Sentences with phrase «after early modern»

Not exact matches

Democrats have revived the gun debate after 49 people were killed at a nightclub in Orlando, Florida, early Sunday, the worst such incident in modern history.

In fact, disparity remains relatively low throughout the Cambrian, with modern levels of disparity only attained after the early Ordovician radiation.

Early modern theory is the period after classical theory.

The conference began by examining two cases from the early days of modern democracies: the United States after the financial panic of 1837 and the UK's famous Geddes Axe in the 1920s.

He received his Ph.D. from the Hebrew University of Jerusalem after completing his English Literature thesis: «The Sky in Early Modern English Literature: A Study of Allusions to Celestial Events in Elizabethan and Jacobean Writing, 1572 - 1620.»

The new study controverts the early origin model, concluding that the placentals originated after the mass extinction event, with the first modern groups evolving two million to three million years later — after the breakup of the supercontinent Gondwana.

Using ancient and modern genome - wide data, we find that the ancestors of all present - day Native Americans, including Athabascans and Amerindians, entered the Americas as a single migration wave from Siberia no earlier than 23 thousand years ago (KYA), and after no more than 8,000 - year isolation period in Beringia.

His weapon of choice is a bamboo rod attached to a sharpened stone, modeled after the killing tools wielded by early modern humans some 50,000 years ago, when they cohabited in Eurasia with their large - boned relatives, the Neanderthals.

Anthropologists have long debated about a penetrating wound seen in Shanidar 3's rib cage: Was he injured by another Neanderthal in a fight — or was it an early modern human who went after him?

This suggests that early modern humans interbred with Neandertals after moderns left Africa, but before they spread into Asia and Europe.

Earlier genome - based estimates have suggested that the ancestors of modern - day dogs diverged from wolves no more than 16,000 years ago, after the last Ice Age.

To other experts, the Denisovans fit that description: They are roughly dated to approximately 100,000 to 50,000 years ago, and their DNA shows that after hundreds of thousands of years of isolation, they mixed both with Neandertals and early modern humans.

Woesebacteria: Named after Carl Woese, who, based on his earlier work, created the first modern tree of life in 1990 by separating life into the three domains.

The Departed marked director Martin Scorsese's return to modern - day gangster movies after an eleven year break, and while it possesses the brutality and violent tension of earlier classics such as GoodFellas (1990) and Casino (1995), it also differed from his previous explorations of the gangster life by following a more linear narrative and eschewing a spoken narration.

Generally, it's not very easy to tell what the overall theme of an Emmy Awards ceremony is going to be until after Game Of Thrones or Modern Family start pulling in every award, but a specific theme started to take shape early on that then turned into a rallying cry when Transparent's Jill Soloway won a directing Emmy...

After celebrating Christmas with one of cinema's bleakest — and funniest — depictions of religion, MUBI prepares to ring in the new year with a look back at some of the earlier works of the best modern and upcoming filmmakers, from Yorgos Lanthimos to (coming soon) The Safdie Brothers.

After dispensing with Greek and Latin early last century, progressives campaigned relentlessly to discredit all the basic components of liberal education, condemning modern languages, history, geography, literature, higher mathematics, and laboratory sciences as elitist, inappropriate, and even damaging for all but a small number of college - bound students.

I also wonder if this sort of scam will become the modern, post - POD / digital equivalent of those vanity publishers who pretended in the early stages of negotiations to be genuine publishers and only brought up charges after an author's hopes were raised.

I would like to see vets, dog professionals doing some research and owner education on the effect of early neutering and dried «formula» foods, lifestyle and any modern developments And some research on the physique and weight of dogs, after all there is no universal recipe for all dogs, breed needs differ, development

Although some Big Sur residents catered to adventurous travelers in the early twentieth century, [14]: 10 the modern tourist economy began when Highway 1 opened the region to automobiles in 1937, but only took off after World War II - era gasoline rationing and a ban on pleasure driving ended in August 1945.

