Sentences with phrase «after scene almost»

Watching scene after scene almost left me breathless several times, and Hans Zimmer's score is a plus to the intrigue of this story.

Not exact matches

Just a couple of years after Snapchat went mainstream, we almost internalized the notion that we can easily have a behind - the - scenes access to any business or celebrity.

After almost a year of work behind the scenes, the tech giant at a price recently on 7.5 billion dollars, has introduced a tool designed to test the performance of the main Blockchainów, which are currently being prepared for formal submission to the Hyperledger consortium, whose leader is the Linux Foundation.

After launching with just 100 boxes, Lucky Dip Club now sends out over 1,000 boxes a month, and enjoys almost cult - like status on the craft scene, with legions of devoted fans setting their alarms for the early morning launches and sharing their Lucky Dip Club snaps across social media.

After six weeks of political battle over mayoral control of New York City schools, including press conferences, dueling statements, four - hour hearings and much behind - the - scenes chatter, Mayor Bill de Blasio ended up almost exactly where he started at the beginning of the process.

Almost as soon as antimatter burst onto the scene 80 years ago, another possibility was aired: that certain particles, dubbed Majorana particles after their proposer, might be matter and antimatter at the same time.

To convey the concept of drug dosage, Moctezuma shows his 200 undergraduate students the scene in Casino Royale in which Bond almost dies after being poisoned by a high dose of Digitalis purpurea, a plant extract used to treat heart disease.

I am in my 40's, and have been dating for a couple of years, after being out of the scene for almost 2 decades.

After several years swinging and missing on the New York singles scene, I had little to show for my efforts besides a string of two - month «almost boyfriends» and an Inbox full of men I'd never hear from again.

American Idol runner up Katharine McPhee films a Scorpion scene with ex Elyes Gabel amid confirmation she's dating music producer David Foster Katharine McPhee and Elyes Gabel have split after almost two years of dating, a source confirms to Us Weekly — details

After he discovers that the government can activate laptops and watch oblivious citizens through webcams, Snowden can't help but stare down his open laptop during an almost laughably forced sex scene.

Let me just say, without giving away too much, that I most likely will not eat fried chicken for a while after this poultry - defiling scene unfolds that left me almost hyperventilating from not taking a damn breath.

This year is the year Max (Emjay Anthony) finally loses faith in Santa after being humiliated at the dinner table thanks to two of his miscreant cousins who, in an almost unbearably mean - spirited scene, make fun of the letter he planned to send to the North Pole.

Giving credit where credit is due, Final Destination does maintain a watchability due to some nifty direction by Wong (The One, Final Destination 3), who keeps the pace brisk enough for you to almost keep laughter in check at all of the mindless nonsense that appears in scene after scene.

The scene of the wickedly growing stalk is easily the best effect of Jack the Giant Slayer, thanks to Nick Bonathan («The Dark Knight «-RRB- and Matthew Adams («Transformers: Dark of the Moon «-RRB-, as it wraps, winds and engulfs almost everything in sight and carries Isabelle and Jack's house into the gloomy night after Jack (who, ironically, is afraid of heights) falls from one of its branches.

As I say in my video review above, you might think you already know this story, but in fact Berg along with his co-screenplay writers Matt Cook and Joshua Zetumer have much more in mind, taking us behind the scenes after the bombing to reveal with almost documentary - style detail how the city went into action and caught the two brothers who committed these heinous crimes.

After one gets past the dubbing — and lowers the volume considerably — the Dolby Digital 5.1 sound is an unexpected sonic delight, atmospheric almost to a fault: the crime scene scenes can be disorienting, what with sirens and walkie - talkie blares competing for attention in the split surrounds, and ambient bass is over-the-top in chapter 13 (a simulated rowdy party that Chow can hear from across the street).

(After Nash almost kills his baby, it's spirited away to «mother's,» returning a few scenes later as a silent pre-teen walking to school.

The opening scene of Avengers: Infinity War takes place almost immediately after that.

After the release of «Snatch» in 2000, and his marriage to Madonna that same year, Ritchie seemed to vanish from the scene almost as quickly as he arrived.

After almost three decades working behind the scenes on other people's films, Susan Walter has finally gotten to sit in the big...

How do you think I felt when he solved 512 - bit... how about 1024 - bit?!? How about a man so scared of breaking the law that he doesn't touch a computer for years yet when confronted by federal agents jumps to almost certain death off of a steep cliff without knowing why they want to question him — or why they jump after him themselves — especially when their partner easily drives to the scene two seconds later — and not even a scratch on any of them?

The almost complete absence of a narrative allows the film to simply indulge in scene after scene of chaotic activity.

