Sentences with phrase «after screen shots»

Last year the Sunlight Foundation had put together a proposed mock - up of the site, and included before - and - after screen shots in their blog post Redesigning the Government: the U.S. Supreme Court (June 2, 2009).

Not exact matches

In the poll conducted after a gunman killed 17 people at a Florida high school last week, more than three - quarters, 77 percent, said they think more effective mental health screening and treatment could have prevented the shooting.

While QB Cardale Jones took a few Twitter shots at the Bulls» forward after Noah mouthed something while he was shown on the big - screen, five - star linebacker pledge Justin Hilliard also took a swipe at the former Florida Gator.

You're terrified of their three point shooting, so you have to sprint after Curry around every screen, and rush every close - out.

I think sometime after his 35 pt game, he tweeked his knee, it was while watching the tv, on the left side of the screen, he went to the basket, and noticeably grimmaced after shooting (i think he might have been dunking).

And while television audiences may grab snacks when those ubiquitous Cialis ads air, Roy must monitor what's happening on each of the 125 screens that line the wall opposite his control console so you won't miss critical shots after you return from your bathroom break.

New York City students will go through random security screenings and a refresher on how to handle violent threats after the Florida shooting, de Blasio said.

In the poll conducted after a gunman killed 17 people at a Florida high school last week, more than three - quarters, 77 percent, said they think more effective mental health screening and treatment could have prevented the shooting.

So, amid the images that pop up on the laptop screen, the research team has included shots that show Rocky running through the streets of Philadelphia, staring longingly at his girlfriend, Adrian, and draped in the American flag after defeating his Soviet rival.

After a week of him giving me grief for having an active Tinder profile, I finally took his down and showed him the screen shot of me doing so.

I guess critics nowadays think its fine to rate a game after playing the first few minutes and looking at screen shots.

As Danny Boyle's go - to screenwriter after they brought his first novel, The Beach to the big screen, they injected a shot of adrenaline to the shambling zombie genre in 2000s with 28 Days Later, and turned in a brilliantly sly theological inquiry in the form of a space adventure Sunshine.

After having his first major Broadway success with A Shot in the Dark, Matthau began working on the screen, usually in small supporting roles that cast him as thugs, villains, and louts in such films as The Kentuckian (1955) and King Creole (1958).

Soon after Quentin Tarantino's Django Unchained began screening for critics and industry members, a man made his way into a school in Newtown, Connecticut, shot and killed 20 children and six adults, and then killed himself.

Indeed, between Levy's tear - jerking tale of how, after screening Just Married, the powers that be pegged him as the perfect captain for this ship and his seemingly - genuine delight with filler shots (as well as every single member of his cast and crew), 98 minutes of hearing him talk makes for an even more gruelling experience than just watching the movie, I'm surprised to say.

Note: It was hard / virtually impossible to get good screenshots of the game itself — recording directly off the screen was strictly prohibited and SEGA's «heavies» were out in force on the day — so after a few shots of the display, I was left with very little to take photos of.

Verdict: The second directorial feature from «Eastern Promises» writer Steven Knight after so - so Jason Statham vehicle «Hummingbird,» «Locke» was both more stripped down and more ambitious: a film set entirely within a moving car, shot in real time, with only one actor on screen (the rest of the cast are heard over the phone, but never seen).

Ratner grew no less shy this weekend, according to Twitter and several Vulture sources: After a screening of his film Tower Heist at L.A.'s Arclight Cinemas, the director came out for a Q&A, and when asked by the moderator whether he prepares and rehearses with his actors before shooting a scene, Ratner waved his hand dismissively and said, «Rehearsing is for fags.»

As West explained in an impressive question and answer session after the film's first Melbourne screening, the aforementioned return is of the literal as well as stylistic kind, with the supposedly spooked location visited whilst shooting the earlier feature inspiring and providing the setting for the current ghost tale.

Helmed by veteran TV director Mimi Leder in somehow small - screen - friendly Panavision (that she manages to make her panoramic establishing shots look like the stock transitions in any episode of «Hart to Hart» should be included in a textbook somewhere), the picture goes through the motions — from discovery of the peril by naïfs to the involvement of the Internet to the slow - in - coming participation of the powers that be — of a genre most recently (and faithfully) resurrected by The Day After Tomorrow.

It's the kind of shot I suspect fades from memory about two seconds or less after it's off the screen.

After spending a year shooting, she only had 6 minutes of screen time in the 130 minute film, with lead actress Zhang Ziyi occupying 100 minutes!

I can't say I'm anxious to give Grand Budapest another shot, after falling flat for me twice, once at a crowded, receptive theatrical screening and now on Blu - ray.

recorded after a screening at last year's AFI Fest (with sub-par sound quality) where he again discusses the process of adapting known and unknown history as well as attitudes towards the Holocaust inside contemporary Germany and the «bad vibrations» he got while shooting outside a real concentration camp.

An article in the Los Angeles Times tells us that that scene was written and shot after the first test screenings of the film, since the audiences wanted to know what happened to her.

Barely updated from a relatively early Warner Blu - ray, the main disc here begins playback of the film right away and doesn't so much feature a traditional menu as a screen - sized list of bonus features (placed in front of a static Pacino shot) that pops up after the film is completed.

The Blu - ray features the 19 - minute featurette «The 12 Year Project,» made up of interviews with the director and the cast (often interviewing one another on camera) over the course of production, from year one to year twelve, and the 52 - minute «Q&A with Richard Linklater and the Cast,» shot after a screening of the film at L.A.'s Cinefamily on June 15, 2014.

