Sentences with phrase «after their first film together»

The impending divorce of Hollywood's golden couple 12 years after their first film together comes just two years after By the Sea, a strange melodrama about a couple in meltdown that is hard not to now read as autobiography

Not exact matches

Musk and Riley were together for a year after they remarried, but they have lived apart the past five months while Riley wrote and directed her first feature film, «Scottish Mussel,» in the United Kingdom.

Brad Pitt's portrayal of a bitter individual often lacks the necessary edge, especially in the first half of the film; eventually, after some floundering around, he finds a performance, but it doesn't really come together until just before the very end of the film.

Plot — After escaping death in the first film, Wade Wilson aka Deadpool (Reynolds) must bring together a rag - tag team of fellow mutants to help protect gifted child Russell (Dennison) from the ruthless, time - travelling mutant Cable (Brolin).

Set two months after the first film, the Guardians of the Galaxy travel throughout the cosmos and struggle to keep their newfound family together, while helping Peter Quill learn more about his true parentage.

«The first [film we made together] was It's Love I'm After with Leslie Howard,» de Havilland continued.

The couple, who had gotten married in 2010 and had the first of their two children in 2011, had made a few films together, including 1992's «Jamón Jamón» — Bardem's first starring role, in which a teenaged Cruz also appeared — and Woody Allen's 2008 comedy «Vicky Cristina Barcelona,» for which Cruz won the Best Supporting Actress Academy Award a year after Bardem had won his own Best Supporting Actor Oscar for «No Country for Old Men.»

It opens with Michael Fassbender and Penelope Cruz in bed together after what is supposed to be a marathon lovemaking session, but director Ridley Scott films the first part of this scene so that they are totally covered by white sheets, as if they were mummies.

Collaborating for the second time after first working together on Munich (2005), director Steven Spielberg and writer Tony Kushner have made a decent film that nevertheless feels overly burdened by the responsibility of depicting historical detail.

As usual, Asghar Farhadi also surrounds himself with a first - class team: José Luis Alcaine on photography (a regular collaborator of Pedro Almodóvar, Carlos Saura and Bigas Luna), the costume designer Sonia Grande (Midnight in Paris by Woody Allen, The Others by Alejandro Amenábar), and Iranian editor Hayedeh Safiyari, continuing a long and fruitful collaboration with the director after working together on four of his feature films, including his two Oscar - winning films.

In the first, they are tender, playful and passionate together - the actions of a couple who know each other intimately - while their second coupling, which occurs after the film's massive revelation, is a brutal and aggressive scene which leaves Edie bruised and in tears.

Once Forman stages his first recreation of bits from Kaufman's standup act, the film sets into cruise control, offering reenactment after reenactment of keystone events and performances in Kaufman's career (including his infamous «feud» with wrestler Jerry Lawler), with few moments of downtime in between and even less dramatic momentum to string it all together.

While Shadow of Mordor seems to step away from the more «realistic» gameplay seen in the films and stories, it still looks like it's going to be an amazing chapter that brings together the events after The Hobbit and before the first portions of Lord of the Rings.

A lot of people say I am too harsh when it comes to the Michael Bay films but after the first one, it just kept getting farther and farther away from the franchise I grew up on into a poorly put together film with sophomoric level comedy forced into it.

Another sought - after film piece making its round to Hong Kong finally is Sun Xun's 10 - minute 3D film, «Time Spy» (screening on 29 March) which was first exhibited at Art Basel Miami Beach, and brings together traditional woodcut techniques with a 3D visual experience.