Sentences with phrase «after viewing the exhibition»

On March 10, 1965, a month before his 36th birthday, the Israeli artist Avigdor Arikha experienced a moment of profound transformation after viewing an exhibition of Caravaggio's paintings, «Le Caravage et la peinture italienne du XVIIe siècle,» at the Louvre.

Minimal yet powerful is what comes to mind after viewing this exhibition.

In the early 1970s, Ringgold abandoned traditional painting and began making unstretched acrylic paintings on canvas with soft cloth frames after viewing an exhibition of Tibetan art at the Rijk Museum in Amsterdam.

Indeed, his «Night Square» painting of 1951 with white, squiggly lines against a black background, not included in the show, was a two - dimensional stylistic precursor of the late almost 3 - dimensional works A run through the museum's other galleries after viewing the exhibition comes as a shock as few of de Kooning's fellow Abstract Expressionists seem to be in the same league as the paintings here.

Way ahead of its time, Schwitters» creativity was a huge influence 40 years later on the great contemporary artist Robert Rauschenberg, who said, after viewing an exhibition of Schwitters» work at the Sidney Janis Gallery in 1959: «I felt like he made it all just for me.»

Not long after viewing an exhibition of fifteenth century woodcuts at the Metropolitan Museum of Art, Frankenthaler found herself in front of Tyler's tree.

There are two strong impressions one has after viewing the exhibition.

Not exact matches

The exhibition is on view at the Manchester Art Gallery through 26 May, after which it will travel to Galerie Rudolfinum, Prague from 7 June through 15 September.

by Shreya Sethi Organized by the Guggenheim museum at the Art Institute of Chicago, a massive exhibition of Christopher Wool's paintings has traveled from New York, after just having been on view, to the city that Wool considers his hometown.

Ballroom Marfa is pleased to present After Effect, a group exhibition on view in Marfa from March 11, 2016 — August 21, 2016, with an opening reception on Friday, March 11 from 6 - 9 pm.

After a long absence following his last solo show at Paula Cooper (in 1977), Van Buren's work finally began filtering back into public view in New York about 10 years ago, first at small venues such as Mitchell Algus Gallery and Sideshow, and in the revelatory exhibition 2007 traveling exhibition «High Times Hard Times: New York Painting 1965 - 1975.»

The NGA exhibition opens just over a year after Stella's retrospective opened at the Whitney Museum in New York, yet by focusing on the rich seam of prints, a cohesive view of this extraordinary artist is attainable, making it an important show on many levels.

See after: Daleesha, Corey, Raymond & Toby — the Park's culminating exhibition from our community art program, Sculpture Studio — now on view through July 23rd!

With almost 40 works, this exhibition proposes a complete view of the artist's aesthetic development, starting with his figurative works, when he exhibited in Barcelona in the early 30's, until his latest abstract paintings of the 90's after going through the abstract expressionist stage that became so relevant in the United States during the 40s and 50s.

The exhibition, generously funded by the NEA and the Andy Warhol Foundation, is on view through September 17, after which it travels to the National Museum of Women in the Arts in Washington, DC.

Before and after the talk, attendees viewed the exhibition, curated by Pratt's Department of Digital Arts Chair Peter Patchen, featuring digital artwork by Pratt students and recent graduates shown on state - of - the - art LG Ultra HD 4K TVs and OLED TVs.

After the Motley exhibition closes, the painting will be installed on the museum's seventh floor where selections from its collection are on view.

After closing at the Pollock - Krasner House, the exhibition travels to the Jane Voorhees Zimmerli Art Museum at Rutgers University, where it will be on view in New Jersey from January 17 - May 31, 2017.

The majority of the exhibition will be on view through 27/9/15, but some floors will close on a staggered schedule before and after that date.

On view now at Kavi Gupta in Chicago is everything after, Curtis Mann's first U.S. exhibition since his inclusion in the 2010 Whitney Biennial.

She continued to exhibit regularly in France after the war, although in England, living in London, she almost disappeared from public view until the Tate Gallery retrospective exhibition of her work in 1983, held the year before she died.

WOMANSWOMB will be part of a group exhibition of female artists called Uprise / Angry Women, responding to Trump's election and the 44th anniversary of Roe v Wade, which falls two days after Trump's inauguration.The exhibit is on view at New York's Untitled Space from January 17th through January 28th.

Installation view of Gabriel Kuri's 2011 exhibition before contingency after the fact.

The exhibition, «Gute Aussichten Deluxe: New German Photography After the Düsseldorf School,» is on view 26 January — 21 May,... Continue reading →

The Cristea exhibition, devoted entirely to prints, allowed for a more intimate viewing experience and also included works the Tate missed, such as the etchings made after Joyce's Ulysses [see Kit Smyth Basquin's article, «Ineluctable Modality of the Visible: Illustrations for Joyce's Ulysses,» in Art in Print, Vol.

«The idea was that it all blurred into one extended experience of viewing exhibitions in different ways,» writes Conor O'Shea in an email, not long after we'd met for the first time.

Recently, Huang was featured in the Solomon R. Guggenheim Museum exhibition, «Theater of the World: Art in China after 1989,» and is currently included in «What Absence Is Made Of» at The Smithsonian's Hirshhorn Museum and Sculpture Garden, on view through summer 2019.