Woody Harrelson as Haymitch does a bit of angsting; Elizabeth Banks as Effie in her trademark overblown peplums gets an emotional closeup near the end after a few nondescript scenes; Stanley Tucci as smarmy broadcaster Caesar flickers briefly on the big screen while issuing a video news bulletin; we even get a glimpse or two of the late great Philip Seymour Hoffman as Plutarch Heavensbee who, in a nice farewell touch, has almost the last word in his final missive to Katniss which is read aloud.

The situation is much better on the audio front: The Dolby Digital 5.1 mix is probably the third - best of the year in the Dolby format (after Finding Nemo and Terminator 3: Rise of the Machines)-- a moment in which you hear guns being cocked in every corner of the room on the Tomb Raider 2 disc (review forthcoming) is magnificently, if anachronistically, expanded upon here to become a gimmick in any scene involving artillery, while the bass from Nemo's Nautilus is almost intense enough to make you sick.

While it's nice to have some extra scenes to watch on the side, they are almost all extended cuts and become taxing to watch after already seeing the film.

Music and pop culture plays an integral role throughout in «setting the scene,» as it were, and Gerwig's choices for the songs that play in various key moments are almost always pitch - perfect (Dave Matthews Band's «Crash into Me» figures prominently in the narrative — and, as an aside, will be stuck in your head for days after seeing the film).

After almost three decades working behind the scenes on other people's films, Susan Walter has finally gotten to sit in the big chair.

«This guy I play tries to be an optimist for almost the whole story, and it's just one of the saddest things I've ever done when the moment comes where he realizes that he can't affect the kid the way he really wants to,» says Reilly, who also describes his inability to stop tearing up after filming the movie's climactic scene.

Also, while RIM has seen a somewhat greater acceptance of its PlayBook tablet PCs after the release of the much improved PlayBook OS 2.0, the overall tablet scene still continues to be dominated by either Apple's iOS or Google's Android OS, which in turn are at opposite poles in almost every conceivable aspect.

Almost a year after first reading an advance copy, my wife and I still discuss scenes — especially the one featuring a herd of rare goats — from The Best of Youth.

After leaving the scene, the MCSPCA received another call from the homeowner saying that the young buck had laid back down and had labored breathing; it was determined later that the buck had not had access to food or water for almost 5 days.

It's almost been two years since Persona 4 Arena, and after the obvious sequel hint in the story, Persona 4 Arena Ultimax burst onto the scene in arcades and has now made it to consoles months later.

I didn't really get into this whole indie games scene until last year when I released Bonesaw: The Game after almost a year and a half of working on it.

Things like the game loading after almost every scene during cutscenes puzzled me.

Now after a success Mario Party 1, Nintendo tried to build off that with another Mario Party, almost rushed onto the scene in Mario Party 2, which was short and not as fun.

This 30 - minute long prologue scene sets the stage well for the events that follow, and I felt like I almost understood what was going on after watching it (but it's still way too complicated).

Now this gunplay ties into an issue brought up by almost everyone who has reviewed the game; Lara's first kill within the game is an emotional and shattering moment for Lara, but only fifteen minutes after that scene she is gunning down dozens of more soldiers.

While I almost had a flawless experience, I did have a few times where textures popped in after the scene had loaded and a few camera pans that ended up with my view outside of the map.

While you can almost always tack on a side excursion before or after an art fair, it can be more rewarding to plan a trip entirely around an urban center that has a strong arts scene all year long.

