Sentences with phrase «after scene of»

McClure traces scene after scene of spoken dialogue, removing pigment from the paper with each transcription, ultimately condensing the entire text from the full season so that it can be viewed at once, impossible to decipher.

Glowing surreal like a dream, scene after scene of animals dazzle Instagram.

That drum beat, and the fantastic big band tune that follows, never lets up and propels us through scene after scene of weird, new Mario ideas.

A movie like this one hasn't really been made before or since, and it features scene after scene of tantalizing suspense — the moment where the man walks up to his apartment home, only to be engulfed in flames, is still one hell of a movie moment!

On the flip side, the Coens give us scene after scene of transcendent screen craft, whether it's Channing Tatum executing an era - perfect sailor - themed dance number in the apocryphal MGM - like musical, Swingin» Dinghy, Ehrenreich's Hobie Doyle practicing his lasso skills in the street, or Clooney intoning a floorboard - rattling speech for the climactic reel of Hail, Caesar!

For us, this means scene after scene of Haskins» players trying to find their groove and Haskins yelling at them to find it.

What begins as a robbery gone wrong thriller, quickly turns into scene after scene of plot reformation.

I'll give director Steve McQueen the benefit of the doubt when he says he simply had to include scene after scene of Chiwetel Ejiofor being beaten, whipped, flayed, you name it (not to mention Lupita Nyong» o being beaten, whipped, flayed, etc) becausethat's what really happened.

Rapid fire scene after scene of wacky hijinks with very little pause for breath.

Where the film eventually goes astray is when the screenplay by Carol Black («Growing Pains», «The Wonder Years») starts spewing forth scene after scene of well - intentioned, but completely patronizing material on how Mark shouldn't be punished for pretending to be Black because he learned that it isn't as fun as he thinks it is.

This is anachronism the other way — not the kind that, in scene after scene of Blazing Saddles and Young Frankenstein, made an ultimately tiresome contemporary joke out of an originally promising genre parody.

The picture becomes a frustrating, futile experience, with scene after scene of Smith running and computer geeks tracking him.

Unlike so many recent comic book based movies, Miller is able to string together scene after scene of action / racing / beating / shooting while still remembering to give us reason to care about his heroes, who are given precious little time to talk things over.

No, Gigli doesn't have the slightest idea what it wants to be about, and it tries to cover up by showing scene after scene of poorly - written, overly memorized speeches.

What we said: «The Coens give us scene after scene of transcendent screen craft, whether it's Channing Tatum executing an era - perfect sailor - themed dance number in the apocryphal MGM - like musical, Swingin» Dinghy, Ehrenreich's Hobie Doyle practicing his lasso skills in the street, or Clooney intoning a floorboard - rattling speech for the climactic reel of Hail, Caesar!»

Instead of really delving into Bulger's character and showing his rise and fall, Black Mass features scene after scene of him doing crazy things without any real need to.

It goes through scene after scene of what he did, who he shot and what he stole.

She and Dornan still display little in the way of chemistry, and considering this is a movie filled with scene after scene of the twosome snuggling up to one another, acting naughty in elevators or boldly pronouncing loud exclamations of undying love this is a major problem.

Director Curtis Radclyffe has ample time to expand upon this story, but he and writer Romla Walker instead opt to give us scene after scene of the group roaming the hospital and Nick saying something insulting.

The almost complete absence of a narrative allows the film to simply indulge in scene after scene of chaotic activity.

It's harder for children to separate what they see on screen and what they're feeling at the time, which makes scene after scene of characters turning to dust a pretty intense experience.

This, all talk and barely any suspense, drama has scene after scene of action star Neeson talking sternly and forcefully to members of the FBI as smoke suffices for atmosphere in the 70's time - frame.

Scene after scene of this will eventually get under the audience's skin and they'll welcome the eventual end after its 145 minute run time.

Churchill's secretary (essayed by Lilly James) turns into the primer and the viewers» eyes to the man as he squirms and mutters his way through scene after scene of tension.

Then, as happened with the previous two installments, I began to doze - off as the script becomes dominated by scene after scene of battle preparation and loads of overblow dialogue.

It was scene after scene of cliches and plot gimicks (politicians screw up everything, daddy knows best - but then is proven wrong, long as hell goodbyes, cheesy competition - but then you can be my wing man, etc.).