Parramatta, the major hub of the area and largest central business district after the Sydney CBD and North Sydney, was originally considered by the early Governors to be the most favoured site of the States Capital Western Sydney also comprises the majestic beauty of the World Heritage Listed Blue Mountains National Park; state - of - the - art Olympic venues; historical sites of Indigenous and Colonial importance; and traditional rural environments with the high - tech business districts, retail and service centres typical of a modern regional economic powerhouse.

There's probably no competition to speak of if early sales are to be looked at, with Modern Warfare 2 breaking every record in the book and all, but with Fils - Aime questioning the game's ability to sustain those sales, seeing how things look after January NPD data arrives, which is what he's set as the finish line, should be interesting.

- Iizuka has received a ton of requests from fans to have their own original characters appear in Sonic games - while that couldn't happen, Sonic Forces» custom character recognizes that fan desire - the avatar was created with the idea of «making straight high - speed action» - this time the concept is that all three styles (Modern, Classic, Avatar) would be high - speed based - make selections for the face, mouth, body color, and gender of custom characters - each species will also have their own unique skills, such as wolves being able to pull nearby rings - you can't change custom characters in the middle of the game - there is some sort of feature that's unlocked after you've cleared the game once related to this - the new avatar style will have a speedy and rhythmic style like Modern Sonic, but also different vectors from Sonic - this includes differences in timing for pressing buttons, or the Wisps giving the avatar trickier movements - the story aims to depict heroes that would feel like Sonic - by controlling different characters, the devs hope to show a story that extends to explaining the world setting as well - the story concept has been «Hero Army vs. Eggman's Army» from the start - when wondering who should be made playable among the heroes, the idea came up for Classic Sonic - the character setting for the avatar is a civilian in an area occupied by Eggman who stands up and fights together with Sonic - during stages, you'll hear radio contact from partners like Tails and Amy - Sonic and the rest of the gang form a resistance to stand against Eggman's army, so they relay information from headquarters - boss characters like Chaos and Metal Sonic will appear in Eggman's army - details on the new character (Infinite) are being kept secret - the main part of the storyline is that Eggman gathers strong enemies in the past to form an all mighty army - some people might be wondering why Shadow is on the enemy's side, but they can find out more by experiencing the story - the team thinks Japanese fans are taking a liking to the serious story and character customization features - there were some struggles with the new engine in early stages, but now they've moved to a smooth development process - the team knew they wanted to bring the game to Nintendo's new console before they even knew it was the Switch - the Switch info came to them during the middle of the game's development - SEGA knew Nintendo fans would want to play Sonic's new game, which is why they personally worked to bring it to Switch - SEGA plans to show the game in Japan at Tokyo Game Show 2017 in September - the team is also working on providing new information, including news that would be unique to Japan

In June of 2014 Larian Studios released Divinity: Original Sin for PC after a successful Kickstarter campaign and a relatively short early access development cycle that promised ``... an old - school cRPG with new ideas and modern execution.»

After the success of the remastered Resident Evil HD earlier this year, Capcom was keen on the idea of resurrecting more of their cherished properties for modern consoles.

In retrospect, Sucker Punch's series has earned its place among Sony's roster of exclusives; for better or worse, inFAMOUS has become synonymous with the modern PlayStation brand, not lest after becoming one of the early mascots for the PS4 in March of 2014.

After working with traditional subject matter in a style influenced by Modern artists, notably Milton Avery, starting in the early 1940s Rothko deeply influenced by the Surrealists, many of whom were fleeing to America from wartime Europe.

Sotheby's contemporary sale lifts spirits After disappointing Impressionist and Modern sales earlier in the week, Sotheby's contemporary sale went some way to reviving things.

Serial Killers: From Tate Modern to TAKSU Singapore was brought to the TAKSU gallery in Singapore after a run in the No Soul for Sale Festival at the Turbine Hall of Tate Modern, London, earlier this year.

