Sentences with phrase «after pop art»

As a descendent of Marcel Duchamp and Andy Warhol, and after Pop art had magnified critical interest in consumerist culture, Prince's «rephotographs» could be seen as a cynical representation of reality, and as a piercing inquiry into the ethos of the American vernacular.

Coming right after Pop Art, they moved slowly or even invisibly, as a lesson in attention and patience, much like the deliberate movements of an escaping prisoner of the Nazis in Robert Bresson's A Man Escaped or a Manhattan rush hour for James Nares.

Not exact matches

Although country legend Johnny Cash's most famous album was recorded for a captive crowd at Folsom Prison in 1968, simultaneously signaling his pop culture comeback after years lost in addiction and the rise of the live album as a serious piece of art, Live from San Quentin is a stronger album.

Less than a year after the Albright - Knox Art Gallery in Buffalo received the largest single financial donation in its history, officials announced that it has now received its largest single donation of art: The vast and lucrative estate of pop artist and local favorite Marisol, who died last AprArt Gallery in Buffalo received the largest single financial donation in its history, officials announced that it has now received its largest single donation of art: The vast and lucrative estate of pop artist and local favorite Marisol, who died last Aprart: The vast and lucrative estate of pop artist and local favorite Marisol, who died last April.

My mani from Art Basel and the super talented Miss Pop Nails is still growing strong after more than a week.

The «Batman» television show (1966 - 1968) cast a long, pop art - infused, camp shadow over the property and, after the big budget failures of a series of superhero films in the 1980s (some more campy than others) such as Howard the Duck (1986), WB apparently had cold feet.

They talk about Blake's pioneering digital art, which often obliquely if not directly referenced pop culture; one exhibition of his work was named after the eyeglass vendor in David Cronenberg's Videodrome, Spectacular Optical, and borrowed its ideas from the spatial dynamics in Cronenberg's early movies.

After breaking ticket records at the Museum of Contemporary Art in Chicago, the touring exhibition «David Bowie Is» hits NYC in March, with more than 400 objects from the celestial pop icon's life, including costumes, lyric sheets and performance clips.

Tony Leung plays Ip as a suave, white - fedora - wearing romantic hero, while the story deals with martial - arts masters before and after the Second Sino - Japanese War, who saw kung fu schools popping up on every corner like Starbucks.

Pop Art Activities After observing selected art works by Roy Lichtenstein and Andy Warhol, students produce a still life collage and a computer generated imaArt Activities After observing selected art works by Roy Lichtenstein and Andy Warhol, students produce a still life collage and a computer generated imaart works by Roy Lichtenstein and Andy Warhol, students produce a still life collage and a computer generated image.

«We transform the store after - hours into a pop - up art gallery and we have live jazz music and local artists donate pieces,» she says.

After the discoveries of minimalism and Pop art, performance and installation, it sometimes seemed impossible to find a way to continue doing innovative work within painting.

After leaving the New York outpost of Paris gallery Balice Hertling, Lewis worked as a nomadic curator, staging pop - up exhibitions like Lucy Dodd's at No54 and his booth at the Dallas Art Fair, showing works by Viola Yesiltac and Charles Mayton.

2012 Jason McCoy Gallery «Drawings» New York, N.Y. Phillip Slein Gallery «Gallery Artists» St. Louis, MO Green and Blue Gallery «Connected to Vermont» Hartwick, VT Arthur Roger Gallery «Aspects of a New Realism» New Orleans, LA Sideshow Gallery «It's All Good» Williamsburg, N.Y. 2011 Green and Blue Gallery «Patterns» Stowe, VT Hill Gallery «Structure / Abstraction» Birmingham, MI Silvershed «A New Dimension» New York, N.Y. Sam Lee Gallery «Cries and Whispers» Los Angeles, CA Sherman Gallery «Fresh Flowers» Boston, MA Jason McCoy Gallery «After Paradise» New York, N.Y. Sideshow Gallery «It's All Good / Apocalypse Now» Williamsburg, Brooklyn 2010 Pennsylvania College of Art and Design «Increment,» Lancaster PA Parrish Museum «Underground Pop» Southampton, NY Marist College Gallery «2 Coasts - 2 Visions» Poughkeepsie, NY Hill Gallery «Gallery Artists» Birmingham, MI 2009 Ed Thorp Gallery «Put It On Paper» New York, NY.

Perhaps initially something of a dilettante, De Keyser began painting seriously in his mid-30s after a brief journalistic career, becoming associated with the East - Flanders» «New Vision» group whose proponents drew upon post-war American painting, most notably Abstract Expressionism, Minimalism and Pop Art.

Long after Pop, long even after the New Image painters of the 1970s and 1980s, abstract art still has a way of standing for painting.

