Sentences with phrase «after seeing an exhibition»

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After seeing the exhibition of Jules Olitski at the Metropolitan Museum of Art in 1969, Poons realized that expanded artistic possibilities allowed for more unconventional processes, and that is how he appropriated the expressionistic drip style.

DAM curator of modern art Gwen Chanzit says she got the idea for the exhibition after seeing an exhibition of works of abstract expressionism at the Jewish Museum in New York City in 2008.

Interested in the materials used for printmaking — wood, lead, steel — more than the finished product, Walton began to make three - dimensional pieces after seeing an exhibition of sculpture at the Pennsylvania Academy of the Fine Arts.

After seeing an exhibition of de Kooning's work at Charles Egan Gallery, Passlof sought his instruction, first at Black Mountain College and later as a private student in New York.

«Meanwhile, after seeing exhibitions such as those of the Berlin Biennale man begins to wonder what exactly surrounds it.

He had early aspirations of becoming a writer but after seeing an exhibition of paintings by Cézanne and Matisse for the first time, he decides to study art.

Evan Roth @ Carroll / Fletcher It's easy to forget there's a physical side of the internet, but not after seeing this exhibition which contains masses of cabling and photographs of where the transatlantic cables come ashore.

«After seeing an exhibition of [Shinro] Ohtake's work in Japan, I became a contemporary artist,» shares Takashi Murakami.

However, I, too, found that depression overtook me after seeing this exhibition.

Not exact matches

For after Eleanor Lambert, the Chairman of the Selections Committee for the exhibition fashions, saw them there, she asked our Sporting Look department to select the sportswear for the Moscow show.

i would love to see the exhibit, argh should have stayed late in ny after work and gone to exhibition, now it is too late.

For now, I'll just say that after I exhibit my «best off» photos at Cafe Rouge starting next Monday, I'll start preparing a new cycle of photos for the new solo exhibition which I've envisioned to be a «travelling» one so that my art can reach some new destinations and people that don't live in Helsinki or New York can see these works too.

We would be disappointed not to see the Veloster launch after this dealer and exhibition yatra.

Save time to see the Lynette Yiadom - Boakye: Verses After Dusk exhibition at the gallery, and visit the Serpentine Sackler Gallery, just a short walk away.

After your meal, head to one of the many performances or exhibitions — there's plenty to see and do, year - round.

Already much sought - after by domestic and international collectors alike, this weekend sees the opening of the artist's very first solo exhibition.

Continuing its programme of opening up rarely seen collections from around the world, the four exhibitions are each titled after a key artwork in each display.

See after: Daleesha, Corey, Raymond & Toby — the Park's culminating exhibition from our community art program, Sculpture Studio — now on view through July 23rd!

In 1966, several years after his stark, expansive «black paintings» stole the show in a group exhibition at New York's Museum of Modern Art titled «Sixteen Americans,» Frank Stella said of his work, «What you see is what you see.»

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

After all, the last couple of years have seen three major exhibitions in London art museums that have focused on architecture («Sensing Spaces» at the RA, «Ruin Lust» at Tate Britain, «Constructing Worlds» at the Barbican), and smaller shows regularly claim some sort of interrogative capacity for exploring the interaction between these two broad categories of material culture.

After leaving the field of clinical psychology in the mid-1940s, Truitt began making figurative sculptures, but turned toward reduced geometric forms after visiting the Guggenheim Museum with her friend Mary Pinchot Meyer to see H.H. Arnason's exhibition «American Abstract Expressionists and Imagists» in November After leaving the field of clinical psychology in the mid-1940s, Truitt began making figurative sculptures, but turned toward reduced geometric forms after visiting the Guggenheim Museum with her friend Mary Pinchot Meyer to see H.H. Arnason's exhibition «American Abstract Expressionists and Imagists» in November after visiting the Guggenheim Museum with her friend Mary Pinchot Meyer to see H.H. Arnason's exhibition «American Abstract Expressionists and Imagists» in November 1961.

It is as if the curators saw, following the confusion of the Wohl Central Hall, that playfulness, colour and broad aesthetic affinities were an acceptable way to hang an exhibition space after all.

After seeing Barnett Newman's exhibition at French and Company in 1959, Poons gave up musical composition [2] and enrolled at the School of the Museum of Fine Arts, Boston.

And, of course, I'm excited to seeing Damien Hirst's exhibition at Palazzo Grassi and Punta Dogana after reading all of the press about it!»

Strassfield was inspired to curate an exhibition on first generation abstract expressionists after seeing the work of Frank Wimberley, whose solo show also opens today.

After seeing Ms. Tompkins's work in a show that Mr. Leon had organized at the Richmond Art Center, Mr. Rinder, then a curator at the Berkeley Art Museum and Pacific Film Archive, organized her first solo exhibition in 1997.