In effect, primitivism is to early modern art as the outsider is to Abstract Expressionism and after.

After visiting a number of different galleries last week, I was struck by a few young artists whose paintings would indicate that they are responding to early modern art but not with irony.

With a focus on work made by artists born after 1968, in addition to several early pioneers who were active internationally in the 1960s and 70s, Under the Same Sun at the SLG examines a diversity of creative responses by artists to complex, shared realities that have been influenced by colonial and modern histories, repressive governments, economic crises, and social inequality, as well as by concurrent periods of regional economic wealth, development, and progress.

Opening: «Folk Art and American Modernism» at the American Folk Art Museum The American Folk Art Museum may be in smaller quarters after selling its Midtown building to MoMA, but it proves that it can still pack a punch with this show about the relationship between the development of the modern art movement in America and the folk art collections of many modernists in the early part of the 20th century.

Early on in Richard Diebenkorn's career, he was exposed to the work of Henri Matisse, and, as he remarked in 1952 after viewing an exhibit of the French modern master's works, «It absolutely turned my head around.»

I can't help but notice how many exhibitions are doing the same: earlier this year, the Hammer Museum's «The Workshop Years: Black British Film and Video After 1981» or, in the summer, Tate Modern's «Soul of a Nation: Art in the Age of Black Power», which spans the period from 1963 to 1983.

Exclusive after - hours private view of Painting the Modern Garden: Monet to Matisse (last entry 9.30 pm) Using the work of Monet as a starting point, this landmark exhibition examines the role gardens played in the evolution of art from the early 1860s through to the 1920s.

In the 1970s there was renewed interest in her portrait art after a retrospective of her paintings at the Palais du Luxembourg, and critics began to rank her among the key early 20th century portrait artists as well as an important representative of modern art of the 1920s.

Jeff Elrod -(pictured above) After a disastrous train wreck of a lecture at the Modern Art Museum of Fort Worth in 2009, I started to think differently about his abstract paintings that are part elegant monochromatic gestural works and part nostalgic elegy to early digi - art, a commentary on the tensions between the physical and the virtual in the 21st century.

