Our very own chieftain Paul Heath will bring you his interview in the coming days but
after seeing the film over at San Diego Comic Con with cast and crew in attendance (click the following link for my review), we can assure YOU»RE NEXT is easily the finest fright flick of the year.
Not exact matches
«s internal debate
over this sets up a fascinating conversation about the balance between personal ambition and responsibility to others that I don't believe a lot of parents will
see coming
after watching the
film with their children.
Coco «s internal debate
over this sets up a fascinating conversation about the balance between personal ambition and responsibility to others that I don't believe a lot of parents will
see coming
after watching the
film with their children.
I've heard rumors about Steven's involvement on THE HAUNTING, and
after seeing the
film, I can sense his fingerprints all
over the last 10 minutes of this wondrous movie.
After an unfocused 2010 that
saw a mix of very good and very bad
films, Roadside Attractions managed to boost its average Metascore by
over 7 points last year, thanks to a generally improved slate that featured a pair of acclaimed documentaries (Project Nim and Thunder Soul) and the timely thriller Margin Call 76.
After seeing the
film, I could hear the late Don LaFontaine's voice -
over to an imaginary theatrical trailer in my head: A lowly grunt... chosen by a king for his humility... for a task of great importance... The king betrayed by his own... the grunt avenges the king....
I really miss John Barry,
after his departure from Bond we had to make do with some adequate scores
over several years even from David Arnold, then along came a new Bond in the form of Mr Craig and wow DA really found the formula for Bond and composed two truly magnificent scores if only he could have done Skyfall, that said lets give Thomas Newman a chance
see the
film with the score then listen to the score as stand alone then we can judge, one thing, I really wish just once they could use John Barry's brilliant 007 theme in a sequence just for old times sake and as a tribute to the man that gave Bond so much.
«
After a flurry of documentaries like «The Cove» and «Blackfish,» we'd
seen a decline in
films about the climate
over the last few years,» recalled John Cooper, the festival's director.
The
film marks Adam Sandler's third Netflix movie
after The Ridiculous 6 and The Do -
Over and
sees him starring alongside Jennifer Hudson, Kevin James, Terry Crews, Lamorne Morris, Nick Swardson, Rob Schneider, Jane Seymour, Carl Weathers and Arsenio Hall; check it out below
after the -LSB-...]
CoF: Finally then, Ghost Protocol establishes a new silhouette for Cruise's Ethan Hunt, first
seen with the hood of his leather jacket pulled up
over his head
after the Kremlin bombing and then repeated at the end of the
film with a hooded sweater.
Verdict: The second directorial feature from «Eastern Promises» writer Steven Knight
after so - so Jason Statham vehicle «Hummingbird,» «Locke» was both more stripped down and more ambitious: a
film set entirely within a moving car, shot in real time, with only one actor on screen (the rest of the cast are heard
over the phone, but never
seen).
Frantic horse - trading in recent years has
seen scuffles
over one title
after another, with
films often premiering within 24 hours of each other in different events and — most seriously of all — both festivals being scooped by the boutique Telluride event that screened
films that had been booked as world premieres.
After we decided our prizes, I scampered
over to the Music
Film jury when I
saw them wrapping up to thank the gorgeous Kimberly Reed for her Prodigal Sons
film the one I kept raving about to y» all a couple of years back.
Now You
See Me began its theatrical run at # 2 behind Fast & Furious 6, but
after its $ 29.4 million debut, the
film went on to secure
over $ 350 million worldwide, earning the second
film.
Though Darren Aronofsky's latest
film doesn't excite me as much as some of the projects he's departed
over the past few years, it's encouraging to
see a director of his quality being given the money required to do a big movie like this the right way, especially
after the disaster of «The Fountain.»
Over a week
after seeing the
film, I'm still working on the answer.
Every woman wanted to be Roberts
after seeing this
film, and now —
over 25 years
after its release — the
film is still one of the most - quoted romantic comedies ever made.
So,
after sifting through the addled memories that accompany the experience of watching four to five
films a day
over a week - plus span, we're highlighting a dozen of the best movies we
saw at Sundance 2016.
Now,
after seeing it I can tell you that, while it is a fine
film, I wasn't completely bowled
over.
It's an interesting
film to go back and visit
after you've familiarized yourself with Baumbach's later work, mostly because the motifs he's consistently mulled
over through the years are fully present here and it's fascinating to
see how his directorial style has evolved since his visually modest debut.
Doubling as an effective romance, Zemeckis story of Hanks's FedEx worker Chuck Noland becoming stranded on a deserted Pacific Ocean island
after a plane crash, driven to survive by the thought of returning to his girlfriend Kelly (played by Helen Hunt) is one of the director's most restrained (even the music cues by Alan Silvestri don't start till
over an hour into the
film) and in - command pieces of work that
sees the esteemed filmmaker largely hold back on artistic flashes and instead focusing on his leading man Hanks working his magic as the determined Chuck.
After making his debut with the indie
film Lars and the Real Girl, episodic television work ensued, followed by a contretemps
over the studio comedy Mr. Woodcock, starring Seann William Scott, Susan Sarandon and Billy Bob Thornton that
saw him removed from the project.
It's hard to know where to start or how to even describe Annihilation — part alien invasion
film, part surreal mind - bender, part heartfelt melodrama... I was on the set a little
over a year ago, spoke with the producers, director, production & art designers,
saw the mood boards tracking the story of the
film, and watched a particularly tense sequence
filmed — and yet even
after all of that, I'm still not sure what to expect.
And a great addition
after seeing some stoner
films this summer like Harold and Kumar Escape from Guantanamo Bay and Pineapple Express this a fun look back at what it was like a little
over a decade ago.
I was a little skeptical on
seeing this, since the original
film is basically one of my favorite
films of all time, but
after it was
over, I was just pleasantly floored.
Whether «Get Out,»
over a year
after its February 2017 release, can go all the way this
film awards season and claim the Oscar for Best Picture, remains to be
seen.
After watching Bujalski's newest
film on Netflix, you can go
over to MUBI to
see the highly acclaimed indie that preceded it.
It's a little embarrassing to admit having never
seen any of the «Mad Max»
films in their entirety before, but
after finally getting around to watching the cult classic trilogy
over the weekend, I'm still puzzled as to why they're so popular.
«Locke» The second directorial feature from «Eastern Promises» writer Steven Knight
after so - so Jason Statham vehicle «Hummingbird,» «Locke» was both more stripped down and more ambitious: a
film set entirely within a moving car, shot in real time, with only one actor on screen (the rest of the cast are heard
over the phone, but never
seen).
After seeing all three
films now, I understand the frustration with having this short story dragged out
over eight hours.
In Wenders»
film, Paris, Texas represents an ideal for a life yet to be realized, and thus the town never appears in the actual
film — to the consternation and bemusement of the many residents who
saw it at the Grand in 1984 or rented it from a local video store up until 2007, when Hubbard / Birchler bought the only available VHS copy
after learning that the ending had been recorded
over.
Ronald Reagan was a Trekkie through and through: during his stint as U.S. President he enjoyed two private screenings of 80s - era Star Trek
films and,
after his presidency was
over, visited the set of Star Trek: The Next Generation to
see everything up close and meet the cast and crew.
It'll be SO fun to
see the finished
film after all 50 of those Instagrams pop up in Chris» feed
over the next couple of months!