Sentences with phrase «after working on canvas»

Not exact matches

A New York artist says her reputation has been ruined after she was wrongly pegged as the painter of a 1972 canvas by an online auctioneer who hawked the work on eBay with her name and biography.

After some experimentation, I found a method that worked great to make homemade canvas photo prints for under $ 10 (or less, depending on size!)

Dempsey writes that, Cunningham, a graphic designer who abruptly refused to exhibit his paintings after a successful start to his painting career, «worked in the solitary atmosphere of his chapel studio in Battersea, where he would travel each day to work on his canvases.

I don't know what's «industry standard practice» for fine art galleries these days, regarding pricing works on paper vs. works on canvas, but my suspicion is that the reason for the * historical * difference between the two is that works on paper are perceived to be less «serious» (after all, watercolor started out as a quick way for oil painters to sketch out drafts), and less long - lasting (historically, a lot of watercolors were fugitive, and tended to fade with time, unlike varnished oil paintings).

After a period of producing a series of work on canvas and exhibiting in «white wall» style exhibitions, Herakut returns to an approach like their early years in presenting a fully immersive installation.

Curated by Sylvie Ramond, director of Lyon's Musée du Beaux - Arts, and French Academy director Eric de Chassey, the exhibition contains the experiments on canvas Soulage began working on in 2000, when he returned to painting after years of absence.

In 2008 Hirst created a series of 150 works made up of butterfly wings on painted canvases, each titled after an Old Testament psalm.

In 1988, after having created a series of hand - painted spot paintings on board such as «Spot Painting», and the first work on canvas «Untitled (with Black Dot)» (1988), Hirst painted two near - identical arrangements of coloured spots onto the wall of the «Freeze» warehouse.

«His radical works on canvas without any painterly support, his signature achievement, were debuted in 1969 and came about after a sustained and deeply personal investigation into formalist art.

Tim Rollins and K.O.S., Invisible Man (after Ralph Ellison), 2008 Matte acrylic and book pages on canvas, 72 x 72 inches For their first exhibition at Lehmann Maupin Gallery's Chelsea location (540 West 26th Street), Tim Rollins and K.O.S. will present a new body of work inspired by the words of Rev. Martin Luther King, Jr., Harriet Jacobs, Langston Hughes, Ralph Ellison and Malcolm X. Spanning more than two decades, the collaboration of Tim Rollins -LSB-...]

After the blockbuster exhibitions in 2017 of the works of decades past, Hockney moved right along to show his newest paintings on hexangonal canvases and mural - size 3D photographic drawings at Pace Gallery in 2018.

«What was to go on canvas was not a picture but an event» theorist Ronald Rosenberg wrote into his diary after observing the works of Jackson Pollock.

After a while, he decided to combine installation and drawing creating monumental works called» Installation Drawings» on canvas or linen and pinned to the wall and later covered with black paint stick, one sort of grease wax crayon.

Sarah Morris, Small Flat Jumbo [Clips], 2010 Household gloss paint on canvas, 152.5 x 152.5 cm March 24 — April 30, 2010 Gallery Meyer Kainer announces «It's All True» an exhibition of new works by Sarah Morris, labeled after an unfinished documentary film by Orson Welles.

After second year, life drawing was an activity that ran in parallel with my painting, as my painting took off in a direction that no longer relied on realistic representation, but was still important in being able to work through ideas visually and to realise my vision on canvas.

The first recognizable sign of such concepts appearing in his work came to be just after he graduated when David started experimenting by copying fragments of poems and placing them on canvas.

Layer after layer on the canvas, pictorial writings let us perceive the geology of the work.

The exhibition titled «Beauty in the Wound» will be Dale's first exhibition after his museum show and entail a new body of work on paper and canvas.

Soon after, he transitions to working with acrylic and pencil on masonite, outlining his geometric forms on shaped panels, such as the three half - circle canvases of & frac12; W, V, X Series (Orange, Green, Blue)(1968).

This month, more than forty years after JAMES ROSENQUIST began capturing on canvas the larger - than - life, color - saturated imagery of consumer culture, a major traveling retrospective of his work comes to the Solomon R. Guggenheim Museum in New York.

Although less than 25 percent of the lots are by women artists, some significant works by women are for sale: «Roots,» a poignant color screen print by Catlett that the gallery says has not been seen at auction in 20 years (shown above); «March on Washington,» 1964 (oil on canvas), a beautifully rendered painting by Alma Thomas (1891 - 1978); Faith Ringgold's 1974 «Night: Window of the Wedding 8,» touted as the first of her fabric paintings to be offered at auction (shown below); and «Still Life with Grapefruit,» 1928, described on the frame backing as Lois Mailou Jones's first painting, completed a year after she graduated from the School of the Museum of Fine Arts in Boston.

