Not exact matches
Although she follows a fixed method in her
painting, applying purely geometrical shapes to a classic 48 x 38 cm portrait format in
layer after layer of oil and
acrylic paint, her
painting is far removed from serial production.
After building up the surfaces with countless
layers of acrylic, she began to
paint — a meticulous yet imprecise process
of mark making, erasure, and loosely rendered brush strokes.