Sentences with phrase «after exhibition makes»

On a gallery tour's path from disappointment to felt pleasure, exhibition after exhibition makes it hard to know where to place them.

Not exact matches

Moreover, he was the owner, general manager, coach and star of the Butte Bombers, a semipro hockey team, and in 1959 made the Charlotte (N.C.) Clippers of the Eastern Hockey League, which he quit after the exhibition season because he felt he had no chance to reach the NHL.

Week after week, year after year, Khan has made his living through squash — prize money and fees for exhibitions, endorsements and teaching — while playing every event on the tour.

In the scheme of things — after Woods» shot - making exhibition at Sage Valley Club that reportedly included a 300 - yard drive, which followed his «progressing nicely» home video, and reports he was up to five hours of practice and playing some holes on his home course — a Tiger turnout in North Carolina may seem the next obvious step.

Another thing that tha wold be nice would be create your own Event and after a match in Exhibition Mode it would be nice to be able to choose another figter instead of just Rematch and Quit (wich takes you back to the star meny and you have to choose sides everything again) But well no game is perfect and other then some minor thing here and there THQ has done a awesome job, after all it's their first try to make a MMA game on a next gen console.

In the Wilderness Arts and Literacy Collaborative pathway, Salvin and team teacher Sherry Bass pushed students to make their exhibitions interactive: After a unit focusing on northern California geology, immigration, and migration, students completed projects integrating painting and poetry with history and geology.

The desert really comes alive with plants after significant rainfalls, when hundreds of wildflowers make the desert floor an exhibition of vivid colors.

The first 50 employees from the rival company to make it to the Mercedes - Benz Museum, will be treated with a special invitation: shortly after they tour the exhibition, they are invited to join a Swabian specialty: a desert looking like the kidney shaped signature BMW radiator grille.

Another thing that tha wold be nice would be create your own Event and after a match in Exhibition Mode it would be nice to be able to choose another figter instead of just Rematch and Quit (wich takes you back to the star meny and you have to choose sides everything again) But well no game is perfect and other then some minor thing here and there THQ has done a awesome job, after all it's their first try to make a MMA game on a next gen console.

Screenshots posted at the 30th Anniversary Exhibition of the «Final Fantasy» series revealed that Cloud will look different in the «Final Fantasy VII Remake» after Square Enix made design changes.

[10] Jones notes that Riley investigated Seurat's pointillism by painting from a book illustration of Seurat's Bridge at an expanded scale to work out how his technique made use of complementary colours, and went on to create pointillist landscapes of her own, such as Pink Landscape (1960), [10] painted soon after her Seurat study [13] and portraying the «sun - filled hills of Tuscany» (and shown in the exhibition poster) which Jones writes could readily be taken for a post-impressionist original.

It also comes after Manchester Art Gallery last week opened their major solo exhibition of work by Ryan Gander, Make every show like it's your last (3 July — 14 Sept 2014), and ahead of Gander being presented with an Honorary Degree of Doctor of Arts from Manchester Metropolitan University at a ceremony towards the end of July.

He also helmed the 2014 traveling exhibition that was rebuked by some participating artists (who asked to have their work removed) after it was, unbeknownst to them, touring through Israel, making a stop at Haifa's Tenchnion, an institution with ties to the Israeli military and the country's defense technology development.

«I believe that one reason I began writing essays — a form without a form, until you make it — was this: you didn't have to borrow from an emotionally and visually upsetting past, as one did in fiction, apparently, to write your story,» Als writes in the introduction to his forthcoming book, which is titled after the exhibition.

The NGA exhibition opens just over a year after Stella's retrospective opened at the Whitney Museum in New York, yet by focusing on the rich seam of prints, a cohesive view of this extraordinary artist is attainable, making it an important show on many levels.

His paintings from that period make up the last exhibition at modernist gallery ACME Fine Art, closing its doors after 15 years.

Zwirner's new exhibition will focus on the colour yellow and is entitled Sunny Side Up after a comment Albers made that some of his yellow paintings made him think of squared up fried eggs.

After leaving the field of clinical psychology in the mid-1940s, Truitt began making figurative sculptures, but turned toward reduced geometric forms after visiting the Guggenheim Museum with her friend Mary Pinchot Meyer to see H.H. Arnason's exhibition «American Abstract Expressionists and Imagists» in November After leaving the field of clinical psychology in the mid-1940s, Truitt began making figurative sculptures, but turned toward reduced geometric forms after visiting the Guggenheim Museum with her friend Mary Pinchot Meyer to see H.H. Arnason's exhibition «American Abstract Expressionists and Imagists» in November after visiting the Guggenheim Museum with her friend Mary Pinchot Meyer to see H.H. Arnason's exhibition «American Abstract Expressionists and Imagists» in November 1961.

