Sentences with phrase «after thread work»

Not exact matches

After she sent an email that quickly circulated around the company («the thread got real long, real fast,» Gebbia says), the engineering team worked overnight to develop the capability for a «zero - dollar» listing.

(CNN)-- After an avalanche of criticism, the White House is working on a way to thread the needle on a new health care policy which will require all employers - including religious institutions - to cover contraception in their health insurance plans.

Now, after a decade of NHS care, she is able to use a needle and thread again and has developed a way of working and a design that doesn't cause too much of a strain on her hands — although she admits that the level of detail in each doll and outfit probably comes from wanting to ensure enough care and attention has gone into it, in case her hands fail her and this is the last one she ever makes.

Mortgage deals with Eisner are a common thread among several Cuomo insiders who worked for the future governor in the 1990s when he was the country's top housing official, and who later held prominent positions in Albany after Cuomo's election as governor in 2010.

He has threaded beads back into my dress after alternation, worked with leather outerwear pieces, fixed highly stylized jacket... and with all of this, he still finds Marissa Webb pieces to be the most complex.

We follow all of the threads that occur as the plan — codenamed «Argo» after the fake flick — attempts to work its magic.

After stage experience and TV work, Coleman made his movie debut in 1965's The Slender Thread.

The mercurial actor announced his retirement last summer after completing his work as an obsessive dressmaker in «Phantom Thread.»

The recognition for his work in The Phantom Thread comes months after announcing his retirement, making it the last major acting award nomination he's expected to receive.

I knew after concluding the story of «Z», and my participation in this discussion thread, that I would be drawn into F. Scott and Zelda's writings,... I didn't iron out a direct plan of what I would read next, and so, when I realised that the film would release in May, I decided to make that my next book to read, to bring me full circle: I started out with a superficial knowledge of both husband and wife, as anyone who reads literature knows of certain authors and their wives, but might not have a working knowledge of who they were when they lived.

I think my whole purpose of the starting the new thread was that I wanted to know how to maximize my net income after I decide to stop working (I guess they call this retirement).

A quick Google search found a forum thread on Mr. Money Mustache and after working my way through that I thought I have to look into this.

Previously, if you wanted your pre-tax dollars to end up one place, such as a traditional IRA for a tax - free rollover, and your after - tax dollars to end up somewhere else, such as a Roth IRA for a tax - free conversion, you had to thread a path through rules so complicated that even the experts couldn't always agree on what worked.

What is a textile on the loom, after all, but a grid wrought in taut threads?

After the scale of some of the other work in Feral 4 Ryan's work was small, limited to a number of small boxes containing a number of found objects, collections of words, black ink and the bits and pieces of an exhibition space, masking tape threads etc..

Invented in secret in the privacy of Oiticica's New York loft in the early 1970s, they were not shown as works of art until 1992, twelve years after Oiticica's death, when the first and third in the series — CC1 Trashiscapes and CC3 Maileryn — were exhibited as part of the first traveling retrospective of the artist's work.3 Prior to that exhibition, Oiticica's New York sojourn was little analyzed due to the perceived paucity of his artistic production between the years 1970 and 1978.4 The 1992 presentation of the Cosmococas was revelatory in this regard: not only did these quasi-cinemas demonstrate the continuity and conceptual elaboration of key aesthetic concerns within Oiticica's work (the vertiginous passage from painterly to narcotic «pigment» in service of the sensorial is surely the most striking of these animating threads), they indicated the artist's pointed engagement with the avant - garde artistic culture of New York.

Kiefer's choice of materials also demonstrates that his works are part of an artistic thread that began before him, and will continue after.

Gabriel Dawe's exhibition title implies the organizational notion at work in the show by installing, and including as works of art, the remnants of his temporary thread sculptures after they have been taken down.

Therefore, to understand his work the exhibition is divided into: «Jason Rhoades, American Artist»; «Jason the Mason, (a biographical thread named after a favourite children's book character)»; «Systems (language, scale, indexing, economies)», and «Taboo».

His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).

I'm paid handsomely by the «consensus police» to distract you and your fellow «skeptics» from your important work of posting the same comments based on the same fallacious reasoning in thread after thread, day after day.

Romanm, after reading through your introduction to this thread a second time, I appreciate even more the effort you put into explaining how the RCS algorithm works and the basis for it.

After this thread gathered some amount of attention, Ethereum founder Vitalik Buterin acknowledged that it would initially take lots of gas to keep such a network running but also pointed to a theory on how this two - way peg could work.