Sentences with phrase «after the first film ended»

Picking up moments after the first film ends, Insidious: Chapter 2 brings back Patrick Wilson and Rose Byrne as the parents of a family haunted by a malevolent force from the spirit world.

Neighbors 2: Sorority Rising is that sequel that you didn't really expect to happen after the first film ended.

Not exact matches

So, like a movie studio that green lights two sequels after the success of the first film, I went into The Falling Star knowing how Police at the Funeral would end.

Brad Pitt's portrayal of a bitter individual often lacks the necessary edge, especially in the first half of the film; eventually, after some floundering around, he finds a performance, but it doesn't really come together until just before the very end of the film.

His first film role was the bumptious backwoodsman Whitey in Buster and Billie (1974), after which he paid his dues in a series of villainous bit parts: shooting down Burt Reynolds at the end of Hustle (1975); beating up Kris Kristofferson in A Star is Born (1976); and so on.

After explaining that she would give her body to none but her country (hence the «virgin queen») at the end of the first film, the sequel introduces temptation in the form of Walter Raleigh (Clive Owen).

CoF: Finally then, Ghost Protocol establishes a new silhouette for Cruise's Ethan Hunt, first seen with the hood of his leather jacket pulled up over his head after the Kremlin bombing and then repeated at the end of the film with a hooded sweater.

The ending tries to recapture some of the sweet - natured charm of the first film, but it rings hollow after all that has come before, and we feel bored as a result.

It may not be called Infinity War, but the second film is still clearly going to be the conclusion of the fight against Thanos, who has, after all, been set up as the biggest of Big Bads ever since the stinger at the end of the first Avengers.

By the end of the film Eddie and Dorothy reconcile with the birth of their first child, both pledging themselves to monogamous domesticity (this is a Hollywood studio film, after all).

The sources for Collider stated that Vaughn is Warner Brothers first choice at director which is good news because the last time they mentioned their top director for their superhero film, it was Matt Reeves for Batman, and they ended up signing him after a few shouting matches.

I am just back from the cinema and I am still imitating the lines from blak thunder.The touch of ethan cohen make the sense of the film spread in so many ways.He must to had drunked at least one night with Stiller and decide to make the film that represent the sbluf hollywood production system and his stars.The first scene that comes on mine mind in this moment is the «Appocalypsis Now» scene with Stller and Downey at the end and the quasi-phycological dialog.Wonderfull for a men who was searching for a good comedy, my lastone good comedy was Burn After Reading, before that The Boss of it All fromm LArs von Trier.

However, their distraction pales in comparison to the beefed up role for another fictitious character, Bard's (Evans, Dracula: The Untold Story) servant Alfrid (Gage, Hamlet), who is meant to be the film's comic relief, but ends up being so broad and overbearing, you'll long to find him beheaded and skewered on the end of an Orc's spear after just the first of a dozen intolerable scenes in which he appears.

According to Pottermore, the sequel will see Grindelwald escaping custody after his capture at the end of the first film.

After the first film was released, there were no end to these sorts of movies around, full of all manner of kinky sex and gratuitous nudity, so by waiting 14 years to deliver the follow - up, the producers have come to the party after everyone else has had their fix and After the first film was released, there were no end to these sorts of movies around, full of all manner of kinky sex and gratuitous nudity, so by waiting 14 years to deliver the follow - up, the producers have come to the party after everyone else has had their fix and after everyone else has had their fix and left.

After appearing in films like Albert Nobbs with Glenn Close and The Iron Lady with Meryl Streep (she'll next be in the Han Solo Star Wars spinoff movie), Waller - Bridge, she wrote the one - woman play that served as inspiration for Fleabag, which ended ip premiering its first season on Amazon in July of 2016.

HALLOWEEN IIDirector: Rick RosenthalWritten by John Carpenter and Debra HillStarring: Jamie Lee Curtis, Donald Pleasance, Charles Cyphers, Pamela Susan Shoop, Dick Warlock Even though it was released three years after the first film, the story picks up toward the ending of the first film when Laurie Strode tells Lindsay and Tommy to go get help at the McKenzie's house.

The first bonus feature isn't available from the menu, instead simply playing after the film's end credits.

Even though it was released three years after the first film, the story picks up toward the ending of the first film when Laurie Strode tells Lindsay and Tommy to go get help at the McKenzie's house.

After an expansion on the first weekend of 2013 earned the film a pitiful average of $ 478 from 565 theaters, the barely operational Paramount Vantage quickly scaled back the release, which ended up earning just $ 611 thousand on a $ 20 million budget.

