighted most particularly (nay obsessively) on the postcard format, exemplified in Postkarte.

Queer abstraction has also asked artists and critics to consider new strategies for the imaging of non-binary genders, and explored the political value of theoretical and aesthetic illegibility — contra liberal advocacy for the very visibility of queers.

His published work centers broadly on the conjunction of art and politics, examining the ability of artistic practice to invent innovative and experimental strategies that challenge dominant conventions, whether representational, aesthetic, or social and political.

«Hypothesis for an Exhibition» explores parallels in thought and aesthetic strategies between Italian Conceptualist Giulio Paolini's work, especially of the 1960s and the»70s, and the work of a younger generation of artists based in New York City today.

An exhibition exploring the relationship between aesthetic strategies and the historical, political, and cultural contexts of the region

In the age old battle of turning wants into needs, advertising agencies, designers and producers increasingly incorporate sophisticated aesthetic strategies to entice the public towards their particular brand.

The avant - garde movements» strategy has been active precisely in the direction of the elaboration of new aesthetic languages capable of isolating and articulating that metaphorical angle.

Pedigreed in Debord and steeped in the visual / verbal strategies of Ed Ruscha and Richard Prince, «the days of this society is numbered» looks tailor - made for MoMA's longstanding emphasis on aesthetic lineage, but remarkably, it's one of the few pieces that seems to wear such a conventional stamp of institutional approval.

Some of their aesthetic strategies were employed to create dynamic still lifes, enlivening what was commonly considered a static genre.