The Trump administration, for all of its obnoxiousness, seems most to have irritated
affluent white liberals, rather than the nonwhite and relatively poor who are supposedly Trump's great targets.
Part of this is ideology, of course, since
affluent white liberals are the most extreme segment of the Democratic coalition.
This is the dilemma facing
affluent white liberals: They want to lead a coalition in favor of equality, but their identity places them under suspicion.
«Get Out» hits with the impact of a bombshell in the supposed «post-racial» landscape of America, lampooning not the overtly racist (they're scary enough) but
the affluent white liberal set who think they have transcended concerns of prejudice while remaining oblivious to their racial micro-aggressions.
Not exact matches
White,
affluent liberals should prioritize the interests of poorer, less secular Democrats, instead of maintaining their privileged position.
This is driven, of course, by the overwhelming support of young voters, but also by
white Catholics, who have grown more open - minded on gay rights as they have become more
affluent and educated, and as their children return from college with more
liberal attitudes.
Rose's parents, Dean and Missy — played by Bradley Whitford and Catherine Keener, respectively — are the kind of
affluent liberal white people who can't be racist because they consider their black servants to be «like family».