Sentences with phrase «afterimage of»

Oscillating between «previous» and «current» show, and functioning as a layered afterimage of the former, the photograph documents a performance staged in Chambaud's installation, one pregnant with art - historical implications.

In response to that experience I conceived Echo as an afterimage of the building that was just gone.

In fact, the more you look at those pesky residual traces of red, blue and green, which at first glance look almost like Hippenstiel wiped them from his shoes, the more they register as an afterimage of the skull in the first painting.

But by foregrounding these embarrassments, Ms. Saul creates a kind of afterimage of spiritual serenity.

-- After the damage has been dealt... — The afterimage of a Hero will appear in the party slot.

But so delicate are its charms, and so opposite the critical afterimage of it as a frothy bauble among detractors, that you can't help but want to defend it in all its sensitive frivolity.

If you then look at a blank wall, you'll see a ghostly afterimage of the flag in reversed colors for a few seconds.

At the Swiss Institute Lupo has created an installation of bathroom storage shelves coated in Magic Smooth, an epoxy clay, and cat litter, assembled into 28 oversized human teeth, conjuring for this writer afterimages of Haim Steinbeck, Claes Oldenburg and Rachel Harrison.

The terrible afterimages of looting and fires in the blackout that were forever burned into my brain.

The work seeks to locate the possible effects or afterimages of an exhibition across two categories of imprints: on one hand, a kind of retinal persistence, a blur of works and texts that vie for preeminence in recalling the experience of the exhibition, and, on the other hand, the mode of the archive that exhibitions of contemporary art in general gesture towards, the database where they would like to register.

My head is too often full of afterimages of the daily atrocities I scroll through online.

Not exact matches

It's impossible highlight all of the amazing artists coming out to the festival this year, but Flyleaf, Leeland, Afterimage, Confide, Anberlin, The Fold and mewithoutyou should be enough to get you off your couch and into your car.

This special issue, 169 Best Illusions, contains a smorgasbord of static images that appear to be moving (such as the Hatpin Urchin shown here), «impossible» sculptures, freaky faces, ghostly afterimages and even some edible illusions.

Afterimage is mounted in a classical, beautifully understated style that throughout conveys the relaxed assurance of a true master.

Afterimage: The great Polish director Andrzej Wajda's final film, and one of his best, features a towering performance by Boguslaw Linda as a real - life Polish avant - garde artist suffering for his intransigence under Communism.

Melbourne International Film Festival Powidoki (Afterimage, Andrzej Wajda, 2016) Wajda's last film is in one way a summing up of a rich career, but so much more as it touches on creativity, state attempts to control art, and personal integrity.

When it works, it's a stunner worthy of mention in the same breath as Blade Runner, but more significant than its immediate impact is its lingering afterimage.

Deliberately paced, bleak and a touch repetitive, «Afterimages» is a swan song from one of the greats, who, like his subject, leaves viewers with a treatise on how to look at the world.

After the Polish master's death, we were waiting at the Film Fest for the exhibition of his last film Powidoki (Afterimage 2016), which never arrived and will be anxiously anticipated for next year's selection.

First runner - up: Leonardo Sbaraglia, AT THE END OF THE TUNNEL (Spain / Argentina 2016) Second runner - up: Timothy Spall, THE JOURNEY (United Kingdom 2016) Third runner - up: Fares Fares, THE NILE HILTON INCIDENT (Sweden / Denmark / Germany 2017) Fourth runner - up: Bogus?aw Linda, AFTERIMAGE (Poland 2016)

2017) O Ornitólogo (The Ornithologist, João Pedro Rodrigues, 2016) Porto (Gabe Klinger, 2016) Powidoki (Afterimage, Andrzej Wajda, 2016) Qing Ting zhi yan (Dragonfly Eyes, Xu Bing, 2017) Qiáng ní Kai ke (Missing Johnny, Huang Xi, 2017) Mon Rot Fai (Railway Sleepers, Sompot Chidgasornpongse, 2016), Rat Film (Theo Anthony, 2016) Réparer les vivants (Heal the Living, Katell Quillévéré, 2016) Satan Jawa (Garin Nugroho, 2017) Teströl és lélekröl (On Body and Soul, Ildikó Enyedi, 2017) Toivon tuolla puolen (The Other side of Hope, Aki Kaurismäki, 2017) Tom of Finland (Dome Karukoski, 2017) Visages, villages (Faces Places, Agnes Varda and JR, 2017) Une Vie (A Woman's Life, Stéphane Brizé, 2016) Yozora wa itsudemo saikô mitsudo no aoiro da (The Tokyo Night Sky is Always the Densest Shade of Blue, Ishii Yûya, 2017) When the Day Had No Name (When the Day Had No Name, Teona Strugar Mitevska, 2017)

This unique product with capability of showing the eye - catching «Blazing Afterimage Effect» on the wheels of a moving vehicle will not only allow the vehicle owner to show his / her individuality and specialty on the vehicle to show off people, but also will serve as a great platform for the commercial usage as sales promotion advertisement application.