As well as an after - hours viewing of Deller's Venice Biennale exhibition, a series of events celebrates English Magic's key themes.

Taken together, the exhibition challenges viewers to go beyond preconceived and polarizing narratives to encourage discussion after viewing the images.

Gagosian is pleased to present «View of Dawn in the Tropics: Paintings, 1989 — 1990,» an exhibition of paintings by Julian Schnabel that are being shown in New York for the first time, twenty - five years after they were made.

Since the museum is shuttering its current location after the conclusion of its next event — the big Jeff Koons retrospective, on view June 27 through October 19 — Leonard's exhibition will be located in the Whitney's new MePa digs.

Left: Larkin Company Administrative Building (demolished) Buffalo, New York, 1902 — 06, Exterior view Right: Larkin Company Administrative Building (demolished) Buffalo, New York, 1902 — 06, Interior court view, Print, 18 x 26 inches May 15 — August 23, 2009 Fifty years after the realization of Frank Lloyd Wright's renowned design, the Solomon R. Guggenheim Museum celebrates the golden anniversary of its landmark building with the exhibition Frank Lloyd Wright: From Within Outward, co-organized by the Solomon R. Guggenheim -LSB-...]

Piper's request that documentation of her work The Mythic Being (1973) be pulled from the exhibition was executed with high drama, coming after the show had opened and the work was already on view.

Ballroom Marfa presents a lecture by artist Mary Weatherford, «Agnes Pelton and the American Transcendental», to complement After Effect, the current exhibition on view in Ballroom's galleries.

After it's inclusion in El - Salahi's retrospective at the Tate, The Arab Spring Notebook will be on view for the first time in the United States during the exhibition.

In gallery news: after 10 years in operation, London's Supplement Gallery is closing — its final exhibition will be of artist Mimi Hope which will run 14 — 29 April; the veteran New York Postmasters Gallery is turning to crowdfunding to support its activities — it has joined Patreon with subscription levels ranging from special viewings to exclusive lunches, hoping to follow «a new model — a radical hybrid combining the strength of the market with the support of the community»; New York's Gladstone Gallery now represents Vivian Suter, with a solo exhibition planned for early 2019; and P.P.O.W., New York, will represent Judith Linhares.

On view through Jan. 8, the Menil exhibition comes just a few years after the MFAH hosted the Guggenheim Museum's Picasso Black and White — the curator's acknowledgements in the catalog say it was Gary Tinterow's «first commitment» as MFAH director — and seems to have been triggered by that occasion.

After each exhibition closes, it will remain in Fusion Art's Archive for 3 years to be viewed by website visitors and be available to be promoted by the artist through their personal art portfolio.

After the performance you can enjoy a private evening view of the gallery's current exhibition, Mondrian and Colour.

At first thought, there seems inherent risk in putting on an exhibition about the occult, since the term seeks escape from view: the «occult,» after all, consists of hidden knowledge and practices, reserved only for the initiated, allowing comprehension and manipulation of the cosmos and the self.

The exhibition's nearly two dozen paintings by artists including Jiro Yoshihara, Kazuo Shiraga, and Shozo Shimamoto — several on view for the first time in the U.S. — range from pre-Gutai works to the «action painting» that characterized the early years of the movement to post-Gutai paintings that reveal how the artists remained rooted in their quest for freedom through novel means, even after the group disbanded.

On Sunday afternoon, after a marathon of about 20 exhibitions, I made sure there was no content on view at Trust, another project space with an academic digital culture bent, before I joined its sunset BBQ.

The July meeting of No Looking After the Internet will respond to Jason Lazarus» current solo exhibition at Gallery TPW, examining recurring tensions between public and private viewing.

175 years after the invention of photography, the extensive two - part exhibition presents a somewhat different history of the medium: rather than focusing on technical, sociological aspects or those related to media science and art history, it tells the story of photography from the point of view of artists.

The opening of Primitivism Revisited: After the End of an Idea will take place on Friday, December 15th from 6pm - 8 pm and the exhibition will be on view through January 27, 2007.

The Musée du Quai Branly in Paris, where «The Color Line,» a major exhibition of art by African American artists and historical documents and publications is on view, has removed a children's hand out booklet after criticism about its reference to the «pleasant lives» of some slaves and claim that racial discrimination in the United States ended with the 1964 Civil Rights Act.

The exhibition takes a broad view of the post war artists working at this time and also features work by artists made long after the 1950s such as Philip Guston's work Low Tide, which dates from 1976.

The Photography Department launched its fall 2016 lecture series on September 15 with a talk by David Campany, curator of the critically acclaimed exhibition a Handful of Dust, which is on view in the Pratt Photography Gallery after being shown at Le Bal, a contemporary photography museum in Paris.

Unlike a traditional museum retrospective, the works are rotated three times over the course of the exhibition: Schnabel's rare wax paintings from the 1970s are currently on view through June 5; works made after 2000 from June 8 to July 10; while the final rotation, from July 13 to August 14, features paintings from the 1980s and «90s.

Currently on view is an exhibition curated by Massimo Gioni of the New Museum in New York called «The Trick Brain,» named after a video work by digital artist Ed Atkins.