Warhol did not invent Pop Art, coming as he did after Jasper Johns and Robert Rauschenberg, and it took its own course, with Roy Lichtenstein and others.

Having moved to New York after receiving a BFA from the Kansas City Art Institute, Christensen found himself in an art scene where minimalism, color field, and Pop art were dominating the conversatioArt Institute, Christensen found himself in an art scene where minimalism, color field, and Pop art were dominating the conversatioart scene where minimalism, color field, and Pop art were dominating the conversatioart were dominating the conversations.

After leaving the Beatles, he enrolled in the Hamburg College of Art, studying under future pop artist Eduardo Paolozzi, who later wrote a report stating that Sutcliffe was one of his best students.

After twenty years as a brick - and - mortar shop, Marfa Book Co. will open its first experimental pop - up at the Institute of Contemporary Art, Los Angeles on February 4th.

Does that count as Pop Art or realism, and which looks more conservative after all?

That is, after all, what hip young artists do — meaning prefer pop culture to fine art and video games to standing for hours working.

«The Chicago Artists Coalition booth features Yvette Mayorga's High Maintenance (Art After Nov. 8, 2016), an eye - popping, immersive, rococo, satirical, and Candy Land - pink critique of immigration law, sexism, racism, the American Dream, and life in general in the Trump era.»

It resurfaced after many of the successive postmodern movements: the ironic hard edges of pop, the pared - down compositions of Minimalism, the free - for - all expressionism of assemblage and street art, and finally the tongue - in - cheek homages of 1980s appropriation — each caused critics to mourn painting's demise.

After mov - ing to New York in 1960, she abandoned abstraction, a decision reinforced by encounters and subsequent friend - ships with heavyweight figures on the burgeoning Pop art scene such as Roy Lichtenstein, OÌ?yvind FahlstroÌ?m and Claes Oldenburg.

Just a few weeks after volunteer org Arts in Bushwick surprised the neighborhood by announcing that Bushwick Open Studios would be held in October rather than in the summer, an anonymous entity has popped up with plans to fill the void in June, during the same weekend usually reserved for BOS.

2016 [SIC] works from the CAPC Collection, CAPC Musée d'art contemporain de Bordeaux, France My Abstract World, me Collectors Room, Berlin Bad Faith, James Fuentes Gallery, New York Summer Rental: The Marx Collection Visits Wrocław, Muzeum Narodowego we Wrocław, Breslau, Poland (catalogue) GVA < — > JFK, Musée d'art moderne et contemporain (MAMCO), Geneva Selections from the Collection of B.Z. + Michael Schwartz, Sotheby's, New York The Adventure of our Collection: Art after 1945 from the Kunstmuseen Krefeld, Kaiser Wilhelm Museum, Krefeld, Germany (catalogue) POP: Yesterday and Now, Flora Bigai Arte Contemporanea, Pietrasanta, Italy The Sonnabend Collection: Half a Century of American and European Art.

Selection: FFWD Archives, Kunstverein in Hamburg, Hamburg, Germany After the Fall: Aspects of Abstract Painting Since 1970, Newhouse Center for Contemporary Art, Staten Island, NY Pop Abstraction, Pennsylvania Academy of Art, Philadelphia, PA (brochure)(re) Mediation: The Digital in Contemporary American Printmaking, University of South Florida Contemporary Art Museum, Tampa, FL Painting: Now and Forever, Part I, Pat Hearn Gallery and Matthew Marks Gallery, New York An Exhibition of Paintings, Gagosian Gallery, Beverly Hills, CA The Eighties, Culturgest, Lisbon

INTERNATIONAL POP Dallas is the second site, after the Walker Art Center in Minneapolis, for this exhibition of Pop Art that splintered into international movements like Nouveau Réalisme in France, Concretism and Neo-Concretism in Brazil and Capitalist Realism in GermaPOP Dallas is the second site, after the Walker Art Center in Minneapolis, for this exhibition of Pop Art that splintered into international movements like Nouveau Réalisme in France, Concretism and Neo-Concretism in Brazil and Capitalist Realism in GermaPop Art that splintered into international movements like Nouveau Réalisme in France, Concretism and Neo-Concretism in Brazil and Capitalist Realism in Germany.

They are marvels, and somehow the brightness and hard edges of the latter series approach Pop Art after all.

In her works, von Bonin turns on a spinning machine that spits out refererne after reference the pop and high culture and also to art history.

The pair began working togther in 2010 as an experiment in creating accessible art after Guangci's Pop - inspired «Angel» series got widespread attention in China.

Smith's joyful embrace of glamour and prismatic colour after the grey decade and a half of postwar austerity, brought him within the orbit of Pop Art at its very inception and assured him an important place in its early history.»