Solo exhibitions 2018 «Alterity Line», Metro Pictures, New York 2017 «David Malikovic», Dvir Gallery, Tel Aviv 2016 «Vignettes», Annet Gelink Gallery, Amsterdam 2016 «Again and Again», Museum of Contemporary Art Metelkova, Ljubljana 2016 «AAASSEMBLAGE», Dvir Gallery, Brussels 2016 «All Day All Year», T293, Rome 2016 «The Exhibition is Becoming», VOX Centre de l'image contemporaine, Montreal 2015 «A Retrospective by Appointment», Gallery Nova, David Maljković's studio, Gallery of Croatian Designers» Association, Cinema Tuškanac and Croatian Film Association, Zagreb 2015 «With the gallery», Galleria Massimo Minini, Brescia 2015 «David Maljković», Metro Pictures, New York 2015 «David Maljković», Sprüth Magers, London 2015 «New Collection», Blondeau & CIE, Geneve 2015 «Negatives, with Konstantin Grcic, Centre d'édition contemporaine, Geneve 2014 «In Low Resolution», Palais de Tokyo, Paris 2014 «David Maljković», Georg Kargl Fine Arts, Vienna 2014 «David Maljković», Leal Rios Foundation, Lisbon 2014 «David Maljković», Kunstmuseum St.Gallen 2013 «Afterform», Annet Gelink Gallery, Amsterdam 2013 «New Reproductions», CAC Contemporary Art Centre, Vilnius 2013 «Sources in the Air», GAMeC, Bergamo 2013 Metro Pictures, New York 2013 «Sources in the Air», BALTIC Centre for Contemporary Art, Gateshead 2012 «Sources in the Air», Van Abbemuseum, Eindhoven 2012 «A Long Day for the Form», T293, Rome 2012 «A Long Day for the Form», Sprueth Magers, Berlin 2012 «Morgenlied» (w / Latifa Echakhch), Kunsthalle Basel 2012 «Scene, Hold, Ballast» (w / Lucy Skaer), Sculpture Center, New York 2011 «Recalling Frames», Metro Pictures, New York 2011 «La Casa Mila» (w / Rosa Barba), Loop Festival, Barcelona 2011 «Temporary Projections», Georg Kargl Fine Arts, Vienna 2011 «Images with their own shadows», Vjenceslav Richter Collection, Museum of Contemporary Art, Zagreb 2011 «Exhibitions for Secession», Wiener Secession, Vienna 2010 «Images with Their Own Shadows», Moderna Galerija, Ljubljana 2010 «Images with Their Own Shadows», International Festival of Contemporary Visual Art, Glasgow 2010 «Out of Projection», Art Unlimited, Art 41 Basel, Basel 2010 «Lost Cabinet», Nogueras Blanchard, Barcelona 2010 «Missing Colours», Annet Gelink, Amsterdam 2010 «Recalling Frames», Sprueth Magers, London 2010 «Retired Forms», Massimo Minini, Brescia 2009 «Retired Compositions», Metro Pictures, New York 2009 «Nothing Disappears without a Trace», ARCO, Madrid 2009 «After the Fair», Georg Kargl BOX, Vienna 2009 «David Maljković», Museo Nacional Centro de Arte Reina Sofia, Madrid 2009 «David Maljković», Fondazione Morra Greco, Naples 2009 «David Maljković», Sprueth Magers, Berlin 2008 «Handed Over» (w / Rosa Barba), Project Art Centre, Dublin 2008 «Lost Memories from These Days», Annet Gelink Gallery, Amsterdam 2008 «Lost Review», Le Plateau, Paris 2008 «David Maljković», Kunstverein Nurnberg, Nurnberg 2008 «Parallel Compositions», Bergen Kunsthall, Bergen 2008 «Shadow Should Not Exceed» (w / Jan St Werner), Pinksummer Contemporary Art, Genova 2007 «These Days», Present Future, Artissima 14, Turin 2007 «Almost Here», Kunstverein Hamburg, Hamburg 2007 «Scene for New Heritage III», Art Unlimited, Art 38 Basel, Basel 2007 «David Maljković», P.S. 1 Contemporary Art Center, New York 2007 «Scene for New Heritage Trilogy», Whitechapel Art Gallery, London 2007 «Days Below Memory», CAPC, Musee d'Art Contemporain, Bordeaux 2007 «Scene for New Heritage Trilogy», The Physics Room, Christchurch 2006 «David Maljković», Salon of Museum of Contemporary Art, Belgrade 2006 «David Maljković», Museum of Modern and Contemporary Art, Rijeka 2006 «These Days» (w / Yael Bartana), Gallery Nova, Zagreb 2006 «It's gonna happen» (w / Rosa Barba), Croy Nielsen, Berlin 2006 «Scene for New Heritage II», Centre de Creation Contemporaine, Tours 2005 «Waiting Tomorrow», Annet Gelink Gallery, Amsterdam 2005 «90s without 90s», MMC Palach, Rijeka 2005 «Scene for New Heritage», Van Abbemuseum, Eindhoven

