The engraved and burnt petals of the «carbon offset» wall works resemble the lyrical movements of musical notation and the eerie
aftermath of a war scene.
Not exact matches
Fortunately, The Guernsey Literary and Potato Peel Pie Society mainly lives up to its name, if you enjoy pastoral
scenes set in the
aftermath of World
War II.
The signs
of war and general dissent are shown in the
aftermath as bodies pile up in public spaces and absurd
scenes become the norm.
I understand that the desire it to give the
scene a docudrama sense (like The Bourne Effect), and there is some logic to film
scenes about the
aftermath of war that way, to draw connections to the
wars and rebellions we've seen on TV and the internet.
In the immediate
aftermath of 9/11, as in week one, two, three and so on Ansari in his columns speculated on endless
war, the identity
of the
war makers, the civil liberties crisis, race, surveillance, garrison state, action movies, the intersections
of our foreign policy with our domestic
scenes, and how bad could it all get for him.