New York (catalogue) Original Gagosian Gallery, New York New Portraits Blum & Poe, Tokyo (catalogue) Fashion Nahmad Contemporary, New York (catalogue) 2014 New Figures Almine Rech Gallery, Paris (catalogue) New Portraits Gagosian Gallery, New York It's a Free Concert Kunsthaus Bregenz, Bregenz (catalogue) Canal Zone Gagosian Gallery, New York Richard Prince / Roe Ethridge Gagosian Gallery, New York (catalogue) 2013 Monochromatic Jokes Nahmad Contemporary, New York (catalogue) Protest Paintings Skarstedt Gallery, London (catalogue) Untitled (band) Le Case D'Arte, Milan Richard Prince: New Work Jürgen Becker, Hamburg (catalogue) Cowboys Gagosian Gallery, Beverly Hills (catalogue) Sadie Coles HQ, London 2012 White Paintings Skarstedt Gallery, New York (catalogue) Four Saturdays Gagosian Gallery, New York 14 Paintings 303 Gallery, New York (catalogue) Prince / Picasso Picasso Museum, Malaga (catalogue) 2011 The Fug Almine Rech Gallery, Brussels (catalogue) Covering Pollock Guild Hall, Easthampton The Magic Castle 1968 - 1969 Le Consortium, Contemporary Art Center, Dijon (catalogue) Gagosian Gallery, Hong Kong de Kooning Gagosian Gallery, Paris (catalogue) American Prayer Bibliothèque nationale de France, Paris (catalogue) Bel Air Gagosian Residence, Los Angeles 2010 Pre-Appropriation Works, 1971 — 1974 Specific Objects, New York T - Shirt Paintings: Hippie Punk Salon 94, New York (catalogue) Tiffany Paintings Gagosian Gallery, New York (catalogue) 2009 After Dark Gagosian Gallery, New York 2008 Canal Zone Gagosian Gallery, New York (catalogue) Galerie Patrick Seguin, Paris (catalogue) Continuation Serpentine Gallery, London Four Blue Cowboys Gagosian Gallery, Rome Gagosian Gallery, London Spiritual America Walker Art Center, Minneapolis 2007 Spiritual America Solomon R. Guggenheim Museum, New York (catalogue) Panama Pavilion 52nd Venice Biennale, Venice Fugitive Artist: The Early Work of Richard Prince, 1974 - 77 Neuberger Museum of Art, Purchase Canaries in the Coal Mine Astrup Fearnley Museum, Oslo (catalogue) 2006 Cowboys, Mountains, and Sunsets Sprüth & Magers, Cologne The Portfolios Jürgen Becker, Hamburg Cowboys & Nurses John McWhinnie at Glenn Horowitz, New York 2005 Hippie Drawings Sadie Coles HQ, London (catalogue) Whitechapel Gallery, London Barbara Gladstone Gallery, New York Check Paintings Gagosian Gallery, Beverly Hills (catalogue) 2004 American Dream, Collecting Richard Prince for 27 Years Rubell Family Collection, Miami (catalogue) Sammlung Goetz, Munich (catalogue) Galerie Eva Presenhuber, Zurich (catalogue) Women Regen Projects, Los Angeles (catalogue) 2003 Nurse Paintings Barbara Gladstone Gallery, New York (catalogue) Upstate Sabine Knust, Munich New Work Glenn Horowitz Bookseller, East Hampton Publicities Hydra Workshop, Hydra Island (catalogue) Nurse Paintings Sadie Coles HQ, London 2002 Barbara Gladstone Gallery, New York (catalogue) Principal Painting and Photographs Kunstmuseum Wolfsburg, Wolfsburg Painting Kunsthalle Zürich, Zurich Patrick Painter, Inc., Santa Monica 2001 Museum für Gegenwartskunst, Basel (catalogue) Publicities Sadie Coles, HQ, London (catalogue) Regen Projects, Los Angeles Photographs 1977 - 1979 Skarstedt Fine Art, New York (catalogue) Galerie Micheline Szwajcer, Antwerp Neue Galerie im Höhmann - Haus, Augsburg 2000 Princeville Partobject Gallery, Carrboro Barbara Gladstone Gallery, New York Photographs, Paintings Jablonka Galerie, Cologne 4x4 MAK, Vienna Up - state MAK Center for Art and Architecture, Schindler House, Los Angeles 1999 Paintings 1988 - 1998 Sadie Coles HQ, London 1998 Regen Projects, Los Angeles Joke Paintings Skarstedt Fine Art, New York Psychoarchitecture: Richard Prince, Martin Kippenberger Anton Kern Gallery, New York Barbara Gladstone Gallery, New York Sabine Knust - Maximilian Verlag, Munich Stills Ltd., Edinburgh 1997 The White Room Jürgen Becker, Hamburg; Parco, Tokyo White Cube, London Museum Haus Lange / Museum Haus Esters, Krefeld Cowboys and Cowgirls Espace d'Art Yvonamor Palix, Paris 1996 Sabine Knust - Maximilian Verlag, Munich Passion Play Haus der Kunst, Munich New Works Jablonka Galerie, Cologne 1995 Paintings Barbara Gladstone Gallery, New York Theoretical Events, Naples Regen Projects, Los Angeles 1994 Photographs 1977 - 1993 Kestner Gesellschaft, Hanover (catalogue) Offshore Gallery, East Hampton 1993 Galerie Micheline Szwajcer, Antwerp Fotos, Schilderijen, Objecten Museum Boijmans Van Beuningen, Rotterdam Girlfriends Jablonka Galerie, Cologne (catalogue) Barbara Gladstone Gallery, New York San Francisco Museum of Modern Art, San Francisco First House Stuart Regen Projects, Los Angeles 1992 Kunstverein and Kunsthalle, Dusseldorf Whitney Museum of American Art, New York (catalogue) Protest Paintings Sabine Knust - Maximilian Verlag, Munich Beaver College Art Gallery, Glenside Works on Paper Le Case d'Arte, Milan 1991 Barbara Gladstone Gallery, New York Galleri Nordanstad — Skarstedt, Stockholm Galerie Ghislaine Hussenot, Paris Stuart Regen Gallery, Los Angeles 1990 Jokes, Gangs, Hoods Galerie Rafael Jablonka and Galerie Gisela Capitain, Cologne Galerie Micheline Szwajcer, Antwerp Arthur Roger Gallery, New Orleans 1989 Spiritual America IVAM Center del Carme, Valencia (catalogue) Sculpture Barbara Gladstone Gallery, New York Paintings Jay Gorney Modern Art, New York Barn Gallery, Ogunquit Daniel Weinberg Gallery, Los Angeles 1988 Galerie Rafael Jablonka, Cologne Barbara Gladstone Gallery, New York (catalogue) Centre National d'Art Contemporain de Grenoble, Grenoble Le Case d'Arte, Milan Galerie Ghislaine Hussenot, Paris Messages to the Public: Tell Me Everything Public Art Fund, Times Square, New York 1987 Galerie Isabella Kacprzak, Stuttgart Daniel Weinberg Gallery, Los Angeles 1986 International with Monument, New York Feature Gallery, Chicago 1985 International with Monument, New York Richard Kuhlenschmidt Gallery, Los Angeles 1984 Riverside Studios, London Feature Gallery, Chicago Baskerville + Watson, New York 1983 Le Nouveau Musée, Lyon (catalogue) Le Consortium, Contemporary Art Center, Dijon Institute of Contemporary Art, London Richard Kuhlenschmidt Gallery, Los Angeles Baskerville + Watson, New York 1982 Metro Pictures, New York 1981 Metro Pictures, New York Richard Kuhlenschmidt Gallery, Los Angeles 1980 Artists Space, New York CEPA Gallery, Buffalo

