Sentences with phrase «after cultural revolution»

After the Cultural Revolution, China's economy was on the brink of destruction.
Contemporary art in China comprises work produced after the Cultural Revolution (1966 - 9).
All of the artists in the exhibition were born in China after the Cultural Revolution (1966 - 1976) and after Mao's death (1976).
These artists came of age after the Cultural Revolution and the death of Mao Zedong in 1976.
January to April 2013 saw the Ullens Center for Contemporary Art (UCCA), Beijing, show «On Off: China's Young Artists in Theory and Practice», which focused on emerging and mid-career artists born after the Cultural Revolution.
Cao's work, which includes video, performance, and digital media, examines the daily life of Chinese citizens born after the Cultural Revolution.
Younger Chinese artists — those who grew up after the Cultural Revolution in the era of hyper - capitalism — can still feel a connection to the Mogaoku.
Zhang Huan and Zhang Xiaogang feature prominently in MassArt exhibition of Chinese Art after the Cultural Revolution.
The exhibition also includes four new oil paintings that continue Zhang's inquiries into the domestic interiors to which people returned after the Cultural Revolution, and in which the artist came of age.
In multimedia works that mix documentary techniques with fantasy (virtual reality, anime, avatars), she explores the impact that China's rapid transformation has had on the generation born after the Cultural Revolution.
Jia's films often deal with politics in China, specifically the country's newfound materialism after the Cultural Revolution, as well as the threat that government and giant corporations pose to the lifestyles of regular, working - class people.
Those half - dozen films, including «Raise the Red Lantern» and «To Live,» were some of the first internationally seen Chinese films after the Cultural Revolution.
After the Cultural Revolution ended in 1976, Xi won admission to Peking University in Beijing.
But it was only after the cultural revolution ended in 1976 that the nation made serious progress towards establishing a strong presence in space.
First, Ezra Vogel's magisterial biography Deng Xiaoping and the Transformation of Modern China, about the man who reinvented the country after the Cultural Revolution of the 1960s, and then Julia Lovell's The Opium War, which charted the clash between Britain and China that first started the confrontation between west and east:
After the cultural revolution in China, I had several opportunities to visit China and to talk with Christians who survived that terrible event.
After the communist revolution in 1949 and especially after the cultural revolution, the Christian Church in China suffered much; in fact, many thought that the Christian Church in China had come to an end.

Not exact matches

«It's set during Mao Zedong's Cultural Revolution, and kicks off when an alien race decides to invade Earth after the Chinese government covertly sends a signal into space,» Business Insider explains.
After devastating famine in the late 1950s followed by social upheavals of the Cultural Revolution in the»60s and»70s, China turned to a more pragmatic approach to economic development when Deng Xiaoping ascended to power at the end of that period.
Jean - Louis Margolin tells us in The Black Book that twenty million died in that system after the Communist victory in 1949; twenty million others during the Great Leap Forward of 1959 — 61; and many thousands more during the Great Cultural Revolution of the 1960s.
After its defeat, Kemal Ataturk turned his country into a modern secular state by means of a far - reaching cultural revolution.
After being closed during the Cultural Revolution (1966 - 1976), Buddhist and Taoist temples are being opened and restored, and tourists are allowed — indeed, strongly encouraged — to visit them, especially the more spectacular ones.
After World War II, secularity seized the cultural sway from Protestantism, and to some extent carried its revolution so far that it destroyed its own moral foundations.
She explains: «After the Chinese cultural revolution, many saw politics as associated with great personal risk,» and adds: «I can appreciate the effect of seeing politicians sent to a prison camp.»
Titled after the local slang for the city's fabled 42nd Street, The Deuce explores the rough - and - tumble world of the sex trade from the moment when both a liberalizing cultural revolution in American sexuality and new legal definitions of obscenity created a billion - dollar industry that is now an elemental component of the American cultural landscape.
After a year, the Cultural Revolution collapsed into factions and Mao sent the students into the countryside to learn from the masses.
Many who survived the March report that their suffering continued long after the «triumph» of the revolution, recounting tales of persecution and ostracism that culminated in the horrific years of the Cultural Rrevolution, recounting tales of persecution and ostracism that culminated in the horrific years of the Cultural RevolutionRevolution.
After going through the Great Leap Forward and the Cultural Revolution, why should anyone believe that the Chinese Government would honor its own constitution?
In recent projects Ai has addressed the international refugee crisis, the theme of displacement of particular relevance due to his being raised in exile after his father, the Chinese poet Ai Qing, was denounced during the Cultural Revolution.
Zhang Qiang, an art critic who visited it, described it in retrospect as the first painting exhibition after the end of the Cultural Revolution that was not organized by the government, and noted that it attracted a continuous stream of visitors.11.
The masterful, intricate complexity of the Appearance of Crosses (2014) series is impressive and unsurprising; after all, Ding's unswerving commitment to rational abstraction began nearly thirty years ago, in the years of socio - political upheaval following China's Cultural Revolution (1966 — 76).
Educated in Russian socialist realism style, Yifei began painting the cultural revolution propaganda quickly after graduating from the Shanghai College of Art.
Born after 1949, both artists grew up under Communist party rule, came of age during the Cultural Revolution and experienced the diplomatic and commercial opening of China to the West.
Blooming in the Shadows will examine work produced by these three significant groups of young artists in the critical decade after the end of the Cultural Revolution leading up the Communist Party's 1985 decision to allow modern artistic practices.
Nevertheless, after 1949, and especially during the Cultural Revolution (1966 — 76), Teng's paintings were denounced as spiritual pollution.
The family only returned to Beijing in 1976, at the end of the Cultural Revolution, after which Ai studied animation at the Beijing Film Academy and co-founded the avant - garde art group Stars with fellow artists Ma Desheng, Wang Keping, Huang Rui, Li Shuang, Zhong Acheng, and Qui Leilei.
The nine artists in this exhibition, born after the China Economic reform (1976 - 1989), possess no memory or experience of the hermetic Cultural Revolution, or even the periods before those, which were rewritten by the Revolution.
A Red Guard during the Cultural Revolution, later a scriptwriter in Beijing for state television - after having lived through deportation to Outer Mongolia - poet and actor, he began to sculpt, working almost exclusively in wood, a material through which he freely expresses sensuality which, in China, even today, is still a cause for repression.
As Adorno famously cautioned that poetry after Auschwitz is obscene, artists suffered a severe existential crisis in the wake of the Holocaust, the Bomb, the Gulag, the Cultural Revolution and the myriad anti-colonial wars of liberation breaking out all over the globe.
Its focus is on artists born after the end of the Cultural Revolution.
Curator Victor Wang brings together site - specific commissions and new and old work in the show, from artists born after China's Cultural Revolution.
Karl Weiming Lu was a member of the first generation of Chinese artists, after the end of the Cultural Revolution, to seriously begin experimenting in the visual arts.
Karl Weiming Lu was a member of the first generation of Chinese artists, after the end of the Cultural Revolution, to se...
According to the exhibition materials, UCCA is billing it as «the most comprehensive survey to date of the generation of artists born after the death of Mao and the end of the Cultural Revolution».
The abrupt ouster last month of Mike Huckabee from the Country Music Association's charitable board just 24 hours after his appointment sends a strong signal that Nashville's cultural revolution is...
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