For example, when I've received emails written in hard to read yellow and pink fonts
set against white backgrounds, I've deleted them without listening to the music.
In Joanne Greenbaum's energized yet controlled abstract paintings, vivid colors and contorted forms
float against white backgrounds — they have drawn comparisons to the work of artists such as Elizabeth Murray and Donald Judd.
This one goes as far as employing nude fabric (ice skaters everywhere cringe as their secret is divulged), and when Falco
stands against the white background her hips practically disappear.
Though the setup is about as simple as can be (97 % of it is talking
heads against white backgrounds), the arguments made for and against Allen's guilt are plenty fascinating, like when the validity of certain subjects interviewed is questioned by others.
This new poster is quite simple as it just shows Jolie's
Maleficent against a white background, but the makeup effects and Jolie's menacing face do a swell job of selling the character — and by extension the movie — on their own.
The ad, a giant billboard located near the Geneva Motor Show venue, takes a shot at Tesla CEO Elon Musk with the phrase «Your turn, Elon,» flanked by three Hyundai Kona electric compact
SUVs against a white background.
In 1966, German artist Gerhard Richter (born 1932) embarked on a series of paintings: uniform grids of colored rectangles or squares in a chart
configuration against a white background, inspired by industrially produced paint chips.
For Cynthia Greig «s project, «Representations,» the artist whitewashes objects with ordinary white house paint before using charcoal to outline the items, then photographing the transformed
objects against a white background.
Lauster positions these iconic objects alongside snarls of razor wire — a type of high - tension wire with sharp - edged blades made from steel tape — and barbed
wire against a white background.
Gazing upon a small image of 87 x 68
mm against the white background, viewers encounter time and space that extends without limit, perhaps also serving as a moment of «rediscovery» for us.
Katy Grannan's photographs of strangers in San Francisco and Hollywood have only two rules: they must be
taken against a white background and the subjects musn't look at the camera.