Sentences with phrase «again in films like»

As great as a character point as that is when it's serviced by sloppy rehashes of dialogue that we've heard Clint Eastwood deliver time and time again in films like A Fistful of Dollars all you can do is laugh at the film rather than with it.

The Irish actor is an imposing screen presence who has shown again and again in films like The Guard, In Bruges and Calvary his ability to seem sleazy and intimidating one moment and comic or vulnerable the next.

Not exact matches

Much like trolls» attempts to affect Black Panther «s status as a critical darling, the Twitter posts describing fake attacks at movie screenings also seemed to be part of a racist campaign meant to scare people away from theaters in order to hurt the film's overall box - office gross (again, a major fail).

not really making the news, the atmosphere on last wednesday was really strange, silent, step by step to normal football, but you can't throw away your thoughts immediately, I just got a glimpse of Enkes personality during a film of him shown before the match, I can't realize how hard it must be for his wife to lose him, tomorrow the players of Germans first Bundesliga will wear a black ribbon again, but I think it won't affect the atmosphere like it has with the national team despite of Hannover of course, people will be enthousiastic again, but there is the idea of an «Enke donation» which I like, will keep his name alive, will take some positive emotions on this tragedy and a kind of appeal for everyone to reflect the important things of life and control your own behaviour, I hope so at least, and I hope his wife will cope with that situation, and again: it was really hard for the German nationl team to play under these circumstances, to lose someone close in this way is hard to deal with, on the other hand it causes a close solidarity feeling I think, but of course the world will not change, things are returning to the old soon, but nonetheless for me this tragedy is a kind of human wake - up call, at least a call and then you continue

Again, film study will show you what to make of a player's seemingly low production, and being in the B - quadrant is not an automatic death knell, especially for players like Roquan Smith, Fred Warner, and Malik Jefferson, who are right at the border to the A-quadrant.

it is funny in deed but, when their is someone to cover Sandler's movie their most likely gonna never make a film again Oh look see Denis Dugan and Frank Coraci BOOOOOO!!!!!!!!! you suck stop making adam sandler movies here is the problem they are directors who don't care about cinematography or shots of using the camera all they care is comedy!!!!!!! see Tyler Perry yeah their just like this big joke.

121:45: Again, it just seems like a big middle - finger to fans of the first film to establish the Wayne / Vale relationship and to relatively ignore it in the second film.

Kasdan likes to go for a certain type of realism in his films, it's not always the pretty side of life and relationships and he did that again here.

«It's like I can see in color again,» says Marlo, who earlier in the film refers to her body as «a relief map for a war - torn country.»

Bresson, along with Ozu and Dreyer, formed a trinity at the heart of Schrader's book Transcendental Style in Film, and the filmmaker has faithfully returned to them again and again, channeling them in most of his directorial efforts, working within the so - called «Tarkovsky Ring» (films made within this ring will find commercial distribution, films like those of Bresson and Roberto Rossellini, while films outside of this ring are destined for museum and festival existences).

Although Douglas was again praised for her work — here portraying a Carole King - like singer / songwriter — the film did poorly among critics and at the box office.The actress went on to do a number of made - for - TV films, including the satirical Weapons of Mass Distraction in 1997.

At the same time, Uchida is responsible for some of the most remarkable swordplay films of the 1950s and»60s; his five - film Musashi Miyamoto epic (not screened at MOMA), starring Kinnosuke Nakamura in the title role and Ken Takakura as his arch-nemesis Kojiro, surpasses the better - known Inagaki Samurai Trilogy starring Toshiro Mifune in terms of both drama and swordplay, yet remains little - known in the West (despite its availability on DVD in the U.S.) After the BAM retrospective (and others) in 2008, most of Uchida's films remained unscreened and undistributed in America, so with MOMA's bigger series recently ending, it's time again to encourage distributors like the Criterion Collection, Kino Lorber, and Arrow Video to bring out more of the director's masterpieces, both for critical reconsideration and for those whom the veteran filmmaker will be a major new discovery.