Along with an oil - on - panel fish, modeled on a Courbet, and a plucked goose whose broken neck allows its head to lie gracefully beside it, the exhibition's final room contains a couple of barnyard animals Soutine made while in hiding in the French countryside after the Nazi invasion of Paris in 1940.

His retrospective (his second now, after twenty - five years) makes for a solid and discomforting exhibition.

But Arteaga says the exhibition will also introductory works from the nineteenth - century that make clear that Mexican artists» interest in muralism and indigenous culture predated the revolution — in fact, mural - making did not resume until about a decade after the upheaval — while turn - of - the - century works by Mexican artists living in Paris foreshadow the cross-cultural pollination that happened between artists in Mexico, Europe, and the U.S. over the next several decades.

For the exhibition, Martí Cormand focuses exclusively on After Walker Evans, Sherrie Levine's appropriation of Walker Evans» photographs made during the Great Depression.

In 1981, shortly after «Women Artists» made its grand tour of the US, Germaine Greer defined women's careers in art since the Renaissance as The Obstacle Race.12 Recent exhibitions in the US and Europe offer a chance to assess whether Greer's phrase still applies.

The exhibition also includes drawings made a few years later, in 1967, after she moved to a new home and studio in Vétheuil, a quintessentially French village northwest of Paris.

Recent major exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian Gallery, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Helen Frankenthaler: Composing with Color: Paintings 1962 — 1963 (Gagosian Gallery, NY, 2014); Giving Up One's Mark: Helen Frankenthaler in the 1960s and 1970s (Albright - Knox Art Gallery, Buffalo, NY, in cooperation with the Helen Frankenthaler Foundation, 2014 — 2015); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum at Brandeis University, 2015); Line into Color, Color into Line: Helen Frankenthaler, Paintings, 1962 — 1987 (Gagosian Gallery, Beverly Hills, 2016); As in Nature: Helen Frankenthaler Paintings and No Rules: Helen Frankenthaler Woodcuts (The Clark Art Institute, Williamstown, MA, 2017); and Helen Frankenthaler: After Abstract Expressionism, 1959 — 1962 (Gagosian Gallery, Paris, 2017).

Soon after his first exhibition, Barnett Newman remarked in one of the Artists» Sessions at Studio 35: «We are in the process of making the world, to a certain extent, in our own image.»

Named after a type of Arabic alphabet, this exhibition proves that abstract painting still makes sense in our postmodern, digitally mediated world.

The Cristea exhibition, devoted entirely to prints, allowed for a more intimate viewing experience and also included works the Tate missed, such as the etchings made after Joyce's Ulysses [see Kit Smyth Basquin's article, «Ineluctable Modality of the Visible: Illustrations for Joyce's Ulysses,» in Art in Print, Vol.

After Words (2005) is a short, silent projection piece re-framing details from a family photograph album, made to accompany Notes on Return for the exhibition, Reassurance, curated by Yeu - Lai Mo..

Bräunert and Associate Curator Meredith Malone created the exhibition after being inspired by artist Trevor Paglen's work making images of drone flights.

After my last exhibition of paintings at the Kingston Gallery called «meltwater,» I thought it would be valuable to show my thinking process before those paintings were made.

Recently, Huang was featured in the Solomon R. Guggenheim Museum exhibition, «Theater of the World: Art in China after 1989,» and is currently included in «What Absence Is Made Of» at The Smithsonian's Hirshhorn Museum and Sculpture Garden, on view through summer 2019.

After greetings by Julia Fabényi, director of the Ludwig Museum, the opening speeches will be made by Caitlin Jones, deputy head of mission at the British Embassy, and by Walter Smerling, curator of the exhibition and chairman of the Foundation for Art and Culture in Bonn.

His work has also been included in exhibitions throughout Europe and the United States, such as Making Worlds, the Italian Pavilion at the 53rd Biennale di Venezia (2009); Jean - Luc Blanc, Opera Rock, CAPC, Bordeaux (2009); Italics: Italian Art between Tradition & Revolution 1968 --- 2008, Palazzo Grassi, Venice (2008); RAW - Among the Ruins, Marres, Centre for Contemporary Culture, Maastricht (2007); After Cezanne, The Museum of Contemporary Art, Los Angeles (2005); and International Paper, UCLA Hammer Museum, Los Angeles (2003).

