Not exact matches
As the struggle with Voldemort suggests, the premise of the story is allegorical — good / light
against evil / dark — with obvious revivals of the
genre traditions of British heroic legend and medieval romance, even though the films have modern elements.
Railing
against tradition, he gave new direction to the
genre by focusing on the psychology of his sitters.
How can we read these different artistic approaches
against the backdrop of current
genre - crossovers, commercial orders and the cinematographic
tradition itself?