Having previously worked with Emily Watson, who plays her mother in this film (on period drama Belle), Sarah enjoyed working with her again: «Working with Emily was great, I really felt like I had somebody in my corner,» she says.

I»LL TAKE YOU THERE is recommended for people who like black comedies, off - beat indie films, or are just curious to see Ally Sheedy in a good performance again.

Known for their sometimes idiosyncratic (but valid) choices, not deterred by what's popular in the Oscar race at large, the branch didn't fail again this year, singling out films like Hansel & Gretel: Witch Hunters...

For a project that has Untold in the title, this film plays like a by - the - numbers recounting of a story we've heard time and time again.

But yet again, that's the great thing about film... not everyone has to like... I, for one, HATED lost in translation and will NEVER see what the fuss about that movie was.

It's not like the film deals with this subject sensitively, but, again, I liked how it dealt with its characters and their actions in high school.

Logan Lucky was one of the better heist films I've seen in years, and I was ready to spend an hour and a half being impressed by ingenious crooked plan that runs like clockwork once again.

Not bad at all.this film keeps you guessing in ways you never do a lot in horror films.Rob Zombie directs theses actors like I've never seen a horror director do before.this movie is truly amazing, people are calling it «terrible» I call it «good» it's the kind of horror film that actually deals with characters and not just pointless blood and guts.I felt like all these characters really did go through something, and this movie is truly just about them overcoming it.I don't consider this a horror film, I consider this a drama / horror film, cause that is what it is, and I love it.this mvie isn't just about a killer killing people, it actually deals with the people he's after anf even deals with himself at times, which I truly loved.Rob Zombie has proved to me again that he could direct.perfect seq...

As with his previous film, Funny People, Apatow again cast his real - life wife (Leslie Mann) and daughters (Iris and Maude Apatow) in a bid for something like verisimilitude, with a pot - bellied Paul Rudd standing in as the writer - director's surrogate.

Now, in a move that should please anyone who likes to see the development of a great actor / director team, they're poised to work together again on a film called Low Life.

Like an ornery weatherman stuck living the same day over and over again, ticket - buyers trudged again to their local theater and, for the third time this year, made a horror film from Universal Pictures and Blumhouse Productions the No. 1 movie in America.

And he does it again in «The Amazing Spider - Man 2,» a film that, like its predecessor, has a green wart or two, but soars.

Like in the past, their work together has proven to be effective once again as we're handed a film that's marvelous to lay eyes on.

It's a film that even as it unfolds in unexpected ways, makes you feel like it's always been there and we can't wait to sink back under its spell again in December.

«In all of that time, all of those sacrifices you have to make, family things you couldn't go to or friends» events you couldn't do, getting to the end of making a film is like I'm glad I finally got to do it and I get to live a bit of my normal life again.»

This third film, The Bourne Ultimatum, directed again by Paul Greengrass and welcoming several key players (Joan Allen, Julia Stiles, Damon, screenwriter Tony Gilroy, DP Oliver Wood) back into the fold, ties both strings together: Bourne inhabiting his potential as something of an unparalleled killing machine while, simultaneously, becoming more human in his machine - like purposefulness.

The film also continues the franchise's renewed interest in practical effects, making this once again feel like a lived - in world populated by «real» creatures and «working» vehicles and droids.

The film is another piece of horror - tinged, genre filmmaking — this time the main inspirations are hyper violent»80s action films like Big Trouble in Little China and The Terminator (again)-- but like the duo's preceding film, it knows what it is, recognizes the flaws of its ancestors, and tries to improve upon them while holding onto that sense of reckless abandon that makes those movies so fun.

I didn't mean that I hope there's a wave of remakes, just that there might be an interest in classic American genres like film noir and the western once again.

I'm definitely gonna see it and I'm also so glad it has Andrea Riseborough in it — perhaps one of these days her participation in films like this will finally lead to some good roles that allow her to show her talent again.

