Sentences with phrase «after watching the film with»

«s internal debate over this sets up a fascinating conversation about the balance between personal ambition and responsibility to others that I don't believe a lot of parents will see coming after watching the film with their children.

Coco «s internal debate over this sets up a fascinating conversation about the balance between personal ambition and responsibility to others that I don't believe a lot of parents will see coming after watching the film with their children.

If you walk away after watching the film with even the slightest appreciation for games and what they offer as a creative medium, then we have done our job.

Not exact matches

After watching the film, I felt an unexpected connection with Djokovic, such is the power of food and its ability to stir nostalgia.

She claimed nuclear energy would not be as cheap as supporters claimed, and cited safety issues, in a debate with environmentalist Mark Lynas after they watched his Daily Politics film at Hinkley Point

After watching a scene from the film Trainspotting, in which a character reaches into the bowl of an indescribably filthy toilet, they sold a pack of pens for an average of $ 2.74, compared with a price of $ 4.58 for participants shown a neutral clip of coral reefs.

I was there with several of my sister bloggers and a crowd of movie fans who braved the weather to dress up, watch Academy Award nominated short films and then get down at the after party.

So I was gonna watch the JCVD thriller called «Derailed» but after the first five minutes I realised I had the wrong film haha so I stuck with this despite Aniston being involved.

I won't reveal the plot twists just in case you're not familiar with what happened in reality, but suffice it to say that I had no clue why Finkel seems to become more and more frantic as Longo's trial date inches closer, and I had absolutely no clue as to what Longo's actual motives were — I had to Google the real events after seeing the film in order to understand what I'd watched onscreen.

After watching this film, you will ask yourself, «Why didn't they start the original Star Wars Saga with this story, instead of Episode 4: A New Hope?

The first section of the film, in which Charley's life seems to be on an upswing, is filled with quiet moments of idyllic and even romantic seclusion — Charley working with the horses, cleaning up after them, taking scenic road trips with Del, watching the horses race, taking in the starry sky while lying the bed of Del's pickup truck.

A new trailer has arrived online today for writer - director Olivier Assayas» upcoming horror film Personal Shopper, which stars Kristen Stewart as a psychic looking to make contact with her deceased brother; watch it below after the official synopsis... Olivier Assayas, the internationally - acclaimed director of Clouds of Sils Maria and Summer Hours, returns with this ethereal and mysterious ghost story -LSB-...]

«I think Elio [the young man played Timothee Chalamet] will be a cinephile and I'd like him to be in a movie theater watching Paul Vecchiali's Once More,» a 1988 film about a man who falls in love with a man after he leaves his wife, which was the first French movie to deal with AIDS.

Featuring the likes of Kate Hudson, Billy Crudup, Philip Seymour Hoffman, and Frances McDormand, this is one of those beautifully nostalgic films that sticks with you long after you watch it.

In fact the people I was watching Super Troopers with went back to watch the opening sequence for a second time only minutes after the film finished.

After watching a series of strong non-fiction films while preparing for the end of the year, a film like Interview with the Assassin seems so slight, so exploitive.

After watching the second film, I couldn't imagine a bigger show of computer fire power, but director Michael Bay sure did deliver a huge spectacle with this one.

It's also amusing to watch Catherine Deneuve in a role reversal after playing a prostitute in the classic Belle De Jour; in this film, she hires a male prostitute to sleep with her.

After a summer slew of big - budget studio films, it can be difficult to find, sit down and watch a movie with more modest origins.

It's a gloriously written film, with jokes that are crafted rather than excavated from reams of on - set improvisation1; the success of the punchlines is scattershot and up for debate (connoisseurs of the Borscht belt should find much to admire, but a rehash of Lloyd's lovesick daydream flatlines, due in no small part to an overestimation of the comic chops and kitsch appeal of Honey Boo - Boo's mom), yet there is something bracing about its structural classicism after the last few years of watching the Church of Apatow whack off.

A girl (Mizuki Yamamoto) after watching a cursed videotape together with her friend (Tina Tamashiro) in a haunted house, becomes trapped in a conflict between the two murderous ghosts: Sadako Yamamura (from the «Ringu» films) and Kayako Saeki (from the «Ju - On» films).

A repeat viewing feels necessary to watch the film with fresh eyes after the truth is revealed, and if mandatory repeat watching isn't the mark of a good film, I don't know what is.

After directing hit films A Tale of Two Sisters; The Good, The Bad, The Weird; and I Saw the Devil, Korean director Kim Jee - woon makes his American debut with The Last Stand (watch the new trailer here).

It's a strange little plot twist — after all, the inciting incident of the film is literally Amy quitting the organization and feeling all the better for it — but even a film called «Bad Moms» can't spend its entire runtime chronicling drunk moms accosting security guards in supermarkets or decadently sneaking out to watch a midday movie with their pals.

But after watching the film (with very low expectations, mind you), I not only came out of the film liking it, I'm considering it in my top 10 of the year so far.

Final verdict: You might feel stupider after watching it, but otherwise you will not regret spending another film with the Expendables.

Even after watching the brilliantly effective first trailer — which opens with a slow tracking shot down a long, dark corridor — we have absolutely no idea what the film is about.

Two separate commentary tracks, the first and best with director Ben Wheatley and co-writer Amy Jump and the second with actors Neil Maskell, MyAnna Buring, and Michael Smiley, bring some of the film's more obscure passages into better focus, while a slew of formal interviews with the filmmakers, actors, and producers help illuminate the extent of the work that went into developing the project (Wheatley, for his part, comes across as surprisingly earnest and well - intentioned, which isn't quite what one expects after watching his film).