She mentions in the first film that she hasn't been to a haunted house since she was eight or nine years old, and it is obvious by the second that, after the ending of the first (which takes place over a mere six days, much of which are spent driving or being attacked in the RV at night), she has not gone to one again.

I was exhausted after the first read of [the script] with everyone around the table, never mind the end of the film.

John Boyega and his real - life British accent star as monster - puncher - in - chief Jake Pentecost, seen here giving a pep talk on the continued necessity of slicing up kaiju with giant robot sword arms after the squirrely interdimensional bastards failed to keep the peace reached at the end of the first film.

After two films that were rich experiences to say the least (emotionally draining is another way to put it), it was a treat to end the night with the first installment of the festival's four - part Artists in Residence program, curated by the four members of legendary metal outfit Metallica (who also happen to be local legends).

The film is compelling for the first half but descends slowly downhill after his wife's suicide ultimately culminating in an unsatisfying and unhappy «happy» ending that would have been better left undone (There was another ending shot for the film that was even more unsatisfying which thankfully they did not use).

This (Kevin Pollack, End of Days, The Whole Nine Yards) is the first Presidential campaign for Emerson, who, due to reasons left unexplained (they are not really relevant to the film), was appointed President after President Buchanan stepped down (that's at least two different Presidents in seven years...).

One thing I have to say that I enjoyed, thinking about it after the fact, is how well the writers found a way to logically write out many of the fringe characters from the first three films — ignoring Elizabeth and William since their time with Sparrow ended after the first trilogy.

In addition, the DVD includes the outtakes that were added to the film's end credits a month after its theatrical release, and the very first sneak peek of Monsters, Inc...

Leading to their first lovemaking, this scene has a goofy coy quality but it sticks in the mind after the film has ended.

After a short recap, the story picks up immediately after the end of the first After a short recap, the story picks up immediately after the end of the first after the end of the first film.

So even the first film's structure is replicated, beat - for - beat: at the end of 21's second act, the pair's partnership flailed after a chase scene caused Schmidt to miss a school play; the end of 22's second act sees the same occur, only this time, it's because a chase scene causes Jenko to miss a football game.

After the opening of RED on London's West End, Leaky was lucky enough to get to see Harry Potter «s Alfred Enoch (who played Dean Thomas in the film series) star as Mark Rothko's assistant, Ken, during his first official week in the production.

A former actress currently taking a professional break after an affair with a married filmmaker ended badly, Young - hee is seen in the film's first part wandering around Hamburg with an older friend, Jee - young (Seo Young - hwa), talking about their romantic desires and regrets with remarkable frankness.

Rose and Christopher Y. Lew, the Whitney's associate curator who gave the young artist her first New York solo show, walked in at the end of her 10 - minute video and chattered over until the film looped back to the beginning: «When I first came back to Earth after 128 days in space,» the astronaut David Wolf intoned while pools of opalescent fluid shifted onscreen as if agitating a new cosmos.

Other Grooms films include: The Big Sneeze (1962), a hand - drawn comic filmed by Rudy Burckhardt; Before an» After (1964), a sadomastic comedy that casts Mimi Gross as part dominatrix / part healthclub operator; Fat Feet (1966), a collaboration with Mimi Gross, Yvonne Andersen and Dominic Falcone that begins where Shoot the Moon ends; Tapping Toes (1968 - 70), which uses his first sculpto - pictorama City of Chicago (1967) as its set; Conquest of Libya by Italy (1912 - 13)(1972 - 3), a black and white animation that spoofs that era's newsreels; Hippodrome Hardware (1973), based on Grooms» 1972 live performance of the same name, whose main character Mr. Ruckus is played by Grooms; Grow Great (1974), a live - action short that features Mimi Gross as the household consumer; Little Red Riding Hood (1978), which features his daughter Saskia; and Man Walking Up (1984).

It includes key essays by the curators Christine van Assche, Chief Curator, Centre Pompidou, Paris, writer and film critic Chris Darke, and Whitechapel Gallery curators Magnus Af Petersens (Chief Curator) and Habda Rashid (Assistant Curator); texts by critics Raymond Bellour and Arnaud Lambert; plus the first English translations of two key early writings by Marker, an essay on Jean Cocteau's film Orphée (1950) and his short story Till the End of Time (1947), which takes place the day after VJ day amidst a torrential rainstorm and features a demobilised soldier subject to apocalyptic visions, anticipating Marker's most famous film, La Jetée (1962).