Plus there tends to be a lot of ghosting with the browser, where afterimages remain on the screen.

This is where the screen flashes black in order to get rid of any afterimages left by previous pages of text.

With full refresh off text and images are more prone to ghosting and afterimage effects where you can see faint indications of the previous pages.

This helps get rid of any afterimages that can sometimes build up with E Ink and helps make text appear sharper and clearer.

Drastically increases your afterimage rate of occurrence and the total attack power of your afterimages for three turns.

Our lead effects designer did his best to make it look like an afterimage without any feeling of it being odd, and I think it came out pretty good.

Sano: We gave a lot of thought about how to make our ideal afterimages without putting too much burden on the game.

Installed with this new LCD device, PSP - 3000 offers more natural and vibrant colors on its screen, but the scan lines have come out to be more visible as a result of improving response time to alleviate the afterimages on PSP - 3000.

Krillin can also make use of afterimage illusions, which lead into some particularly good opportunities to create mix - ups.

Other thematic exhibitions of the new century have included Afterimage: Drawing Through Process; Subject Plural; and The Inward Eye.

As one stares into the vacuous expanses of artificial hue, subtle differences in tonality dissolve in ocular fatigue and play afterimage tricks on surrounding white walls.

Acrylic paint is transformed to conjure up sunsets, boxes of jewelry, coral reefs and other indelible effects of light and atmosphere such as fog, shimmery afterimage and splashy crescendos.

The paintings explore the possibilities and properties of vivid colour, how it is optically perceived, and the effects of the afterimage created by red - green vision in particular.

His writings on the legacies of avant - garde strategies, art activism, digital media and new social formations, film and labor, and other topics have appeared in Art Journal, Afterimage, BOMB, The Brooklyn Rail, Communications, and PUBLIC, as well as several anthologies.

18 no. 1, Fall 2015), «A Brief and Incomplete History of Art and Technology Ventures in the Bay Area 1980 - 2010» (Afterimage, vol.

1999 Afterimage: Drawing Through Process, Museum of Contemporary Art and The Geffen Contemporary, Los Angeles, CA Contemporary Classicism, Neuberger Museum of Art, State University, Purchase, NY Intimate Expressions: Two Centuries of American Drawings, Columbus Museum, Columbus, GA Rendezvous North Carolina: 20th Century Sculpture and Sculptors» Drawings from the Weatherspoon Art Gallery and the Ackland Art Museum, Ackland Art Museum, Chapel Hill, NC Drawn Across the Century: Highlights from the Dillard Collection of Art Paper, Weatherspoon Art Gallery, Greensboro, NC Chronicle, School of Visual Arts, New York, NY

As written by Afterimage, «FORCE uses the internet as an extension of the public space... as a communication broadcast tool in opposition to mainstream media, and as a forum for suggesting alternative, positive visions of sex, gender, and consent in culture.»

From one side, this piece recalls a ghost - like, paper version of the original house's façade, appearing like an afterimage that lingers in one's memory.

Afterimage: The Journal of Media Arts and Cultural Criticism «Body of Prayer: An Interview with Steed Taylor»

As Curator at the Museum of Contemporary Art in Los Angeles from 1996 - 2005 she worked on numerous exhibitions, including «Afterimage: Drawing Through Process» (1999), «Rodney Graham: A Little Thought» (2004) and the major touring exhibition «WACK!

She has contributed essays and articles to Theory, Culture and Society, Afterimage, journal of visual culture, Art India, Broadsheet among others, and is co-editor of a forthcoming issue of Third Text on modernity and China's cultural politics.

The result is paintings whose vibrating color space, where image and afterimage interact, recall the utopian optical constructivism of painters like Wojciech Fangor, as well as the meticulously Photoshopped, if blithely neutered, color field photography of younger artists like Cory Arcangel.

Her writing has appeared in X-TRA Contemporary Art Quarterly, Hyperallergic, Leonardo, SF Camerawork Journal, Afterimage, and Open Space, the blog of the SFMOMA.

His essays have appeared in, among other places, American Literature, American Literary History, Callaloo, Afterimage, Small Axe, The Chronicle of Higher Education, Women and Performance, Social Text, Transition, Studies in the Novel, The African American Review, Feminist Formations, and Radical America.

Neidich places the matching pigment on a piece of paper laid flat on the ground, then pulls a brush through it, leaving traces of color on the bristles like an afterimage.

The scintillating effects arising through the calculated layering and juxtaposition of contrasting colors through repetitive line patterns elicit shuttering afterimages, optical flicker, and disorienting sensations of movement.

The title of the exhibition is a metaphor referring to the optical illusion of the afterimage.

She has authored and contributed to publications for the Guggenheim Museum, Vancouver Art Gallery, Walker Art Center, and Yale University Art Gallery, as well as journals such as Afterimage: The Journal of Media Arts and Cultural Criticism and Object Magazine.