The problem with a film like Tully, after you watch it at least, is that to understand what makes it work - and it works very well - you have to either see it for yourself or spoil it for everyone else.

The surreal experience of watching him watch his breakthrough film on a beach, 20 years after he and Lawrence Bender walked off with the Palme d'Or.

You can see Gyllenhaal make a career U-turn after «Prince of Persia: The Sands of Time,» working with young directors on independent projects or challenging studio films - «Source Code,» «Enemy,» «Prisoners,» and David Ayer's «End of Watch.»

Reservoir Dogs, True Romance and Pulp Fiction (the first two I watched back to back one weekend afternoon, after my friends learned I'd never seen a Tarantino film; I had heard he'd won the Palme d'Or, but didn't know he'd made any other movies) demanded we familiarize ourselves with their influences: film noir, Howard Hawks, Jean - Luc Godard (one of our favorite pass - times was driving around to all the video stores in town looking for a copy of Breathless.

The awkward stylistic choices begin right after the film opens as we watch General Zod attempt an unsuccessful insurrection on Krypton, a distant dying planet with only a few years of existence left.

After creating a film club in high school as an excuse to go watch movies every weekend with her friends, she immediately realized talking about films was the only thing she was good at.

Best Actress: Annette Bening — Kids Are All Right — stern, intelligent yet moving and likeable — it takes a real pro to accomplish that with such style and verve Nicole Kidman — Rabbit Hole — heartbreaking but resilient — a perfect balance between broken and fixed — it is so joyful to watch a character so succinctly communicated Lesley Manville — Another Year — heartbreaking with closeup after closeup of vulnerability and grasping hope — truly a fragile and pulsating performance Julianne Moore — Kids Are All Right — courageous and oh so human — sexy and vulnerable in an earthy way — her struggles with herself are the heart of the movie and she carries it magnificently and warmly Natalie Portman — Black Swan — the tour de force this year — the crazy, emotionally volatile core of a crazy, emotionally volatile film — some wonder if it might be «easer» to play such big emotions but the incredibly thin wire she has to traverse in such an extreme environment is daunting and she makes it work and gives us believability and solicits true sympathy in the middle of a fright fest — a truly accomplished achievement

After watching the original play... Is anyone expected something better for the film with that material?

Ten years after moving from Israel to the United States and starting her career with modeling work and acting classes, her latest role as Jenna in Greta Gerwig's celebrated new film Lady Bird has put her on the map, and, with a number of upcoming movies, the young actress is one to watch.

Written and directed by Mateo Gil, the film stars Tom Hughes, Oona Chaplin, and Charlotte Le Bon; watch it below after the official synopsis... Marc (Tom Hughes) is diagnosed with a disease and -LSB-...]

Long after you finish watching this film, the characters and the film's graceful mood will stay with you.

Inherent Vice sits right on top my most anticipated films of 2014 list and after watching what Anderson did with Phoenix in 2012's The Master, I can't wait to see his take on the psychedelic 70s.

After finishing the film, and maybe watching it with the in - film video commentary featuring the stars dishing on each other and the film, move on to the second disc where the real meat of the set awaits.

It's hard to know where to start or how to even describe Annihilation — part alien invasion film, part surreal mind - bender, part heartfelt melodrama... I was on the set a little over a year ago, spoke with the producers, director, production & art designers, saw the mood boards tracking the story of the film, and watched a particularly tense sequence filmed — and yet even after all of that, I'm still not sure what to expect.

I agree that Michael Bay doesn't know how to convey a story so much as he knows how to create action sequence after action sequence (and from what I've heard from those who worked with him, the man's not a ray of sunshine), but even the audiences for this film who went and watched what turned out to be a horrible movie went looking for another great story.

Inventing the Abbotts is a gem of a film, with an original feel, a spectacular cast, an ease of delivery, and a time capsule approach made doubly awesome watching the movie almost 20 years after it was made.

After starring in such films like «My Week with Marilyn» and «The Devil's Double», it seems that Dominic Cooper is out of Albert Hughes» «Motor City» and instead, will be replaced by Jake Gyllenhaal, who was last seen on screen in «Source Code» and recently wrapped working on «End of Watch».

Directed by Fabrice Du Welz, the film stars Chadwick Boseman, Luke Evans, Teresa Palmer, Alfred Molina, Natalie Martinez, Tom Felton, and Dale Dickey; watch it below after the official synopsis... After losing contact with his younger sister, Jacob King arrives in -LSBafter the official synopsis... After losing contact with his younger sister, Jacob King arrives in -LSBAfter losing contact with his younger sister, Jacob King arrives in -LSB-...]

filmed five different endings to this film, but I suspect after watching the finished product that he also had five different scripts with five distinct origins and five different plots.

When Mickle and Damici first watched the Mexican film and after talking with Grau himself, they realized that they could put their own stamp on the same material.

After watching this trailer, I'm still not sure entirely what the latest David Cronenberg film is actually about, but it has Julianne Moore trying to recapture her youth, and an ambitious Mia Wasikowska with burn scar - tissue on her face.

This film is a pleasure to watch, after taking in the first five minutes of dialogue which sounded like a lot of gibberish (get used to the dialogued - heavy accents) it transforms itself into an easy watch with a meager film running time.