After training at Wimbledon School of Art she moved in 1959 to that hub of British Pop, the Royal College of Art, where she met and worked with key figures from the movement.

Eyedrum Art and Music Gallery relocated to FUSE Arts Center, after hosting pop - up shows at the Goat Farm and Nelson Street Gallery.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymPop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymPop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymPop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymPop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuympop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

When I first went to Anne Frank's house right after college, I realized that to survive she pasted up images of fine art next to pop cultural images and stars next to Michelangelo and Rembrandt because it gave her hope.

After the World War II, new movements such as Abstract Expressionism, Neo-Dada, Pop - Art, New Realism, Minimalism, Op Art sprang up to reflect changing values and creative priorities.

Interpreted literally, it can be considered the antithesis of Pop Art, perhaps more so than any parallel American movements: it was organic, industrial, bio-chemical, in flux, phenomenological, presentational, non-representational, almost devoid of colour and implicitly anti-consumerist (after all, it coincided with the end of the miracolo italiano and the rise of worker / student insurrections).

Soon after, Hamilton coined the term pop art.

The grid, its flatness, and the repetition of signs connect it to Modernism before it, Pop Art to come, and maybe even its appropriation long after by Sherrie Levine (and then Martí Cormand).

It made him a founder of Pop Art and a leading influence on the turn away from painting with the «Pictures generation» after 1980.

The pop art's genius made this painting in 1974, two years after Mrs Warhola died in New York.

After all, Pop Art played out in much the same years as Philip Guston, Louise Bourgeois, and Eva Hesse in all their brutal facelessness or self - exposure.

Nuevas incorporaciones - Museu d'Art Contemporani de Barcelona - MACBA, Barcelona Days Lumberyard Studios - ACME Fine Art & Design, Boston, MA Great Impressions II - Dean Jensen Gallery, Milwaukee, WI Pollock's Mural and Modern Masterworks from the University of Iowa Museum of Art - Figge Art Museum, Davenport, IA Shaping Reality: Geometric Abstraction after 1960 - The Minneapolis Institute of Arts, Minneapolis, MN Layered / Boxed - Nohra Haime Gallery, New York City, NY International: 20th Century and Contemporary Masters - Hillsboro Fine Art, Dublin Pop to Present - Cantor Arts Center at Stanford University, Stanford, CA Grafik; Multiple & Plastik Der 60iger Und 70iger Jahre - Galerie Baal, Bielefeld Collected Visions - Bronx Museum of the Arts (BxMA), New York City, NY Modern Masters - Museum of Contemporary Art San Diego - MCASD Downtown, San Diego, CA 1968 - 69: 40 Years Later - Armand Bartos Fine Art, New York City, NY Action / Abstraction: Pollock, de Kooning, and American Art, 1940 — 1976 - Albright - Knox Art Gallery, Buffalo, NY The Third Mind: American Artists Contemplate Asia: 1860 - 1989 - Solomon R. Guggenheim Museum, New York City, NY Vivre l'art - collection Venet - Espace de l'art concret, Mouans Sartoux Gallery Selections - Hollis Taggart Galleries, New York City, NY Gallery Mixed Show - Bernard Jacobson Gallery, London, United Kingdom Made in America - Manny Silverman Gallery, Los Angeles, CA Synchronies: Undercurrents in Postwar European and American Abstraction — Hackett Freedman Gallery, San Francisco, CA (closed, 2009)

1987 The Whitney Museum of American Art at Philip Morris, New York, Contemporary Cut - Outs (catalogue) Monte Carlo, Monaco, Monte Carlo Sculpture ’87 Port of History Museum at Penn's Landing, Philadelphia, National Sculpture Society 54th Annual Exhibition Kent Fine Art, New York, Assemblage Odakyu Grand Gallery, Tokyo, U.S.A. — U.K. Pop Art, exhibition traveled to Daimuru Museum of Art, Osaka; Sogo Museum, Yokohama) Whitney Museum of American Art, Fairfield County, CT, Contemporary Cut - Outs: Figurative Sculpture in Two Dimensions laneni Lanzone Gallery, San Francisco, After Pollock: Three Decades of Diversity Herter Art Gallery.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

The authors of two new books on Pop Art, Catharina Manchanda and Thomas Crow, take a long and wide view of the phenomenon, including the decades before and after its 1960s heyday.

The Tate Modern was to show the work as part of its larger exhibition «Pop Life: Art in a Material World» but closed the gallery in which it was contained after Scotland Yard warned that the Shields photograph could violate obscenity laws.

It came after the Nouveau Réalisme exhibition at the Galerie Rive Droite in Paris, and marked the international debut of a highly significant group of artists who were soon to give rise to what came to be called Pop Art or Nouveau Réalisme.