Take away the love it or hate it score (it's jarring, but in its own way, it almost feels like it's a character itself) and the long stretches of dialogue - free footage (again, the praise for these scenes reeks of movie snobbery to me — five minutes is good, twenty minutes is puffed - up filler), and what you're left with is a film that showcases the downward descent of one man.

Once again, Corbijn has crafted a film with a tremendous sense of mood, in what looks like a grownup and mature movie, that will offer some an intelligent, tense little story.

In the begininning of the film he is working with amputees how to accept their new limbs and use focus in order to go back to doing routine things again like walking or playing a musical instrumenIn the begininning of the film he is working with amputees how to accept their new limbs and use focus in order to go back to doing routine things again like walking or playing a musical instrumenin order to go back to doing routine things again like walking or playing a musical instrument.

Luca Guadagnino's wonderful and erotic love story Call Me by Your Name is in there with solid recognitions for best film and best director, but again this film might have to content itself with what looks like, in footballing terms, mid-table respectability.

Elizabeth Karlsen, one of the producers on Todd Haynes» «Carol,» told Variety that the awards season felt like a roller - coaster ride this week, following the Producers Guild of America's decision to leave the film out of its nominations list on Tuesday; now the pic's team were on a high again with its very strong showing in the BAFTA race.

Once again, Black film directors like Ryan Coogler and F. Gary Gray find themselves shut out of nominations in the Best Director category.

Before that, the chief of police (Nick Offerman, that master of deadpan delivery) once again explains their new assignment in terms that sound suspiciously like they should be coming out of the mouth of a jaded Hollywood executive or a worn - out film critic.

In a way, the film plays like a greatest - hits collection of the worst films so far of Summer 2017, from an appearance by the Knights of the Round Table that calls to mind «King Arthur: Legend of the Sword,» the leaden comedy and leering courtship of «Baywatch» and the general «Why are we in England again?&raquIn a way, the film plays like a greatest - hits collection of the worst films so far of Summer 2017, from an appearance by the Knights of the Round Table that calls to mind «King Arthur: Legend of the Sword,» the leaden comedy and leering courtship of «Baywatch» and the general «Why are we in England again?&raquin England again?»

There is also a narrator during this section who never returns again in the film and the music, indebted heavily to Danny Elfman, comes on way too heavy here, playing every note of Maguire looking for the raccoons like Elmer Fudd hunting Bugs Bunny.

Four years later, he again stole the show as Bill Lumbergh in «Office Space,» and although it helped to buy him comic cred and parts in films like «Dodgeball,» «Talladega Nights» and «Pineapple Express,» he still remains a well - kept secret from the general public.

The film doesn't need to beat you over the head with the idea that treating children like humans will result in their becoming better ones — it shows that, time and again, but never tells.

Having just wrapped his eighth feature film (The Front Runner) last week, this Diablo Cody scripted dramedy on being a mom started filming in September of 2016 in Vancouver, and once again sees Young Adult «s Charlize Theron (she appears to have added some Monster like pounds for the part) in the fold.

Never Say Never Again is a score which polarises opinion like few others; whatever its merits in the film, the theme is a sexy and impressive one, with the fluttering flute solo (so typical of the composer) a particular highlight.

It still had in - jokes though (like Lestrade being at the ready to film Sherlock in his drug - addled state again), and plenty of fan moments (like more exploration of the Holmes family).

I liked the humans in the first three films and I liked them again here.

Godzilla does not appear in full until something like halfway through, at which point the film cruelly snatches him away and makes you focus on dull humans again.

He'll definitely be seeing him again in Avengers 4, either returning from a planet somewhere across the universe or out from the pocket dimension of the Soul Stone (assuming the film's Soul Stone actually is like its comic book counterpart).

Though Disney flirted with science fiction in the years before and after, The Black Hole is their most sincere effort, and one which seems out of place alongside films like Freaky Friday and The Apple Dumpling Gang Rides Again.