While these works reflect the atmosphere and palette of the gardens that surrounded her after she settled at Vétheuil, her painterly space clearly remains the space of Abstract Expressionism — often disjunctive, yet always primarily grounded in the physical nature of the canvas and the materials deployed on it.

Other works in the exhibition include Andrew Lenaghan's Corner of Eldridge and Grand Streets After the Storm, a somber view of the Manhattan skyline with the Empire State Building in the far distance, James McGarrell's twilight landscape Headlights, Lesley Dill's paper sculpture Fragile, and Jose Bedia's canvas Alone I Carry On.

After twelve years of working on his Hourloupe cycle (the longest series of his career) with a palette of primarily red, blue, and black, contained by thick black outlines, in 1983 Dubuffet unleashed an extended color palette across the canvas, removing the borders and a representational reference point.

The term covers large paintings in oil on canvas or fresco produced between the Renaissance and the late 19th century, after which the term is generally not used even for the many works that still meet the basic definition.

McNeil speaks of why he became interested in art; his early influences; becoming interested in modern art after attending lectures by Vaclav Vytlacil; meeting Arshile Gorky; the leading figures in modern art during the 1930s; his interest in Cézanne; studying with Jan Matulka and Hans Hofmann; his experiences with the WPA; the modern artists within the WPA; the American Abstract Artists (A.A.A.); a group of painters oriented to Paris called The Ten; how there was an anti-surrealism attitude, and a surrealist would not have been permitted in A.A.A; what the A.A.A. constituted as abstract art; a grouping within the A.A.A. called the Concretionists; his memories of Léger; how he assesses the period of the 1930s; the importance of Cubism; what he thinks caused the decline of A.A.A.; how he assesses the period of the 1940s; his stance on form and the plastic values in art; his thoughts on various artists; the importance of The Club; the antipathy to the School of Paris after the war; how Impressionism was considered in the 40s and 50s; slides of his paintings from 1937 to 1962, and shows how he developed as an artist; the problems of abstract expressionism; organic and geometric form; the schisms in different art groups due to politics; his teaching techniques; why he feels modern painting declined after 1912; the quality of A.A.A. works; stretching his canvases, and the sizes he uses; his recent works, and his approaches to painting.

As the fair continues into the rest of the week, gallerists will continue to push for strong sales, hoping that the high - spectacle works and more classical canvases continue to appeal to collectors even after a full week of art fairs on European soil.

This became most apparent after he had moved to working on canvases.

After painting on textiles for many years Ms. Goff went on to work on paper and canvas.

Prince even went a step further (as expected)-- after being kicked off the site for posting his infamous work from 1983's series Spiritual America, featuring 10 year old Brook Shields posing naked, Prince re-emerged on the site by printing out postings from celebrities on canvas, re-photographing them, and posting them anew to his own feed in his own twist on the #regram, turning his Instagram account into a conceptual art project.

One morning in October 1952, after returning from a vacation in Nova Scotia, Frankenthaler arrived at her studio (she worked in an old loft near the Chelsea Hotel) and unrolled a large sheet of canvas on the floor.

Pollock's work after 1951 was darker in color, including a collection painted in black on unprimed canvases.

After this purge, the remaining works — 60 paintings on stretchers, 150 loose canvases, two portfolios with approximately 90 pen drawings, and between 100 and 200 crayon drawings — were piled onto a pushcart and taken to a local flea market, where they were sold according to size and «prettiness» for a penny or two each.

It wasn't until 1962, after working for over a decade, when he transitioned to painting on much larger canvases.

After weeks of no painting, he began filling his Roman studio with a flurry of small pinkish - hued works on paper, panel, and canvas.

Five years ago I thought that Tim Ebner's early work from the late 1970s and 80s would no longer need to be dragged into the discussion of the paintings that he has been making since 1991, when after more than a decade's worth of minimalist «surrogate» paintings from non-traditional materials (such as linoleum, resin, and vacu - formed acrylic), he turned abruptly to making representational paintings with brushes in oil on canvas.

I am starting with my sixth blank canvas in 12 years of marriage - next month (and I plan on not moving for a very long time after this one;)... I have some really nice furniture pieces but the material will not work in our new design plan... does anyone know how cost effective it is to reupholster a sofa... would slip covering be a better option??