And this is but one isolated example of Kwaidan's sonic inventiveness, as Takemitsu executes similar techniques — the muffling or extreme selectiveness of atmosphere noise, the dialing up of psychologically motivated sound effects — to mesmeric results in scene after scene of Kobayashi's chilling anthology film.

I have strong mixed feelings about Happy Feet, enjoying it for the way it is presented, and even liking its attitude from time to time, but the annoyance factor is certainly high if you aren't impressed by scene after scene of cloyingly precious penguin action.

The script's playful tone remains intact throughout, but it never quite clicks the same way, bogged down by scene after scene of exposition that's all setup for the big payoff.

But Skarsgård makes little impression as a creature that's supposed to be the embodiment of all fear — and the film does him no favors by slotting him into scene after scene of computer - generated nonsense.

Ergüven shows us scene after scene of barbaric behavior from both the local citizens antagonizing law enforcement and the cops brutalizing innocent people.

Most of it, though, is that Gary Dauberman's screenplay merely goes through the motions, with scene after scene of redundant exposition as the tedious means to get from one setpiece to the next.

Unfortunately, Kevin and co-star Dwayne Johnson fail to generate any chemistry, despite sharing the screen in scene after scene of silly slapstick.

When we would rather see him undertaking death - defying stunts and making quips, we instead get scene after scene of him and estranged wife Emma (Gugino) discussing their failed marriage and the death of their youngest daughter.

Writer - director Alexandre Aja (Break of Dawn, Furia) probably hopes they all can't think or see through ridiculous gaping plot holes either, because High Tension is nothing more than scene after scene of sensationalism, followed by a completely needless (and vastly overused) twist that makes an already moronic, highly derivative movie abysmally absurd.

Like so many films consumed with the minutiae of daily journalism, «Spotlight» is a magnificently nerdy process movie — a tour de force of filing - cabinet cinema, made with absolute assurance that we'll be held by scene after scene of people talking, taking notes, following tips, hounding sources, poring over records, filling out spreadsheets, and having one door after another slammed in their faces.

There is a sense of discovery in scene after scene of «The Phantom Menace,» as he tries out new effects and ideas, and seamlessly integrates real characters and digital ones, real landscapes and imaginary places.

As though to desensitize the audience for events to come, Kubrick delivers scene after scene of the drill sergeant, superbly played by former Marine drill instructor Lee Ermey.

Extraneous elements like «story» and «character» are abandoned so we can focus on what's important: scene after scene of self - serious cyphers fighting over something we don't care about.

This kind of biographical film always faces the danger of having scene after scene of famous people meeting other famous people, but Kaufman deploys it all smoothly and effortlessly, bringing this heady world of revolution - minded artists and intellectuals to life as vividly as he did for the space - race pioneers of The Right Stuff and the Prague Spring lovers of The Unbearable Lightness of Being.

The problem is that the De Palma is so enamored of this toy of a movie he gets to play with, that the characters and story take a back seat for the duration as we get scene after scene of De Palma reliving his glory days as a master of technique.

This is of course the arc on which this character goes, but getting scene after scene of Churchill deflecting the opinions of those around him lessons our sympathy.

Rather than focusing on his great military accomplishments and failures, we get scene after scene of him bedding various men.

When his father is taken out of the picture, after that scene of domestic bliss turns out to have had another side, the lack of that quality means he's only in for a much harder, far less forgiving fall.

Just because we feel no pain does not mean we do not suffer emotional distress while sorting out the arms and legs after a scene of carnage.

In Taxi Driver, the camera even hangs on the awkward reactions of those around Travis Bickle as scene after scene of personal embarrassment leads to him to seek validation and purpose through redemptive violence.

Despite a real - life narrative stuffed with secrets and suspense, the film version quickly feels bloated as Stone treats us to scene after scene of Snowden struggling with his inner dilemma and, especially, with his devoted girlfriend, Lindsay, who is a major character in her own right.

After scenes of him being threatened by shadowy enemies hit the screen, a clone of that mystery man came into the picture.

Not exact matches

SEVEN years of aggressive expansion firmly established HHG Legal Group in the Perth legal scene, but the firm says it's in a better place now after two years of consolidation.

He is one of the progenitors of Brooklyn's hipster scene — a shaggy, tattooed, larger - than - life titan who, last fall, dropped $ 300,000 on a lavish Las Vegas meal for 25 friends after winning $ 1 million at a high - rollers» blackjack table.