Surviving Theater 9 Short Narrative Country: USA Director: Tim McGrath Writer: Tim McGrath Starring: Stacey Oristano, Tim McGrath, Luke Columbero, Brittany Ishibashi, Chelsey Crisp, Corben Bernsen After the mass shooting at a midnight screening of The Dark Knight Rises in Aurora, Colorado, filmmaker Tim McGrath and his fellow survivors offer an inside look in this intriguing and inspiring movie.

BMX XXX is not all you probably expected and after playing you'll realize how sad you were for even getting remotely excited over the screen shots.

In an equally somber film filled with melodramatics, Peter Landesman, directing the film with an adaptation of Vincent Bugliosi's book «Four Days in November,» the screen is taken up largely at Parkland hospital where almost ironically both Kennedy and his assailant Lee Harvey Oswald, were taken — the latter after being shot by Jack Ruby, whose name does not come up at all in the movie.

A funny addition is the narration (which can be turned off, luckily, because it gets a little repetitive after a while); while you are shooting enemies our drilling through planets, a seemingly British man comments on what's happening on your lush Vita screen.

(courtesy Samuel Goldwyn Films / Sundance Institute) Hamilton Morris (right, with Natassia Gorey Furber) plays an Aboriginal Australian in the 1920s, on the run from a posse after shooting a white man in self defense, in Warwick Thornton's Sweet Country, which will screen in the Spotlight program of the 2018 Sundance Film Festival.

After all, the guy didn't just die off screen in the first movie — he was shot point blank right in the face.

It's too bad Baumbach's movie is already shot, edited, and up there on the screen, because after a few rounds with a red pencil, it could really have been something worth watching.

The brutal, sickeningly realistic scenes of violence were met with audible gasps and appreciative applause in turn, and in the Q&A after the screening, director Jeremy Saulnier — by his own admission a little tipsy — waxed nostalgic about his teenage punk days and praised Patrick Stewart for his professionalism after Saulnier «shit the bed» on the first day of shooting.

Writers Rhett Reese and Paul Wernick have revealed they'd shot a scene in which the character - who is played by Ryan Reynolds - was seen killing a baby version of Adolf Hitler, but they performed a U-turn after screening the scene to an audience.

We could mention the heap of establishing shots of San Francisco that make no sense to the story, the out of place football throwing scene, the rooftop set with such painfully atrocious green screen work that words escape us, or the character of Peter — whose role is replaced midway after the actor left production due to other commitments, but like many things, the monstrosity that is The Room needs to be seen to be believed.

««Blade Runner 2049» is filled with mind - blowing images, with cinematographer Roger Deakins and production designer Dennis Gassner giving us frame after frame of impossible, forbidding beauty: Overhead shots of a gray, cluttered Los Angeles skyline, with brief, mysterious glimmers of those iconic neon screens below; desolate, dust - blasted orange wastelands; abandoned cities stacked with ornate, neoclassical ruins; even, yes, snow.

«Locke» The second directorial feature from «Eastern Promises» writer Steven Knight after so - so Jason Statham vehicle «Hummingbird,» «Locke» was both more stripped down and more ambitious: a film set entirely within a moving car, shot in real time, with only one actor on screen (the rest of the cast are heard over the phone, but never seen).

The big - screen, Shreveport - shot version of Tucker Max's best - selling book, about a guy who tries to smooth things over with his best bud after screwing up his bachelor party.

Just after a shot in the video of Chris Pratt flying around in front of a green screen as Star - Lord, we see the Infinity Gauntlet sitting in a large black case.

In 2013, after a pair of teenage roles in the best of modern episodic TV, The Wire and Friday Night Lights, he was showered with acclaim for the way he commanded the screen in Fruitvale Station, re-creating the last day in the life of the 22 - year - old Oscar Grant, inexplicably shot dead by a transit cop in San Francisco on New Year's Eve; this year he has already appeared as one of the reimagined Fantastic Four — a mark of his growing stature, however stuttering the end result — and he will soon play the title role in Creed, an unexpected and unexpectedly promising extension of the Rocky franchise.

Rockhaven also gave HuffPost exclusive access to the documentary, which is named after one of many strange traditions at «The Room» screenings, in which audience members throw plastic spoons at the screen every time the background of a shot has a framed picture of a spoon - themed stock photo.

After following the instruction (screen shots are included), students combine their «before» and «after» pictures into a simple PowerPoint (or Google Slides) to make grading After following the instruction (screen shots are included), students combine their «before» and «after» pictures into a simple PowerPoint (or Google Slides) to make grading after» pictures into a simple PowerPoint (or Google Slides) to make grading easy.

Even $ 2,000 DSLRs have only 3 inch low resolution screens, which are less than one tenth the area of the iPad screen, so you really don't know how good your photo is until you download it later on after the opportunity to take a better shot is gone (the same problem that film cameras had).

See before and after shots of the home screen below:

After checking out the news, screen shots and video from the Honeycomb press event I have to wonder how the Honeycomb UI is going to work on the Streak 7s 800 × 480 screen resolution.

After all, let's look closely at the screen shot above.

A few hours after the deal was made public, a reporter with good connections with Apple PR posted a screen shot of Hachette titles being discounted on Apple's iTunes bookstore.

RIM's managed to do something really innovative with the camera, too: you tap anywhere on the screen to take the picture, then you can use a timeline tool to scrub and select a moment right before or after your shot — good for getting rid of a blinking subject, for instance.