Sentences with phrase «affecting works in the exhibition»

Not exact matches

It is the specificity of each movement of each piece that turns the entire exhibition into an opportunity in which works affect each other.

In celebration of Women's History Month, the Northern Manhattan Arts Alliance inaugurates its new gallery space with the exhibition Women in the Heights — The Human Essence, featuring works by women artists of Northern Manhattan, tackling issues affecting humanitIn celebration of Women's History Month, the Northern Manhattan Arts Alliance inaugurates its new gallery space with the exhibition Women in the Heights — The Human Essence, featuring works by women artists of Northern Manhattan, tackling issues affecting humanitin the Heights — The Human Essence, featuring works by women artists of Northern Manhattan, tackling issues affecting humanity.

Born in California, 1977 Lives and works in New York City EDUCATION 2007 - 2009 MFA, Columbia University 1995 - 1999 BFA, Rhode Island School of Design EXHIBITIONS 2011 Andrea Rosen Gallery, New York, NY, «A Thousand & One Nights,» March 18 — April 23 2010 Laurel Gitlen, New York, NY, «In Here,» July 9 — August 13 Museum 52, New York, NY, «Preconceived Iconography,» Apr 7 — May 9 2009 Andrea Rosen Gallery, New York, NY, «The Perpetual Dialogue,» December 12 — January 23, 2010 SculptureCenter, Long Island City, NY, «In Practice Fall» 09,» September 13 — November 30 Brown Gallery, London, «Evading Customs,» group show curated by Lumi Tan and Peter J. Russo, September Socrates Sculpture Park, Long Island City, NY, «EAF09: 2009 Emerging Artists Fellowship Exhibition,» with Ninh Wysocan, September 2009 - March 2010 Bard College, Annandale - on - Hudson, NY, «The Special Affect,» video screening co-curated with Summer Guthery, May The Fisher Landau Center for Arin California, 1977 Lives and works in New York City EDUCATION 2007 - 2009 MFA, Columbia University 1995 - 1999 BFA, Rhode Island School of Design EXHIBITIONS 2011 Andrea Rosen Gallery, New York, NY, «A Thousand & One Nights,» March 18 — April 23 2010 Laurel Gitlen, New York, NY, «In Here,» July 9 — August 13 Museum 52, New York, NY, «Preconceived Iconography,» Apr 7 — May 9 2009 Andrea Rosen Gallery, New York, NY, «The Perpetual Dialogue,» December 12 — January 23, 2010 SculptureCenter, Long Island City, NY, «In Practice Fall» 09,» September 13 — November 30 Brown Gallery, London, «Evading Customs,» group show curated by Lumi Tan and Peter J. Russo, September Socrates Sculpture Park, Long Island City, NY, «EAF09: 2009 Emerging Artists Fellowship Exhibition,» with Ninh Wysocan, September 2009 - March 2010 Bard College, Annandale - on - Hudson, NY, «The Special Affect,» video screening co-curated with Summer Guthery, May The Fisher Landau Center for Arin New York City EDUCATION 2007 - 2009 MFA, Columbia University 1995 - 1999 BFA, Rhode Island School of Design EXHIBITIONS 2011 Andrea Rosen Gallery, New York, NY, «A Thousand & One Nights,» March 18 — April 23 2010 Laurel Gitlen, New York, NY, «In Here,» July 9 — August 13 Museum 52, New York, NY, «Preconceived Iconography,» Apr 7 — May 9 2009 Andrea Rosen Gallery, New York, NY, «The Perpetual Dialogue,» December 12 — January 23, 2010 SculptureCenter, Long Island City, NY, «In Practice Fall» 09,» September 13 — November 30 Brown Gallery, London, «Evading Customs,» group show curated by Lumi Tan and Peter J. Russo, September Socrates Sculpture Park, Long Island City, NY, «EAF09: 2009 Emerging Artists Fellowship Exhibition,» with Ninh Wysocan, September 2009 - March 2010 Bard College, Annandale - on - Hudson, NY, «The Special Affect,» video screening co-curated with Summer Guthery, May The Fisher Landau Center for ArIn Here,» July 9 — August 13 Museum 52, New York, NY, «Preconceived Iconography,» Apr 7 — May 9 2009 Andrea Rosen Gallery, New York, NY, «The Perpetual Dialogue,» December 12 — January 23, 2010 SculptureCenter, Long Island City, NY, «In Practice Fall» 09,» September 13 — November 30 Brown Gallery, London, «Evading Customs,» group show curated by Lumi Tan and Peter J. Russo, September Socrates Sculpture Park, Long Island City, NY, «EAF09: 2009 Emerging Artists Fellowship Exhibition,» with Ninh Wysocan, September 2009 - March 2010 Bard College, Annandale - on - Hudson, NY, «The Special Affect,» video screening co-curated with Summer Guthery, May The Fisher Landau Center for ArIn Practice Fall» 09,» September 13 — November 30 Brown Gallery, London, «Evading Customs,» group show curated by Lumi Tan and Peter J. Russo, September Socrates Sculpture Park, Long Island City, NY, «EAF09: 2009 Emerging Artists Fellowship Exhibition,» with Ninh Wysocan, September 2009 - March 2010 Bard College, Annandale - on - Hudson, NY, «The Special Affect,» video screening co-curated with Summer Guthery, May The Fisher Landau Center for Art.