Mostre Personali 2018 «Alterity Line», Metro Pictures, New York 2017 «David Malikovic», Dvir Gallery, Tel Aviv 2016 «Vignettes», Annet Gelink Gallery, Amsterdam 2016 «Again and Again», Museum of Contemporary Art Metelkova, Lubiana 2016 «AAASSEMBLAGE», Dvir Gallery, Bruxelles 2016 «All Day All Year», T293, Roma 2016 «The Exhibition is Becoming», VOX Centre de l'image contemporaine, Montreal 2015 «A Retrospective by Appointment», Gallery Nova, David Maljković's studio, Gallery of Croatian Designers» Association, Cinema Tuškanac e Croatian Film Association, Zagabria 2015 «With the gallery», Galleria Massimo Minini, Brescia 2015 «David Maljković», Metro Pictures, New York 2015 «David Maljković», Sprüth Magers, Londra 2015 «New Collection», Blondeau & CIE, Ginevra 2015 «Negatives», with Konstantin Grcic, Centre d'édition contemporaine, Ginevra 2014 «In Low Resolution», Palais de Tokyo, Parigi 2014 «David Maljković», Georg Kargl Fine Arts, Vienna 2014 «David Maljković», Leal Rios Foundation, Lisbona 2014 «David Maljković», Kunstmuseum St.Gallen 2013 «Afterform», Annet Gelink Gallery, Amsterdam 2013 «New Reproductions», CAC Contemporary Art Centre, Vilnius 2013 «Sources in the Air», GAMeC, Bergamo 2013 Metro Pictures, New York 2013 «Sources in the Air», BALTIC Centre for Contemporary Art, Gateshead 2012 «Sources in the Air», Van Abbemuseum, Eindhoven 2012 «A Long Day for the Form», T293, Roma 2012 «A Long Day for the Form», Sprueth Magers, Berlino 2012 «Morgenlied» (con Latifa Echakhch), Kunsthalle Basilea 2012 «Scene, Hold, Ballast» (con Lucy Skaer), Sculpture Center, New York 2011 «Recalling Frames», Metro Pictures, New York 2011 «La Casa Mila» (con Rosa Barba), Loop Festival, Barcellona 2011 «Temporary Projections», Georg Kargl Fine Arts, Vienna 2011 «Images with their own shadows», Vjenceslav Richter Collection, Museum of Contemporary Art, Zagabria 2011 «Exhibitions for Secession», Wiener Secession, Vienna 2010 «Images with Their Own Shadows», Moderna Galerija, Lubiana 2010 «Images with Their Own Shadows», International Festival of Contemporary Visual Art, Glasgow 2010 «Out of Projection», Art Unlimited, Art 41 Basel, Basilea 2010 «Lost Cabinet», Nogueras Blanchard, Barcellona 2010 «Missing Colours», Annet Gelink, Amsterdam 2010 «Recalling Frames», Sprueth Magers, Londra 2010 «Retired Forms», Massimo Minini, Brescia 2009 «Retired Compositions», Metro Pictures, New York 2009 «Nothing Disappears without a Trace», ARCO, Madrid 2009 «After the Fair», Georg Kargl BOX, Vienna 2009 «David Maljković», Museo Nacional Centro de Arte Reina Sofia, Madrid 2009 «David Maljković», Fondazione Morra Greco, Napoli 2009 «David Maljković», Sprueth Magers, Berlino 2008 «Handed Over» (con Rosa Barba), Project Art Centre, Dublino 2008 «Lost Memories from These Days», Annet Gelink Gallery, Amsterdam 2008 «Lost Review», Le Plateau, Parigi 2008 «David Maljković», Kunstverein Nurnberg, Nurnberg 2008 «Parallel Compositions», Bergen Kunsthall, Bergen 2008 «Shadow Should Not Exceed» (con Jan St Werner), Pinksummer Contemporary Art, Genova 2007 «These Days», Present Future, Artissima 14, Torino 2007 «Almost Here», Kunstverein Hamburg, Amburgo 2007 «Scene for New Heritage III», Art Unlimited, Art 38 Basel, Basilea 2007 «David Maljković», P.S. 1 Contemporary Art Center, New York 2007 «Scene for New Heritage Trilogy», Whitechapel Art Gallery, Londra 2007 «Days Below Memory», CAPC, Musee d'Art Contemporain, Bordeaux 2007 «Scene for New Heritage Trilogy», The Physics Room, Christchurch 2006 «David Maljković», Salon of Museum of Contemporary Art, Belgrado 2006 «David Maljković», Museum of Modern and Contemporary Art, Rijeka 2006 «These Days» (con Yael Bartana), Gallery Nova, Zagabria 2006 «It's gonna happen» (con Rosa Barba), Croy Nielsen, Berlino 2006 «Scene for New Heritage II», Centre de Creation Contemporaine, Tours 2005 «Waiting Tomorrow», Annet Gelink Gallery, Amsterdam 2005 «90s without 90s», MMC Palach, Rijeka 2005 «Scene for New Heritage», Van Abbemuseum, Eindhoven

However, even when we are hired long after a truck accident occurs, we are almost always able to piece together the evidence necessary to determine who was at fault through photographs of the scene and damage to the vehicles.

After almost a year of behind - the - scenes work, the tech...