The photo works by Sherrie Levine after Walker Evans, Andreas Feininger, Edward Weston, Alfred Stieglitz and other masters of early modern photography are among the most radical works in this context.

McNeil speaks of why he became interested in art; his early influences; becoming interested in modern art after attending lectures by Vaclav Vytlacil; meeting Arshile Gorky; the leading figures in modern art during the 1930s; his interest in Cézanne; studying with Jan Matulka and Hans Hofmann; his experiences with the WPA; the modern artists within the WPA; the American Abstract Artists (A.A.A.); a group of painters oriented to Paris called The Ten; how there was an anti-surrealism attitude, and a surrealist would not have been permitted in A.A.A; what the A.A.A. constituted as abstract art; a grouping within the A.A.A. called the Concretionists; his memories of Léger; how he assesses the period of the 1930s; the importance of Cubism; what he thinks caused the decline of A.A.A.; how he assesses the period of the 1940s; his stance on form and the plastic values in art; his thoughts on various artists; the importance of The Club; the antipathy to the School of Paris after the war; how Impressionism was considered in the 40s and 50s; slides of his paintings from 1937 to 1962, and shows how he developed as an artist; the problems of abstract expressionism; organic and geometric form; the schisms in different art groups due to politics; his teaching techniques; why he feels modern painting declined after 1912; the quality of A.A.A. works; stretching his canvases, and the sizes he uses; his recent works, and his approaches to painting.

1989, New York): After winning early acclaim for his paintings and engravings, Ojeda participated in exhibitions across the United States, including the International Survey of Recent Painting and Sculpture at the Museum of Modern Art in New York, and Outside Cuba.