This exhibition sees Williams engage with large scale painting and ceramic forms, incorporating gold leaf and sand, alongside raw pigment and oil paint, to produce affect in his experimental, and textural works.

(English) In celebration of Women's History Month (March) 2015, the Northern Manhattan Arts Alliance (NoMAA) invites artists to submit their work for Women in the Heights — The Human Essence, an exhibition featuring works by women artists of Northern Manhattan, tackling issues affecting humanitIn celebration of Women's History Month (March) 2015, the Northern Manhattan Arts Alliance (NoMAA) invites artists to submit their work for Women in the Heights — The Human Essence, an exhibition featuring works by women artists of Northern Manhattan, tackling issues affecting humanitin the Heights — The Human Essence, an exhibition featuring works by women artists of Northern Manhattan, tackling issues affecting humanity.

The various works in this exhibition point both at systems and their breakdowns: awkward or arbitrary interactions, the intrusion of affect, unlikely spaces.

An exhibition of selected works that was recently on view at Marlborough Gallery in New York highlighted the simultaneous effect and affect with which Bravo infused his art by means of masterly technical precision but perhaps more importantly through a singular use of color inspired by quotidian life in his adopted home of Tangier, Morocco, and the depiction of the art that he collected and maintained while living there.

Interestingly, while turning the viewer's attention to what one would normally dismiss — and certainly not warrant close inspection — the work takes various forms and affects, not only in relation to the space it is exhibited in and in terms of scale, but also in accordance to its designated context, be it a solo or a group exhibition (in the latter case shaping the viewing experience of other artists» works on display).

The romance and affect of the Los Angeles driving landscape on the artist is clear in the largest work in the exhibition, Echo Park, 2011, a 15 foot long painting sitting upon two small, steel sawhorses.

2014 «Shit and Die», Maurizio Cattelan, Myriam Ben Salah, Marta Papini, Published by Damiani, Bologna, ISBN: 9788862084024 «De Generation of Painting», published by Fondazione 107, Turin, 2014 «Il Piedistallo Vuoto / The Empty Pedestal», Mousse, texts by Boris Buden, Keti Chukhrov, Vit Havránek, Marco Scotini and Joanna Warsza, Milan, ISBN: 9788867490691 «of course blue affects my way of shitting», Chert and Motto books, Berlin, ISBN: 978294052418 «Kushtetuta», edited by Petrit Halilaj, Alvaro Urbano, Issue 2, Self - published 2013 «Kosovo Pavilion — Venice Biennale», Walther König, edited by Kathrin Rhomberg & Erzen Shkololli, Cologne, ISBN - 10: 3863355474, ISBN - 13: 978 - 3863355470 «Poisoned by men in need of some love», exhibition catalogue, edited by Elena Filipovic, WIELS and Motto books, ISBN: 978 -2-940524-07-5 «Kushtetuta», edited by Petrit Halilaj, Alvaro Urbano, Issue 1, KOSOVO 2.0 «SUPER Visions — Zeichen und Sein», exhibition catalogue, Museum Schloss Moyland, Verlag für Moderne Kunst, ISBN: 3869844191 2012 «New Public», exhibition catalogue at Museion, Walther König, edited by Rein Wolfs, texts by Federico Campagna, Maria Lind, Rein Wolfs, Cologne, ISBN: 9783863352400 «30 Künstler 30 Räume», exhibition catalogue, Verlag für Moderne Kunst, text by Franz Xaver Baier, Dietrich Mahlow, Angelika Nollert, Nürnberg, ISBN: 978 -3-86984-320-9 2011 Artist's book, published by Kunstraum Innsbruck and Chert, Berlin «Struktur & Organismus», exhibition catalogue, edited by Stefan Tasch, Marillenhof — Destillerie Kausl, Austria «Ostalgia», exhibition catalogue, published by New Museum, New York «Based in Berlin», exhibition catalogue, Verlag der Buchhandlung Walther König, Cologne, ISBN: 9783863350451 «Kostërrc (CH)», brochure, Chert and Bonner Kunstverein, Bonn «My work and me», edited by Susanne Pfeffer, Verlag der Buchhandlung Walther König, Cologne, ISBN: 9783865609052 2010 «Blau Orange 2010 — shortlist Simon Denny, Petrit Halilaj, Klara Liden, Nora Schultz», published by BVR — National Association of German Cooperative Banks «Drinnen & Draussen», exhibition catalogue, Chert and Motto books, Berlin «What is waiting out there», Berlin Biennale 2010, curated by Kathrin Rhomberg, DuMont Buchverlag, Cologne «Liste», fair catalogue, Basel

