His thesis at Harvard was on
the aesthetic theories of painter Eugène Delacroix (1798 - 1863), one of the leading artists of the French Romantic period.
Her research focuses on Marxist - feminist politics and
aesthetic theories of community, participatory art, and architecture.
Her research focuses on marxist - feminist politics and
aesthetic theories of community, communication and communism.
The first of the four themes I have been tracing,
an aesthetic theory of value, was made quite clear here.
Her friend Vi advocates
an aesthetic theory of storylessness, like Zen parables, in which «all structures must contain the possibility of their own non-existence — some zip that undoes them.»
Not exact matches
The revolution in the conditions
of production in the superstructure has made the traditional
aesthetic theory unusable, completely unhinging its fundamental categories and destroying its «standards».
The special logic
of this
theory, after all, is that the Christian philosopher — having surmounted the «
aesthetic,» «ethical,» and even in a sense «religious» stages
of human existence — is uniquely able to enact a return, back to the things
of earth, back to finitude, back to the
aesthetic; having found the highest rationality
of being in God's kenosis — His self - outpouring — in the Incarnation, the Christian philosopher is reconciled to the particularity
of flesh and form, recognizes all
of creation as a purely gratuitous gift
of a God
of infinite love, and is able to rejoice in the levity
of a world created and redeemed purely out
of God's «pleasure.»
Kuyper's
aesthetic theory seems wholly untouched by the cross, a horror within the sinful world that somehow reveals the glory
of God.
The kind
of unity a harmony has is
aesthetic, which is the basis for the
theory of value and valuation below.
This
theory is rationalistic in that it identifies
aesthetic experience with a clear, distinct, and ordered estimation
of the external artistic reality.
The unique, trans -
aesthetic meaning Whitehead attaches to «beauty» has caused much misunderstanding
of his value
theory.
A
Theory of Aesthetic Response.
Hartshorne's position on abortion is also influenced by his
theory of aesthetic value, which emphasizes that a diversity
of experiences balanced by an aesthetically pleasing amount
of complexity and orderliness contributes to life and to God, more fully than do less balanced experiences.
Also, the idea
of a progression
of durations brings a certain
aesthetic harmony to the
theory of societies by unifying the variables
of size, duration, and complexity across the levels
of hierarchies.
On the methodological possibilities in «reader response,» see Wolfgang Iser, The Act
of Reading: A
Theory of Aesthetic Response (Baltimore: Johns Hopkins University Press, 1978), and the collection
of essays, Susan R. Sulieman and Inge Crosman, eds., The Reader in the Text (Princeton, N.J.: Princeton University Press, 1980).
This separability is a fault not only because it violates the
aesthetic principle
of unity, held in some form by any
theory of beauty.
This last
theory, pleasure in the ugly, best articulates the essential
aesthetic of the electronic church.
Nevertheless, because the electronic church so often both depicts evil and implicitly denies its seriousness, the pleasure
theory best articulates the core
of the electronic church's
aesthetic and sensibilities.
As he notes,» [the idea that] the consummation
of an act
of experiencing necessarily involves the
aesthetic quality... is the ground
of Dewey's resolution
of the dichotomy
of theory and practice.
In our
aesthetic model with its allied bipolar
theory of perception, we can find an illuminative value in each mode
of discourse, science or religion.
A
theory of Supreme Value which, despite many changes in formulation, can always be understood (whether or not Wieman himself said so explicitly) in
aesthetic terms;
See his «
Aesthetic Value, Moral Value and the Ambitions
of Naturalism» as well as «Red, Bitter, Good» for the development
of a Humean
theory of value.
We have also spoken
of the power
of religious naturalism, especially drawing upon Bernard Meland, to develop the
theory and practice
of a sensitive discernment, the key component in a land, water, and sky
aesthetic.
Although Whitehead never developed his interpretation
of aesthetic experience very far, 6 we can deepen our understanding
of artistic expression by attention to the
theories of Merleau - Ponty.
Given In Good Company's small - screen
aesthetic, it's ironic that Weitz lets out a sigh
of relief that Grace (late
of «That»70s Show») didn't need to break any «TV habits,» although he has grown enough as a filmmaker to have developed
theories of camera movement, such as that left - to - right pans possess a more «melancholy air.»
Add to that the all - black, all - Art Deco vibe
of her looks this weekend that undeniably fit with the
aesthetic of Black Panther's promotional material, and you've got a real
theory going.