Yoshihara himself, after emerging from an earlier phase of making stiff, quasi-surrealist tableaux, went on to create austere, calligraphic circles set against solid black or colored backgrounds, paintings that remain among the most enigmatic and elegant images in all of modern art.

Early Modern Art, in particular the Flemish Baroque painting, The Brueghel Dynasty — these are the periods in the history of art one certainly thinks of after hearing the phrase Belgian art or Belgian artists.

* catalogue 1980 * Philip Guston, (retrospective exhibition 1930 - 1979) originating at the San Francisco Museum of Modern Art: traveled to Corcoran Gallery of Art, Washington, D.C.; Museum of Contemporary Art, Chicago; The Denver Art Museum, CO; Whitney Museum of American Art, New York Philip Guston, Akron Art Museum, OH 1981 * A New Spirit in Painting, Royal Academy of Arts, London Philip Guston, Montgomery Museum of Fine Arts, Montgomery, AL 1981 - 1982 * Philip Guston: The Last Works, organized by the Phillips Collection, Washington, D.C.: traveled to Cleveland Museum of Art, OH; Museum of Art, Carnegie Institute, Pittsburgh, PA; David McKee Gallery, New York * XVI Bienal Internacional de Sao Paulo, Brazil: traveled as Philip Guston: Sus Ultimos Anos to Museo de Arte Moderno, Mexico City; Centro de Arte Moderno, Guadalajara, Mexico; Museo de Arte Moderno, Bogota, Colombia 1982 * Philip Guston: Paintings 1969 - 1980, Whitechapel Art Gallery, London: traveled to Stedelijk Museum, Amsterdam; Kunsthalle, Basel 1983 * The First Show — Paintings and Sculpture from Eight Collections, Museum of Contemporary Art, Los Angeles, CA 1984 * Philip Guston: The Late Works, National Gallery of Victoria, Melbourne; Art Gallery of Western Australia, Perth; Art Gallery of New South Wales, Sydney * La Grande Parade: Highlights of Painting after 1940, Stedelijk Museum, Amsterdam Philip Guston: Last Works, Hayden Gallery, Massachusetts Institute of Technology, Cambridge, MA 1986 * Philip Guston, Greenville County Museum of Art, SC; North Carolina Museum of Art, Raleigh; The Atlanta College of Art, GA 1987 * l'epoque, la mode, la morale, la passion, Centre Georges Pompidou, Paris, France * Philip Guston: Early & Late Works, Skidmore College Museum of Art, Saratoga, NY 1988 * The Drawings of Philip Guston, The Museum of Modern Art, New York: traveled to Museum Overholland, Amsterdam; La Fundacion La Caixa, Barcelona; Museum of Modern Art, Oxford, England; Douglas Hyde Gallery, Dublin; Galeria Nazionale D'Arte Moderna e Contemporanea, Rome.

Since the ERAINT only goes as far back as 1989, it involves many modern satellite - borne remote sensing measurements, and it is believed that there are less problems with observational network discontinuity after this date than in the earlier days.

After assessing comments received on the June draft paper we are now convinced that, whatever the proper number for hybrids» power generation at an earlier time, the better estimate for the cost of operating the most modern hybrids in their normal mode as of August 2005 is a little less than half this 35 - cents / kwh estimate.

• If modern warming were to revert to the earlier warming trend (after the «hiatus»), by year 2100AD global temperatures would increase by +0.65 °C.

Figure 103 in Hubert Lamb's «Climate History and the Modern World» shows an estimate of the growing season near the upper limit of cultivation in Scotland which mirrors much of the glacial record and demonstrates a steady - but not constant - improvement after a modest peak in the mid 1550's - from the trough of the early 1600's to the present day.

After all, the early (pre-instrumental) data are much less > reliable as indicators of global temperature than is apparent in modern > calibrations that include them and when we don't know the precise role of > particular proxies in the earlier portions of reconstruction it remains > problematic to assign genuine confidence limits at multidecadal and longer > timescales.