Robert Rauschenberg: Among Friends is the follow up to the Tate exhibition that opened in late 2016 and features masterpiece, after masterpiece, such as Monogram and Mud Muse (rarely seen) on loan from the Moderna Museet in Stockholm.

Looking beyond the Contemporary's first year of commissions, which will include works by Charles Atlas, Tom Friedman, Orly Genger and Charles Long, Grachos sees the museum eventually tapping Austin's festival culture to spearhead a citywide sculptural exhibition modeled after Sculpture Projects Muenster in Germany.

After seeing Mr. Anatsui's exhibition, «Gravity and Grace,» at the Brooklyn Museum last year and his enormous sculptural installation for the High Line in Chelsea, Ms. Rajaratnam said she approached Mr. Shainman, Mr. Anatsui's New York dealer, about a joint show.

«After the fascinating experience of working with Damien Hirst for our exhibition Self, in October 2014, I approached Damien again to see if he would consider another collaboration to coincide with Frieze this year» says Pilar Ordovas.

After a group exhibition in Monaco in 2014, the following year saw an important new solo show entitled U-topos (Greek, «no place»): tra spazio e luce (Italian, «between space and light»).

Anyone who saw the three exhibitions would have faced an interesting triangulation; the Matisses, like the light from a new star arriving fifty years after the event, an ambitious late career statement from a major Abstract Expressionist and a set of unconventionally configured canvases from a 30 year old star of the New York art scene.

Continuing the Whitechapel Gallery's programme of opening up rarely seen collections from around the world, the four exhibitions are each titled after a key artwork in each display.

Upon first seeing the banner image for the New Orleans Museum of Art's current exhibition, «Ten Years Gone,» you might assume that you're looking at the flooding of New Orleans after Hurricane Katrina.

She bought from galleries with whom she had long - standing relationships — M. Knoedler, Fine Arts Associates, Galerie Louis Carré — and it is likely that she purchased particular pieces after she saw them in exhibitions on 57th Street or in the 8th arrondissement.

The paintings were well received by the public at large, and it was the artist Wassily Kandinsky, after seeing the paintings in an exhibition in Moscow in 1895, that suggested this series as the first abstract painting in history.

The Cristea exhibition, devoted entirely to prints, allowed for a more intimate viewing experience and also included works the Tate missed, such as the etchings made after Joyce's Ulysses [see Kit Smyth Basquin's article, «Ineluctable Modality of the Visible: Illustrations for Joyce's Ulysses,» in Art in Print, Vol.

After the construction was complete, Fine decided to remain in Springs throughout the year, although she occasionally traveled into the city to see art and to install her work in exhibitions.

They were also seeing a great deal of Frank Stella, who had been to school with them (though Andre, who was in a different class, did not get to know him until after they had left), and in 1959 Andre wrote a statement for Stella for the catalogue of the Museum of Modern Art's Sixteen Americans exhibition.

A ponderous exhibition of Michael Heizer in Chelsea showed him as, no doubt, he wishes to be seen at this point in life — with one weighty stone after another, befitting his stature and profundity.

He has also seen tens of thousands of exhibitions, filtering these into his own curatorial projects (which started with a show in his student kitchen during art school) that he now carries out at artistic director of London's Serpentine Galleries, as well as through various other outlets that include 89 +, a joint initiative with Google and Swiss Institute director Simon Castets to showcase work by artists born after 1989.

After seeing optimism twisted and kicked into fear and terror, one leaves the exhibition with a sickly feeling of pathos.

I was inclined to write about Dylan's paintings after seeing The Brazil Series, a surprisingly good exhibition at the Statens Museum for Kunst, which I discovered by accident, while working in Copenhagen last January.

Followed by drinks and an after - hours opportunity to see the current exhibition.

After seeing this work at the Museum of Modern Art's inaugural exhibition in 1929 and again at Wildenstein Gallery in February 1939, Phillips borrowed it for an exhibition.

After exploring the qualities of paper, visit the Masterworks on Paper: Highlights from the Portland Museum of Art exhibition to see how various artists have worked on paper throughout the years.

On May 23, just nine days after the Ryan Lee opening, Ross will unveil the first and largest phase of his ambitious summer show at MASS MoCA, «Clifford Ross: Landscape Seen & Imagined,» an immersive multi-media exhibition that takes place across two buildings, six galleries, two courtyards and two beer gardens.

Another artist that was much sought after was Gerald Laing, currently showing as part of Tate Modern's «The World Goes Pop» exhibition, whose Commemoration (1965) had not been seen in public since 1965 and sold for # 1,202,500 / $ 1,860,268 / $ 1,630,590, breaking the artist's previous record set at Christie's last year.