The Summer, 1985 issue
of The Velvet Light Trap featured essays on technical, economic,
aesthetic, and ideological aspects
of Hollywood widescreen filmmaking, and included English translations
of some
of Bazin's articles, where he integrated widescreen with his
theories of filmic ontology.
on The
Aesthetic Elements
of Kracauer's
Theory of Cinematic Realism Present Within Pawel Pawlikowski's My Summer
of Love, by Darrell Tuffs
Aesthetic computing is a curricula - blending approach that applies the
theory and practice
of art to computing and problem solving.
«Drawing Art into the Equation:
Aesthetic Computing Gives Math a Clarifying Visual» An evolving teaching method applies the
theory and practice
of art to computing and problem solving (November 2005).
The highly valued profession
of a fashion designer needs vast knowledge in different areas such as art, cultural heritage, history,
aesthetic theories.
In 2006 he released Gamer
Theory, an ambitious and unconventional look at how videogames relate to the philosophical, political, and
aesthetic dimensions
of contemporary life.
Where it works, people who are completely unaware
of any
aesthetic theory can be stopped in their tracks by it.
His
aesthetic project was, according to some scholars, related to Bertolt Brecht's
theory of epic theater, in which creative expression transforms the spectator from an inert receiver to an active, reflective observer and motivates social action.
These
theories were illustrated in sketches — «structures drawings» — that Falkenstein used to define the underlying components
of her work and her philosophical approach to science that was the basis
of her
aesthetic concerns.
Meanwhile, embedded in the dialogue are about 20 important contemporary art exhibition titles,
aesthetic philosophical quotes, as well as titles
of books on economic
theory.
Although Greenberg supported his pronouncements with
aesthetic theory, corporate America was not slow to invest in abstractions incapable
of communicating any social message, helping create the weird art market that now exists.
This is reflected in his
aesthetic that suggests science, the study
of outer space, and an atomic
theory of the universe.
As T.W. Adorno observes in
Aesthetic Theory, it is precisely through a fragmentary and «not closed» form, through a «synthesis
of the dispersed» which renounces the idea
of consonance, that art can express the reality
of our time.
EXILE presents artists
of different generations, often setting these in dialogue with each other and understands art as a collaborative, inter-generational and overarching discourse embedded in a complex web
of socio - political, gender and personal histories as much as in
aesthetic theory and conceptual practice.
Among the last paintings
of Dali's life, works from 1983 reveal the influence
of the French mathematician René Thom's
theory of «catastrophe» and Dali's continuing mystical fascination with
aesthetic form.
From 1998 to 2007, he was a professor
of Aesthetic Theory / Cultural Studies at the Merz Akademie, Stuttgart.
The exhibition's concept is an
aesthetic contribution to the rethinking
of DuBois's «double conciousness»
theory that asserts that African - Americans are no longer relegated to looking at themselves through the eyes
of others, but rather through their own gaze.
Plato's
theories were the basis for birthing the
aesthetic discipline — the study
of beautiful.
Oulipian poetic
theory ranged from the polemical language
of early manifestoes to elaborate formulations
of a literary
aesthetic based on algorithms and re-combinations.
Other major influences include the Frankfurt School
of political and
aesthetic theory and his collaborations on corporate identities with international corporations.
His Gallery 291 became a locus for the exchange
of critical opinions and theoretical and philosophical views in the arts, while his periodical Camera Work became a forum for the introduction
of new
aesthetic theories by American and European artists, critics, and writers.
The first writers to acquire an individual reputation as art critics in 18th - century France were Jean - Baptiste Dubos with his Réflexions critiques sur la poésie et sur la peinture (1718)[17] which garnered the acclaim
of Voltaire for the sagacity
of his approach to
aesthetic theory; [18] and Étienne La Font de Saint - Yenne with Reflexions sur quelques causes de l'état présent de la peinture en France who wrote about the Salon
of 1746, [19] commenting on the socioeconomic framework
of the production
of the then popular Baroque art style, [20] which led to a perception
of anti-monarchist sentiments in the text.
Aesthetic, pragmatic, expressive, formalist, relativist, processional, imitation, ritual, cognition, mimetic and postmodern
theories are some
of many
theories to criticize and appreciate art.
The resulting volume (to be released in fall 2017) offers a resource for students, scholars, or any engaged reader, to consider dominant threads in
aesthetic theory along side related works
of art, including selections from structuralist and post-structuralist explorations
of representation, to German media
theory, the study
of cultural techniques, and the still - burgeoning realm
of new media
theory, together offering a wide array
of theoretical and methodological approaches to the world
of images, and a sense
of how those approaches have evolved over time.