Gagosian is pleased to present «View of Dawn in the Tropics: Paintings, 1989 — 1990,» an exhibition of paintings by Julian Schnabel that are being shown in New York for the first time, twenty - five years after they were made.

Among the works included in the exhibition are Untitled (Chinese)(2011), from a group of works inspired by an antique Chinese mirror; Untitled (Goya)(2007), a painting on a found awning, burnt by the sun, from a butcher shop in The Atlas Mountains of Morocco; and Untitled (Goodbye Mike Kelley)(2012), made shortly after the death of artist Mike Kelley, which incorporates a historical painting, on printed Dufour wallpaper, of the Revolutionary War.

After students received their VIP visiting artist badges, our Associate Curator Alicia Ritson introduced them to the exhibition and guided them through specific artworks — with particular focus on works made in Marfa.

While most museum collections are kept in storage when not on display for specific exhibitions, for this project, visitors are invited to select which works they would like to see, and those works will be on display in the museum space ten days after the request is made.

The Smithsonian Institution, which benefitted from a generous amount of his work donated to the museum after his death in 1985 at 64, may have missed the 50th anniversary of the landmark «Washington Color Painters» exhibition last year, but is making up for it with the newly opened «Gene Davis: Hot Beat» at its Smithsonian American Art Museum.

After Johannesburg, Pretoria, Cape Town, Tokyo, Karlsruhe and Palma de Mallorca, the exhibition is now making stops on the South American continent.

Named after the Amanda Lear song, «I Am a Photograph,» and curated by German photographer Marco Breuer — whose works are famously made without the use of the camera or film — this exhibition brings together a group of 27 artists who engage in photographic processes or are concerned with photographic issues.

Interested in the materials used for printmaking — wood, lead, steel — more than the finished product, Walton began to make three - dimensional pieces after seeing an exhibition of sculpture at the Pennsylvania Academy of the Fine Arts.

Soon after his first exhibition, Newman remarked in one of the Artists» Session at Studio 35: «We are in the process of making the world, to a certain extent, in our own image.»

After he passed away, Jaqueline Martins, his gallerist, and Tobi kindly helped me make sure this exhibition still happened.

Titled «Out of Body» (in reference to an experience the artist had aged 11), the exhibition includes a number of works on paper, made under aliases after Conner officially retired from the art world in 1999.

There's been one great, news - making exhibition after another, under the guidance of its Director of Exhibitions, Tim Marlow, who came to them from White Cube.

After a nearly decade - long hiatus from the West Coast art scene, his paintings at this exhibition present a sort of general overview of a thrillingly differing painting practice and thus making an assertive case for the historical significance of Schnabel's opus as well as his increasing relevance to the new generations of artists and art aficionados.

The decision by officers to visit Tate Modern is understood to have been made after police chiefs saw coverage of the exhibition in today's newspapers, rather than as a result of complaints.

On Sunday afternoon, after a marathon of about 20 exhibitions, I made sure there was no content on view at Trust, another project space with an academic digital culture bent, before I joined its sunset BBQ.

after 11p St Leroy II and Ali Coyote after 12a Oxnylia after 1 am and more all night Open Studios with Maggie Knox Jon Davis / 55BelleChase Bhakti Baxter Michael Vasquez Federico Cattaneo Ernesto Kunde Nina Surel Deft Union Inside Maggie Knox Candle Making workshop starting at 5 pm Open Studio and engagement with resident artist Rondell Crier (in partnership and support with Diaspora Vibe Cultural Arts Incubator, Inc, Adeline Edwards Foundation, Visual Art Network) Exhibition with works by Eurydice Kamvyselli, Deming King Harriman Art, Nicole Salcedo, Elizabeth Newberry, Francesca Lalanne, Magdalena Goudie and all the vibes with ABA Jewels «My Queen before you go tell my horse» a Performance by Jamilah Sabur, 9:30 pm (details below) Candle Vigil for all lost to the current violence of our time If you want a full experience with us take the 11 am boxing class at SolBox FC, 7101 North Miami Avenue (with shower) Please park in the back parking lot, entrance at 7101 North Miami Avenue, in the streets around or take a LYFT CODE FOR 5 FREE RIDES UP TO $ 10 EACH >> > SUPERFINERIDE Special thanks and love to Marlee's Green Tea, Miami Spaces, Gummdrops, Naomi's Garden, Gramps, Diaspora Vibe Cultural Arts Incubator (just to name a few) for their ongoing love and support and Thanks to Superfine - The Fairest Fair for their effort and support in bringing this evening to light.