After the western art capitol moved from Paris to New York because of the wars, critics like Greenberg posed American abstraction
against Socialist Realism, and the standpoint of Social Realism became confused.
Not exact matches
Like many artists of that time, Ding's earliest venture into abstraction was a personal act of rebellion
against the earthy tones and glib smoothness of Russian
socialist realism, a figurative style that had heavily influenced the propagandistic art of the revolution.
However, even with all this attention, few exhibitions have asked the question of how,
against the background of thirty - five years of
Socialist Realism, this internationally - oriented artwork suddenly appeared and why it captured the attention of the international art market.
Sigmar Polke was one of the founders of «Capitalist
Realism» in Germany during the 60's, mockingly counterpoised
against the ideals of the dominant art - movement, «
Socialist Realism.»