The works in the exhibition create environments that are at once palpable and uncanny, examining how the physical and social body is affected by accelerated temporalities and the sensations of high - speed browsing and sharing in daily life.

In what Pioneer Works calls a «posthumous return to White's work» (the artist lost her battle with cancer in 2014), the two separate but interconnected exhibitions revolve around the two artists; «formidable colleagues, they were mutually affected by the AIDS crisis then unfolding in the 1980s and 90s.&raquIn what Pioneer Works calls a «posthumous return to White's work» (the artist lost her battle with cancer in 2014), the two separate but interconnected exhibitions revolve around the two artists; «formidable colleagues, they were mutually affected by the AIDS crisis then unfolding in the 1980s and 90s.&raquin 2014), the two separate but interconnected exhibitions revolve around the two artists; «formidable colleagues, they were mutually affected by the AIDS crisis then unfolding in the 1980s and 90s.&raquin the 1980s and 90s.»

Inspired by Reiner Ruthenbeck's 1977 installation Zwielicht / Entre chien et loup at the Serpentine Gallery, as well as the exhibition of Julio Le Parc's works at the Serpentine Sackler Gallery, this evening of screenings, readings, talks and performances addressed light, happiness, affect and productivity in contemporary culture.

Broken Boxes, an exhibition curated by Ginger Dunnill and Cannupa Hanska Luger, features Douglas Miles and 40 other creators from around the world who are affecting change in their work.

Created in collaboration with residents of the affected region, the exhibition features fragments of a house, around which the other featured video, sound and photographic works gravitate.

Oursler is also opening an exhibition of new works at New York's Lehmann Maupin Gallery on Oct. 7, 2010, entitled Peak, which explores themes similar to those found in Valley — the ways in which technology affects the human psyche and humankind's obsessive relationship to computers and other virtual platforms.

At the exhibition in the Kunsthalle Zürich, the artist juxtaposes these images of the global forward - march of science, technology and the movement of goods and their influences, which affect the most diverse societies in similar ways, with his latest Silver works.

In the group exhibition ich weiß nicht [I don't know]-- Growing Relations Between Things, 17 positions of contemporary artists, most of whom are living and working in Austria, spin a narrative about the affect of thingIn the group exhibition ich weiß nicht [I don't know]-- Growing Relations Between Things, 17 positions of contemporary artists, most of whom are living and working in Austria, spin a narrative about the affect of thingin Austria, spin a narrative about the affect of things.

The selected works in this exhibition examine the current state of accelerated urbanization that is affecting the cities of India.

Eschewing chronology, the works in the exhibition are organised in seven sections each addressing a question: Can art affect everyone?

Interpreting «presence» as the materiality, affect and meaning that constitutes a work of art, the exhibition considers how an artwork's presence is in a perpetual state of flux.

Against a backdrop of new digital and social settings, the group exhibition ich weiß nicht [I don't know]-- Growing Relations between Things spins a narrative about the affect of things via works by 17 contemporary artists, who are primarily living and working in Austria.

In celebration of Women's History Month (March) 2015, the Northern Manhattan Arts Alliance (NoMAA) invites artists to submit their work for Women in the Heights — The Human Essence, an exhibition featuring works by women artists of Northern Manhattan, tackling issues affecting humanitIn celebration of Women's History Month (March) 2015, the Northern Manhattan Arts Alliance (NoMAA) invites artists to submit their work for Women in the Heights — The Human Essence, an exhibition featuring works by women artists of Northern Manhattan, tackling issues affecting humanitin the Heights — The Human Essence, an exhibition featuring works by women artists of Northern Manhattan, tackling issues affecting humanity.

«Centered on the work of artists directly affected by Sandy,» as the exhibition was described, it also included «work inspired by and referring to the storm, along with work by artists who were invited to participate in the spirit of solidarity.»